Your Take: Resonation

Karlie Justus | June 5th, 2010

This week at The 9513, we’re giving away the new Court Yard Hounds album to one lucky commenter who leaves his or her favorite Dixie Chick song, album or memory.

Reader Kaylin left a comment about how the country group has influenced her life over time:

I have loved the Dixie Chicks since their first album, “Wide Open Spaces,” was released when I was in fourth grade. I remember listening to that album over and over. My favorite song is “Wide Open Spaces” because it influenced me to follow my dreams and to realize the world is full of opportunities. I also saw the Chicks in concert during their “Fly” tour, and the concert was amazing! And now, as a college graduate, I still love the Dixie Chicks. I supported them when it seemed like no one else did, and I will continue supporting them. They are very talented and will always be my favorite band.

Similarly, over on her personal blog, country artist Miss Leslie wrote about her theory on what makes different artists stick with different people throughout the different periods of their lives:

If you notice from singing in general, everyone has a different tonality to their voice. Listen to Vern Gosdin and compare his voice to Johnny Bush or Lefty Frizzell or Willie Nelson or Patsy Cline or George Jones. These are all examples of very distinctive voices – sounds that resonate quite differently in these people’s heads. It would be physically impossible for them to sound alike – based on their head shapes, sinus cavities, vocal cords and lung capacity. They were designed to sound the way that they did/do.

My theory is that the listener hears things differently as well. Different voices resonate differently within our heads – making one artist ring true for us and another ring/sound bad. It’s why someone listens to Bill Monroe and thinks it sounds awful and another person thinks it’s just about the coolest sound they’ve ever heard. Or why someone likes to hear tenors like Vince Gill or Ricky Skaggs and not baritones like Keith Whitley or basses like Randy Travis.

And my theory extends beyond resonation within an individual’s head space. I believe that we hear things differently based on the times that we live in. Jimmie Rodgers wouldn’t stand a chance now. He’d be really hard pressed to find anyone that would get his voice. But at the time, his voice was very consistent with the sounds of other singers.

What’s your take? Do you agree with Miss Leslie’s theory that we perceive music differently in different stages and ages of our lives? What types of country music have appealed to you throughout the different circumstances, geographies and times of your life?

  1. Paul W Dennis
    June 5, 2010 at 7:41 am

    It’s an interesting theory. I really hadn’t given the matter much thought although I suspect that the prevailing culture would be more of an explanation.

    Look at how the ideals of feminine beauty change. Facially I think many of today’s top models are pug-ugly and many of them look like waifs

    Marilyn Monroe, whom I regard as extremely attractive, would be regarded as fat by many today. I always though actress Lee Remick and singer Connie Smith were beautiful, but I’m not sure they fit the modern definition of beauty

  2. Nicolas
    June 5, 2010 at 8:16 am

    I’ve always loved Sara Evans most =)

  3. Troy
    June 5, 2010 at 12:05 pm

    I agree with Miss Leslie about the different type of voices because I can’t listen to singers with brass vocals its too deep for me and doesn’t sound good. But I really haven’t had a major change in the type of music I like.

  4. Matt Bjorke
    June 5, 2010 at 12:22 pm

    I love tenor singers but my own voice is somewhere between there and baritone. I genuinely like most voices that I hear but sometimes there is a nasal quality that can dereail an artist for me.

  5. Nicolas
    June 5, 2010 at 12:52 pm

    As far as vocal types go, I quite like the nasal and twangy sounds <3 hehe

  6. J.B.
    June 5, 2010 at 1:09 pm

    Well, the shift in taste is definitely something that is true for me. When I was a kid (not too long ago), I could listen to Patsy Cline and John Michael Montgomery on the same car ride, and think that they both had equally distinguished voices in their respective rights. Now, it’s painful for me to listen to Montgomery’s voice. I suppose part of it is that I actually began to study music in school, and got a better ear for what vocal “skill” entails. It’s all been filtered through my own personal sound perception, though.

    And yes, I definitely think that part of an artist’s initial acceptance or rejection by consumers has to do with the time period. I’m pretty sure I’m unable to explain exactly HOW…but I believe it. Absolutely.

  7. Ben Foster
    June 5, 2010 at 3:21 pm

    I definitely agree that we perceive things differently at different points in our lives. That has been the case with me. As a young child growing up in the nineties, I was raised on the contemporary country of Garth Brooks, Lorrie Morgan, LeAnn Rimes, and Faith Hill. At first, it was the signature sound of country music (fiddle and steel) that attracted me. It wasn’t until I got a bit older that I began to have a deeper appreciation for the lyrics and emotions. When I was introduced to the softer, and more traditional sounds of legends like Patsy and Loretta, I at first dismissed them as not having enough ‘oomph’ for me (Though I’m ashamed to admit that now). But as modern country becomes increasingly louder and more pop-heavy, listening to “Crazy” or “Coal Miner’s Daughter” has become a pleasant escape into tranquility for me. I eventually became increasingly interested in traditional country, and my appreciation for it continues to deepen. I’ve noticed that the emotions seem to run deeper in old classic songs. Now I really see why people say that “They just don’t make ‘em like they used to.”

    Back to the instruments. In my single reviews, I have a tendency to pick on artists for not being country enough, and I suppose I probably should try not to do that. But since the country instruments were what attracted me to the genre in the first place, it saddens me to see them gradually replaced by percussion and electric guitars.

  8. K
    June 5, 2010 at 4:34 pm

    This is a really interesting discussion topic. I would say my tastes have definatly changed over the years. When I was younger, I only listened to pop music, especially the ones that were most visible at the time (Britney Spears, Christina Augliera, N’snyc, etc).

    After the pop craze died down, I remember seeing Lee Ann Womack’s video for “I Hope You Dance,” and falling in love with the song, and purchasing the album, which became my first introduction into country music. Shortly thereafter I started listening to Toby Keith’s earlier work, and also really liking the first Dixie Chicks album. I listened to a lot of earlier Kenny Chesney albums, and some Alan Jackson.

    I don’t listen to Toby,Lee Ann, Alan or Chesney at all now, and I don’t even enjoy their voices. I still like the Chicks, but I wasn’t crazy about “Fly,” so there was an absence between 200 and 2006 when I bought “Taking The Long Way,” which I still really enjoy.

    After these artists lost my interest, I started listening to more pop-influenced country music (Rascal Flatts, Carrie Underwood,Shania), and then I was introduced to a host of other artists (Shedaisy, Little Big Town, Gary Allan, The Wreckers, Blake Shelton,) and it continued from there.

    I still perfer pop influnces, but I have come to appreciate both older and newer styles as I’ve gotten older, and have gained a deeper appreciation for a great lyric. Now I listen to a mix of artists including Rascal Flatts, Carrie, Miranda Lambert, George Strait, Shanendoah, Brooks and Dunn and Clay Walker.

    I tend to gravitate towards female artists, and I love listening to male artists with unique voices. So many male artists seem to have the same sound, or very range or variety in their music, while I find that to be less prevelant with the females.

  9. Julia C H
    June 5, 2010 at 6:43 pm

    I agree. The music that I listened to growing up was defined mainly by radio, parental influence and geography. So it was pop music, classic rock and a lot of country music.

    When I was in high school I developed a further interest in country music (upon spending a lot of time in the United States) which at that that time for me meant Dixie Chicks, Tim McGraw, Garth Brooks and Faith Hill. I was very unsettled and my favourite songs were tracks akin to “Wide Open Spaces”, “Better Life” and “Telluride”. Of course, when I think country music now, those are not the first names (or tracks) that spring to mind.

    If I look at my currently top rated tracks on iTunes, they collectively and thematically sombre country songs: “He Stopped Loving Her Today”, “Travelin Soldier”, “Three Wooden Crosses”, “Walking After Midnight”, “If I Had Only Known”, “The Back Of Your Hand” and “Drive In Movie”. Why? I am not quite sure. However, I can all but guarantee that in three years these top rated tracks will be different and the collective the theme will be happy or frustrated, but they will certainly not be the same.

    I think we all change over time. We are influenced by geography, personal relationships, tragedy, defining moments. While our fundamental tastes may remain, our broader musical preferences will change alongside us.

  10. I Am Very Cute
    June 6, 2010 at 4:56 am

    I consider Tony Bennett and Jeff Mangum (Neutral Milk Hotel) on the same caliber. I enjoy listening to both their voices and songs.

    They say Bob Dylan can’t sing but to be honest, i enjoy listening to his voice rather than those manufactured roughness of David Cook and Eric Durance(back when he was fronting post-grunge band Big Dismal)

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