Your Take: Do Discount Gimmicks Hurt Independent Artists?
With all the gloom and doom being thrown around about bailouts, layoffs and the state of the economy in general, new albums aren’t exactly flying off the shelves these days. Combine that with slumping sales of the music industry in general, and you’ve got record labels scrambling to push artist albums out the door.
It’s no surprise then music marketers have turned to shockingly low-priced, limited-time specials to entice listeners to part with their hard-earned cash. To promote the release of his fourth studio album Feel That Fire, Dierks Bentley released his entire album as a digital download on Amazon for $3.99.
Although Feel That Fire’s $3.99 price tag was reportedly a limited-time offer, the deal still stands on Amazon’s site.
The offer generated a lot of media coverage (including here on The 9513) and garnered praise from fans thankful for the discount. So that’s a good thing, right?
Ben Cisneros, a contributor to The 9513 who comments here as Hollerin’ Ben, wasn’t so sure:
I think this whole Dierks for $3.99 thing is a net negative for music overall. It’s just another downward pressure on music pricing in general, making it even harder for independent artists, or artists on small labels, to come anywhere close to breaking even with their recording costs.
Do you agree with Ben? When big names like Dierks offer up their new albums at deep discounts, are they giving fans a break or killing the little man? Do you think artists have a hand in these discounts, or are these marketing schemes put in place by record labels?
On the other hand, independent honky-tonker Miss Leslie recently offered up free autographed copies of her album Between the Whiskey and the Wine to anyone who sent in their name and address through her site or MySpace page.
Do you see a difference between the gimmicks, since Miss Leslie is an independent artist trying to build a national fan base, and Dierks Bentley already has the backing of a major country music label to his name?
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February 14, 2009 at 7:49 am Permalink
Ah…I’ve already been down this road. I’ll stay out this time.:)
February 14, 2009 at 9:34 am Permalink
Tricky question. I’m sure it is entirely a marketing stratagem, and I’d be surprised if the artist had any say at all. Actually, I think discounting new releases so substantially tends to devalue them. In terms of Dierks’ new record, this feels not inappropriate, since it’s substantially poorer than his previous ones, so it’s not worth as much, but that probably wasn’t the message the label intended.
With regard to Ben’s point, I think it is true that one expects indie releases to be as cheap as, or cheaper than, major label ones because they don’t have the same money to recoup in marketing costs, so if all major label releases were to be available at or below the cost of production, that could affect what buyers of independent records are prepared to spend. But record labels are in the business of making money, and I don’t think they can afford to lower general prices significantly on a long term basis. Retailers may be able to do that, as loss-leaders for other merchandise, but that’s a slightly different matter, and even these are likly to be applied to specific items rather than across the board. Short term offers and those affecting a few artists at any one time shouldn’t change the overall marketplace.
February 14, 2009 at 10:44 am Permalink
Smarter people then myself have been trying to figure this out for years now. The big labels had a long stretch dictating terms to both artists and consumers as long as they held the keys to distribution. Once distribution was a mouse click away and the product was no longer trapped in an album, cassette or CD. In response to a changing world the labels didn’t get smart, they got lawyers and damaged an already tenuous relationship. To this day a full priced CD. The full price of a CD at Best Buy still hovers around $15. I think iTunes and Bitorrent has made that price point a non0starter, but the labels don’t get it.
Young bands like The Dexateens give away their (excellent) new release as a loss leader to increase awareness and make the money on their tours and merch tables. Veterans like Prince see giving away new music as a media stunt, because people don’t want to hear new music from them. They’re interested in the hits.
Good? bad? I don’t know…but it’s going to shake out and look a lot different. I just hope there’s enough money left over to allow excellent artists to quit their day jobs and that the technology allows artist that don’t fit the rigid (and boring) American Idol/Nashville Star mold to get their voice out.
February 14, 2009 at 10:51 am Permalink
To a large extent, major label artists and indie artists are appealing to different niches of the fanbase. While some overlap is inevitable, for the most part, Taylor Swift and Miss Leslie are not in direct competition with each other, so I don’t see how their pricing schemes/marketing gimmicks really have an impact on each other.
I do think that extreme discounts further devalue RIAA certifications, though. How many people who paid $3.99 for Dierks’ album would have been willing to buy it at the full price?
February 14, 2009 at 11:07 am Permalink
Everyone knows (and I think perhaps even the music industry is finally catching on) that the days of those guys being able to make money selling discs of plastic for $12.99 and up are long gone. Seth Godin has a current blog post about this very topic. Anyhow, the $3.99 CDs are a decent deal and likely to get people who would otherwise torrent his CD or just pass over it to consider springing for it. As far as hurting the labels I am pretty sure Amazon is treating these Cds as loss leaders to get people into their music store, especially since they no longer have anything on the iTunes store now that Apple has been able to drop their DRM.
February 14, 2009 at 1:02 pm Permalink
Does it hurt independent artists when big-name artists sell their albums on a discount? That’s definitely some flawed logic right there. It benefits the consumer, and presumably the artist selling the album if they’re confident in the music and sales… end of story. If the independents can’t match up, then find another way, don’t bitch and turn it into a mom & pop store versus Wal-Mart argument.
February 14, 2009 at 1:29 pm Permalink
Actually its not a bad thing, because it lets indie artists do things like give away their cds which gets them into the hands of fans who will come to their concerts. In an era of 10, 15, 20 million selling albums we got away from the purpose of albums–albums are not supposed to be profit tools, they are supposed to be promotional tools. Artists make money off of the live shows. Pulling down the cost barrier that keeps indie music out of the hands of fans is a good thing.
February 14, 2009 at 1:30 pm Permalink
And, lets face it, if you have Neko Case’s album for 25.00 and Carrie Underwood’s album for 1.99, Neko’s fans will find the other 23.00.
February 14, 2009 at 5:54 pm Permalink
“And, lets face it, if you have Neko Case’s album for 25.00 and Carrie Underwood’s album for 1.99, Neko’s fans will find the other 23.00.”
Do you ever do any research before making such an asinine statement?
Both Neko Case & Carrie Underwood albums are selling for around $9.99 at Amazon. Never seen a CU album for $1.99 unless it was at some flea market or a garage sale.
February 14, 2009 at 6:23 pm Permalink
I think Stormy was just trying to get a point across – Fans of Neko Case wouldn’t buy Carrie’s album instead of Neko’s, regardless of price.
February 14, 2009 at 6:56 pm Permalink
I think there are some unwarranted assumptions there (sorry): firstly it implies that fans of artists like Neko have more money than those of Carrie Underwood as well as being more prepared to spend it, and I’m not convinced either is true; secondly, even if they’re willing to shell out for artists they already like, will they be prepared to take chances on new independent artists (or at least as many of them as they might at lower prices)? And it’s not just the price per se, but perceptions as to whether something is value for monry or overpriced. There might just as easily be Carrie fans who would be prepared to pay high prices for her records.
Do songwriters get a reduced royalty rate if the album their songs are on is sold at a discount rate?
February 14, 2009 at 6:59 pm Permalink
Actually, all I was trying to say is that you aren’t going to sidetrack alt-country fans with cheap mainstream country albums. Keep in mind, this is a fan base that was used to jumping through hoops and paying extra for albums.
February 14, 2009 at 7:12 pm Permalink
Fair enough, once the fan base is developed. I do think there’s an argument that it may be trickier to encourage potential new fans to part with their money if the product is significantly more expensive in which case it may be seen as being overpriced – and most people start exposed to the mainstream. It’s not that anyone would be persuaded to buy Carrie’s latest instead, rather that they might end up passing altogether. And the smaller the market is to start with, the more each individual lost sale hurts.
February 14, 2009 at 7:13 pm Permalink
“Actually, all I was trying to say is that you aren’t going to sidetrack alt-country fans with cheap mainstream country albums.”
That was my point as well.
February 14, 2009 at 7:57 pm Permalink
But I think you could side track mainstream country fans with cheap alt-country albums. I think it would be more likely that a Carrie or Taylor or pick any mainstream artist fan to pay full price for say a Carrie cd or whoever and notice a Neko Case cd for 3.99 and recognize the name from a blog or article they may have read and throw that in the cart as well. If they like it great deal if they don’t oh well it was only 3.99.
February 14, 2009 at 9:19 pm Permalink
I didn’t get sidetracked! I didn’t buy Dierk’s album, and probably won’t because I don’t like his music. Not worth the MP3 space. I did however, drive 20 miles to a cd store to spend 8.98 on a cd I did want. I know this is a minority attitude about how to buy music, but independents seem to thrive off of the anti pop crowd anyway. The economy affects everyone sure, but I think independents will continue like they have always done, and people who want good music will find them no matter what the economic condition or big label marketing gimmicks.
February 14, 2009 at 9:39 pm Permalink
Gavin: Exactly, which is how this new pricing plan can help alt-country singers.
February 15, 2009 at 12:28 am Permalink
I think the mainstream vs alt.country is a red herring. The numbers will always be on the mainstream artists side because the big labels don’t out their muscle behind someone that’s not moving mucho units. If you move 200k+ units you can afford to sell at lower prices. Especially when concert tickets are $40 and over. Lower music prices are always going to have a more adverse affects on the alt.country performer.
Fans of Underwood are not going to typically move to Neko Case because her release costs less. The appeal of each is very different to each audience and there’s very little overlap. And, in my opinion, Underwood and Taylor are entertainers. Case is an artist (or at least at a craftsman.) There is a different motivation that drives customers to each.
February 15, 2009 at 9:52 am Permalink
Baron Lane: Most mainstream country fans don’t differentiate between sub genres. All they know is Neko Case is in the country section along with Carrie Underwood, Taylor Swift, and many others. The only difference is familiarity. While artists like Carrie Underwood enjoy the spoils of mass marketing Neko Case and artists like her must be more innovative. What will motivate me as an consumer to pick up Neko Case album and read the back? Price. My motivation behind actually purchasing the album? Curiosity. The trick is finding out how much I’m willing to spend to satisfy it.
February 15, 2009 at 11:06 am Permalink
Baron: Most alt-country artists are not with major labels. Neko Case summed it up well in her interview with Playboy:
NC: If you want to make music, try to do it as much yourself as you can. If you’re gonna sign a record contract, be really careful; there are landmines all over them. And don’t ever think that because you’re a musician, you’re just lucky to be there. The attitude of the clubs and the record companies a lot of times is, “Hey, you know you can take it or leave it,” which isn’t true. What you do is so much more valuable than that.
Gavin: Most alt-country acts aren’t found in the country section.
February 15, 2009 at 8:21 pm Permalink
Gavin: Except Neko Case can NOT be found in the country section. Even on iTunes she’s in “Alternative.” I think you are an anomaly for most music consumers. Do you really think that most Underwood fans are musically curious? Really? I still contend that the barrier between moving an Underwood fan to Case is not price, it’s the kind of music each offers and the already established familiarity in the consumer that entertainers like Underwood get from commercial country radio.
Stormy: I agree completely.
February 15, 2009 at 11:18 pm Permalink
The opportunity I see is that I hear more people who are looking for good country music who have already been turned off by the mainstream than I hear peopel looking for more music like mainstream country.
February 16, 2009 at 7:29 pm Permalink
All I know is that I like to buy actual CDs for as little as possible and I don’t buy downloads at all. If I can acquire a CD I really want for a reasonable price, say $ 15 or less, I will gladly pay for it. There are still a fair number of music loving dinosaurs like me that don’t have an MP3 player and have no interest in acquiring one. If an album I want isn’t offered in the CD format, I just won’t buy it.
Neko Case and Carrie Underwood do have one ting in common. I wouldn’t pay a dime by music from either of them in any format. A friend purchased a copy of “Blacklisted” and since he didn’t like it gave it to me. I endured listening through a couple of times then sold it on eBay. Neko doesn’t do anything for me personally although I know she has a dedicated following. Neko’s vocals are not my cup of tea..
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