Trace Adkins – “All I Ask For Anymore”
Some fans are quick to leap to the defense of their critically-panned favorites by pointing out that every song can’t be groundbreaking–or, better still, by arguing that there’s nothing new under the sun anyway, so we might as well lap up every last bit of derivative schlock.
They’re partially right–it’s hard to argue with Ecclesiastes–but they are mostly missing the point. Every song can’t be groundbreaking, but it’s not too much to expect that every song be good, an effective and compelling piece of work on its own terms. That’s exactly what Trace Adkins delivers with the third single from his strong (if uncreatively titled) 2008 album X.
There’s nothing revolutionary about “All I Ask for Anymore.” The lyrics concern a guy whose priorities have shifted from the more superficial and selfish concerns of youth to matters a little closer to the heart of a family man–namely, the happiness and security of his wife and children. The production begins sparse, builds gradually with strings, reaches its emotional peak near the end, then backs off for an almost-spoken final line. How many times have we encountered that blueprint?
The fact that it works is a testament to the interpretive ability of Trace Adkins, the rare radio favorite who understands that one of the quickest ways to ruin a decent ballad is by trying too hard. Where the over-the-top stylings of a Richie McDonald or Josh Gracin would send a lyric like this shooting into the sappy stratosphere, Adkins’ performance is all manly restraint, an effective counterbalance to the sentimental message. This is one of his most nuanced vocals yet.
It doesn’t hurt that Adkins has a voice like a slab of concrete, seemingly made to deliver sturdy songs of fatherly affection. Nor does it hurt that this is topical territory he can enter with the utmost confidence, having already scored hits with similarly-themed songs like “Then They Do” and “You’re Gonna Miss This.” If it’s a formula, it’s one that’s still working remarkably well.
“All I Ask for Anymore” isn’t groundbreaking–it’s not even the best song from the album (a distinction that probably belongs to “Til the Last Shot’s Fired” or “Sometimes a Man Takes a Drink”). But it is an accomplished singer playing to his strengths with an easy confidence that feels groundbreaking amid all the overexertion and ‘please love me’ pleading of his radio peers.
Are we sure this is the same guy who sang about chrome and badonkadonks?
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May 15, 2009 at 1:32 pm Permalink
I really struggled the first time through with just getting through the first verse. If I’d been a publisher rather than a 9513 reader who loves to form her own (usually conflciting) opinions, I’d have never finished the first verse. That said, I’m glad I did – I like the song. It’s very good. Not great, but very good.
Listening now for the second time, the first verse is ‘better’ because I now have it in context and know where it’s going. First time through, not so much.
I can’t seem to find the songwriters on this one though.
May 15, 2009 at 1:52 pm Permalink
I had that same response to the first verse before I knew where it was going, Paula. Not the most striking start, to be sure.
The songwriters are Casey Beathard and Tim James.
May 15, 2009 at 4:18 pm Permalink
Trace is one of the few bright spots left on Top 40 country radio. Its nice they’ve given him the leeway to issue singles from the silly and outrageous (badonkadonk) to the deep and poignant and still get them played on the air. This is a nice song and I hope it does well on the charts. At least the awkward first verse becomes okay after a listen or two unlike some songs where the lyrics are never bearable…
May 18, 2009 at 4:06 am Permalink
This is a great song, and not just because of his voice. Someone on the radio made that point but consider the source. I Love it.
May 21, 2009 at 6:51 pm Permalink
This is a decent track, but I’m still baffled why his label would rather settle for a decent offering rather than one of the stellar offerings on “X”.
From everyone I talk to, the same two favorite tracks are mentioned: “I Can’t Outrun You” and “Til’ The Last Shot’s Fired”, with “Sometimes A Man Takes A Drink” also mentioned heavily. “Hauling One Thing” and “Better Than I Thought It’d Be” are also cuts I find strong on their own, but when it comes to favorites, the aforementioned three titles are unanimously, or near unanimously when it comes to “SAMTAD”, mentioned.
When “X” is presently off the Billboard 200 and has only sold about 175,000 copies to date, and it’s evident that “Marry For Money” didn’t turn the album’s fortunes around, I don’t think Capitol Nashville has anything to lose really by just winging one of those stellar tracks. Who knows…………they themselves may be pleasantly surprised by what a fan favorite can achieve in the commercial realm.
October 1, 2009 at 5:01 pm Permalink
where can I get the piano sheet music for “All I ask for anymore”…..thanks..
November 12, 2009 at 1:46 pm Permalink
Even Picasso did “derivative” art. Adkins is the balladeer of our time. “All I Ask For Anymore” is destined to top the charts. It is beautiful work.
December 23, 2009 at 8:51 am Permalink
Sheet music for “All I Ask For Anymore” is included in “2009 Country Superstars Sheet Music Playlist” on the web at http://www.sheetmusicplus.com/look_inside/19259805/image/315740. I haven’t seen the song listed anywhere as a standalone piece.
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