Your Take: That Je Ne Sais Quoi
Craig Bickhardt, the author of blog Ninety Mile Wind, updated his site this week with a post titled “All the Spells,” about that elusive je ne sais quoi our favorite songs have about them. Bickhardt knows a thing or two about songwriting (his own tunes have been recorded by Ray Charles, Johnny Cash, B. B. King, Alison Krauss and Vince Gill), and offers an interesting perspective on the craft. The passage is a little long, but so poetically thoughtful that I’ve included it in full:
The instinct is a mystery. We can’t justify it, can’t explain it, or defend it. We just feel it. A song pulls us into itself before we have time to over-analyze what we’re doing. It’s the mysticism of songs that compels us to search for new ones. We discover something that reflects the beauty of the world as it appears through our idealism and we call it a song. The whole universe would sing it, every star in the night, if only it were perfect.
We second guess the instinct. We tinker with the spontaneous “unseen logic” (as Emerson refers to it); those will-o-the-wisps of connection too serendipitous to be planned and too recent to be mapped. In the process of seeking critical approval, seeking the elusive cut, we lose something. The logic has become visible and the mystery goes out. It’s so subtle it would be invisible under a microscope.
Why do you love your favorite songs? Search in vain for the definitive reason; you can’t name it, can’t point to it, can’t analyze it, you just feel it.
If pushed for a critique some would say the Beatles song “Yesterday” needed more attitude and imagery in the lyric. I can imagine being a young McCartney trying to sell that tune in Nashville today. Good luck, Pauly. The song defies this kind of criticism because we feel the tug of the soul when we hear it. Do you trust that mysterious instinct, that soul-tug, or do you trust the ever-logical criticism?
Like the illusion that the earth stands still as the heavens move around it, “right” is sometimes just a way of seeing something that could easily be proved wrong eventually. If a song sends a shiver down your spine, you don’t need to ask for someone else’s opinion of the shiver or the shape of your spine. Better to ask why there’s no shiver produced by the other songs. And that’s probably a simple question to answer: because there’s no mystery in them. They are laid out like assembly directions. Welcome to contemporary hit radio…
I turned a friend of mine onto one of my favorite songwriters this week, Bruce Cockburn (last name rhymes with “slow turn”). I discovered Bruce back in high school when a copy of his first LP fell into my hands out of a discarded radio library. Such luck rarely repeats. He has a lot of wonderful songs, but there’s one in particular I love called “Pacing the Cage”. It has a verse in it that could be the creed of every serious songwriter:
I never knew what you all wanted
So I gave you everything
All that I could pillage
All the spells that I could singWe are in the advantageous position of offering something, everything that we are in song. We can weave spells. The spell is part of the mystery; the incantations of the spirit. I’m skeptical of things that appear “right” when they ought to appear mysterious. I’d rather a song lift me off the earth than grasp at my ankles.
What is your favorite song, the one that sends shivers down your spine? Is there no way, as Bickhardt proposes, for you to effectively convey why it grabs a hold of you, or have you pinpointed exactly what makes it so special?
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Alison Krauss // B.B. King // Craig Bickhardt // Johnny Cash // Ninety Mile Wind // Ray Charles // Vince Gill // Your Take
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July 11, 2009 at 8:56 am Permalink
Layla by Derek & the Dominos. The opening guitar riff still gets the hairs on my back up, nearly 40 years later. Seven minutes of pure joy.
Still hard to believe that the beautiful piano coda was composed by EC’s drummer who later murdered his own mom with an ax.
The whole thing is beyond explanation for me…….
July 11, 2009 at 11:42 am Permalink
The song that comes to mind for me is called “Moon is Shining,” written by Doyle Bramhall (SRV’s producer) and performed by Native SD blues group Indigenous. It reminded me of home when I was far away, and I imagine it would remind anyone of home.
What I found mystifying about it was that it sounded so “Sioux” and so “South Dakota” that I thought Mato Nanje had written it, but it was written by a white guy from Texas.
July 11, 2009 at 3:20 pm Permalink
I have way too many songs that I could list, but for most of them, I cant really pin down why I love them. I would say he’s right. There’s something mysterious about it that kills you every time you hear it.
Every time I hear Joey+Rory’s “Heart of the Wood”, a little tear comes to my eye when they get to the money shot. I believe thats one of the best twists of a hook ive ever heard.
Another song that really touches me is DC Talk’s “What If I Stumble”. From the recitation of Brennann Mannings theory on atheism, to the lyrics. They’re one of the few bands, especially then, questioning their motives.
A song that I cant put my finger on why I love it, is “If Hollywood Dont Need You” by Don Williams. I can just listen to it over and over.
July 11, 2009 at 7:46 pm Permalink
A good number of songs really do send shivers down my spine, like “Stay” by Sugarland. The bridge before the final chorus really gets me I guess. The same goes for the end of “Travelin’ Soldier” by the Dixie Chicks and “You’ll Never Leave Harlan Alive” by Patty Loveless/Kathy Mattea.
Outside of country music, there’s “Gravity” by Sara Bareilles, “Please Don’t Leave Me” by P!nk, “This Tornado Loves You” by Neko Case and “Sober” by Kelly Clarkson.
July 11, 2009 at 8:39 pm Permalink
One song is “Falling” by Canada’s Bruce Guthro. Hauntingly beautiful. About a daying father returning to make amends with his stranged son. Also – “Angry All The Time” by Tim McGraw. Heartbreaking and real.
July 11, 2009 at 10:49 pm Permalink
As far as country music goes, I have to pick “Hurt” by Johnny Cash. My non-country pick goes to “Ponytail Parade” by Emery.
July 11, 2009 at 10:51 pm Permalink
Chris: Did you see the addicition dance to Gravity on So You Think You Can Dance?
My chills song would be the Kasey Chambers cover of No Time to Cry, because of the lyrics and the way her voice breaks.
July 11, 2009 at 11:25 pm Permalink
Inside the realm of country, I Will Always Love You by Dolly Parton sends shivers down my spine every time. There’s just something about the way that Dolly sings it.
Outside of country, I’d echo Chris D. by saying that Sara Bareilles’s Gravity sends shivers down my spine. How to Save a Life by The Fray does the same thing.
July 11, 2009 at 11:38 pm Permalink
Chris D….you should really hunt down a Darrell Scott live version of “Youll Never Leave Harlan Alive”. Puts all the others to shame.
July 12, 2009 at 12:46 am Permalink
Je na sais quoi?
Ooh la la.
July 12, 2009 at 12:49 am Permalink
I gotta go with (outside of country) a band called Carbon Leaf with “Texas Stars” (WIll your heroes and stars play/ your lullaby for the Texas sky tonight/ your heroes and stars are bright) and another song by the same band called “Let your troubles roll by” (You’ve come far and though you’re far from the end/ you don’t mind where you are cause you know where you’ve been) as my songs.
July 12, 2009 at 2:53 am Permalink
Carbon Leaf est très bonne.
July 12, 2009 at 6:40 am Permalink
This is an interesting discussion. There’s a Rodney Crowell song called ‘I Know Love Is All I Need’ that I should hate, and had it been written by almost any other writer and performed by almost any performer, I probably would. But in the way of all inspired geniuses, there’s an intangible spirit to the song that transcends it’s trite message. The intimacy of the performance is peerless, the lyric captures a single, specific moment while simultaneously being so broad it is almost generic.
The secret is that true creative talent comes at life from an ever so slightly different angle to the rest of us. It crystallizes a world within the song – it manages to make sense even if the lyric itself is nonsensical (see 80% of Bob Dylan’s catalogue eg. Visions of Johanna).
Great often express their message in a way that never would have occurred to anyone else. How often have you heard a song and thought ‘I could’ve written that!’ or heard someone else make a similar remark. The difference is – you didn’t! And that’s the gap.
The simplicity of a lyric like ‘I want to sleep with you forever’ is why it works so well, but it took Rodney Crowell to occur to come up with it.
Examples:
I can’t get no satisfaction – Mick Jagger
I don’t like a thing about the way we live – Rodney Crowell
I’ve been loving you too long to stop now – Otis Redding
I’m a substitute for another guy – Pete Townshend
Alison, my aim is true – Elvis Costello
I’ll just touch your face and drift away, like smoke rings in the dark – Rivers Rutherford, Houston Robert
I remember how you used to kiss me, now I’m gone and you don’t seem to miss me. – Jim Lauderdale
Each of those lyrics has an intangible element that just makes perfect sense to the ears – they just sound right! It’s the same for a great guitar riff – Brown Sugar, Sunshine of Your Love, Satisfaction, Whole Lotta Love. They just work.
July 12, 2009 at 7:56 am Permalink
Stormy: No, I didn’t! I’ll look it up now…
July 12, 2009 at 8:01 am Permalink
Update: I watched it, pretty sweet depiction fo the song.
July 12, 2009 at 9:32 am Permalink
http://www.youtube.com/watch?v=Q_Lv_Feui8c
There it is for everyone who hasn’t seen it. Warning, its not easy to watch dry eyed.
July 12, 2009 at 10:17 am Permalink
I’d say “Travelin’ Soldier” by the Dixie Chicks as well. It’s just so acoustic and haunting.
July 12, 2009 at 4:13 pm Permalink
“The Guitar” by Guy Clark gets me every time I hear it.
July 12, 2009 at 5:10 pm Permalink
Stormy, have you seen the music video for “Gravity”? It’s pretty cool:
http://www.youtube.com/watch?v=C3mKQT08_rk
July 12, 2009 at 6:47 pm Permalink
It is an interesting video. I’m liking Sarah more and more the more I hear of her which, unfortunately, does not happen too much anymore.
July 12, 2009 at 6:49 pm Permalink
Oooh, another good spine tingly song–Can You Live Without by Guy Forsythe. Its amazing how he soars from the blunt “Can you live without water for five days?” to the quiet “Can you live without her breath on your neck?”
July 20, 2009 at 9:45 pm Permalink
From a Country song dolly parton I will always love you
And outside of country my heart will go on. The movie probably has a lot to do with that one.
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