Top 10 Garth Brooks Cowboy Songs

Jim Malec | March 22nd, 2010

Garth Brooks is often criticized (wrongly, in this writer’s opinion) for driving country music away from its roots and towards a more pop or rock oriented sound. While it’s true that Brooks’ massive popularity catapulted him to heights unseen be any country artist before or since, throughout his career he was a steadfast purveyor of various incarnations of traditional country music. Few of those songs made in onto country radio, or course, but in his catalog you will find a consistent and long line of examples which prove that his commitment to the genre was more than a marketing ploy.

One such example is Brooks’ love of cowboy songs, a style that was, even in the early 1990s, all but forsaken by mainstream country music. Few of Brooks’ peers or followers have gone as far as to record one such song, but Brooks included at least one on every of his multi-platinum albums (except Sevens). That fact means that while radio was playing “Shameless” and “That Summer,” tens of millions of fans were being exposed to a form of country music that few other modern mainstream artists have been willing to embrace.

He sang ‘em well, too. Here’s a countdown of Garth Brooks’ top ten cowboy songs.

  • The Chase10. “Night Rider’s Lament” – from The Chase (1992)

    One night a cowboy is working the graveyard shift, when, by the light of the full moon, he reads a letter from a friend back home. “Why do you ride for your money,” the letter asks. “Why do you rope for short pay?” His friend goes on to tell him about the beautiful lover he could have won, but the cowboy feels no regret, answering the charges by reminding us, “They’ve never seen the Northern Lights/They’ve never seen a hawk on the wing/They’ve never spent spring on the Great Divide/And they’ve never heard ole’ camp cookie sing.

    Written by real-life cowboy Michael Burton, the song is a tribute to those restless souls who would rather search for peace out on the open range than in a boardroom or a factory.

  • No Fences9. “Wild Horses” – from No Fences (1990)

    “Wild Horses” first appeared on Brooks’ 1990 album No Fences, but wasn’t released as a single until ten years later, when it peaked at #7. A fairly typical take on a fairly typical cowboy’s struggle between his addiction to the rodeo and the wishes of the woman he loves, Brooks’ brilliant vocal is a genuine treat when placed on top of the song’s staunchly country, fiddle-driven track.

  • The Lost Sessions8. “Good Ride Cowboy” – From The Lost Sessions (2005)

    In 2000, when rodeo champion Chris LeDoux needed a liver transplant, Brooks offered to donate a part of his own to the man who he credited for teaching him how to perform. Brooks’ liver was incompatible, but LeDoux did receive a new organ and lived for five more years, until his death in 2005 from complications of cholangiocarcinoma. Brooks may not have been able to give his mentor a part of himself, but in the wake of LeDoux’s passing he released a touching, up-beat tribute titled “Good Ride Cowboy.” The song–written by Jerrod Niemann, Richie Brown, Bryan Kennedy and Bob Doyle–rose to #3 on the country charts despite the fact that Brooks hadn’t scored a Top 10 single in four years, and the fact that surely only a portion of country radio listeners understood the tribute’s context or intended recipient.

    LeDoux, most famous for being name-checked in Brooks’ debut single “Much Too Young,” charted only a single Top 10 hit–1992’s duet with brooks called “Whatcha Gonna Do with a Cowboy.” He was, nonetheless, instrumental in the development of the artist who would become among one of the world’s most significant musical icons.

  • Whatcha Gonna Do With A Cowboy7. “Whatcha Gonna Do With A Cowboy” – from Whatcha Gonna Do With A Cowboy (1992)

    This LeDoux/Brooks duet is a lively romp that finds the mentor and pupil sounding giddy as they ask one important question: “Whatcha gonna do with a cowboy when he don’t saddle up and ride away?” It’s a jovial but poignant take on the difference between the iconic cowboy figure and the reality of the cowboy lifestyle.

  • Fresh Horses6. “Cowboys and Angels” – from Fresh Horses (1995)

    One of two entries on this list from 1995’s vastly underrated Fresh Horses, you won’t find many more traditional-sounding country songs from the 1990s than “Cowboys and Angels.”

    The scenario: On the eighth day, God realized he hadn’t given the cowboy a companion who could set his soul at ease. “Stubborn and proud, reckless and loud, God knew he’d never make it alone.”

    So, God looked over what he had made, listened to the cowboy’s prayers, and sent down angels. “Only heaven above him knows why she loves him,” Brooks’ sings. “But he must be the reason she don’t fly away.”

  • In Pieces5. “The Cowboy Song” – from In Pieces (1993)

    Our shared infatuation with cowboys is based on perception more than it’s based on reality. With “The Cowboy Song” (written by Roy Robinson), Brooks reminds us that life out on the range is hard, painful and a lot less glamorous than movies and pop culture make it seem.

    So when you see the cowboy, he’s not ragged by his choice/He never meant to bow them legs or put that gravel in his voice/He’s just chasin’ what he really loves, and what’s burnin’ in his soul/Wishin’ to God that he’d been born a hundred years ago.

  • Ropin' The Wind4. “Rodeo” – from Ropin’ The Wind (1991)

    One of Brooks’ most enduring hits (even though it peaked at #3, amid a string #1s), “Rodeo” requires little introduction or description. The song embraces a higher degree of his rock side than the others on this list, but serves as a prime example of the showmanship that made him a legend: Brooks’ powerful delivery makes us feel the bruises from the bull’s kick and taste the blood from the cuts on our face.

  • Fresh Horses3. “The Beaches of Cheyenne” – from Fresh Horses (1995)

    “The Beaches of Cheyenne” tells the story of a rodeo cowboy who “drew a bull no man could ride.” His lover begs him not to saddle up, but he refuses and is killed.

    So distraught is she when she gets the call that he died, she drowns herself on a California beach. The singer reveals in the second verse that it wasn’t just the cowboy’s death that left his lover grief-stricken, but guilt. “When he told her he was riding, she said then I don’t give a damn if you never come back from Cheyenne.

    One of country music’s greatest ghost-stories, they never found the woman’s body–but every night her footprints appear in the sand along the water’s edge.

  • Garth Brooks2. “Cowboy Bill” – from Garth Brooks (1989)

    Old Cowboy Bill may have been telling lies to the kids who would gather around to hear his stories of Rangers and banditos, but in their eyes he was a hero. From his 1989 debut, “Cowboy Bill” remembers a storyteller so gifted that when he spoke, “You could almost hear those prairie winds blowin’/His saddle a creakin’, ‘neath his old faded jeans/You could taste the dry dirt, from the trail he was ridin’/As he sat there and painted those West Texas scenes.”

    Of course, the kids’ parents don’t like the old man, who they think is filling the kids’ young minds with fanciful exaggerations in order to boost his own spirits. In fact, no one in the town seemed to pay much mind to Bill, until one day the kids couldn’t find him. In a gripping twist, Bill had passed away without anyone noticing; the kids walk in on his body, which was “Clutching a badge that said Texas Rangers/And an old yellow letter that said ‘Texas is Proud’.”

    In the end, the town finally admits what the kids knew all along, as Brooks’ subtly reminds us that the hearts of our young ones are often a lot more pure generous than our own.

  • No Fences1. “Wolves” – from No Fences (1990)

    It’s been a rough winter for this cowboy, and when we find him on “Wolves,” he’s just coming in from a long night of “Drivin’ heifers closer in to higher ground.” It’s morning now and he’s consumed with thoughts about “The ones the wolves pulled down.”

    Of course, it’s not just the defenseless heifers that the wolves are pulling down–songwriter Stephanie Davis’ cowboy has watched his friends fall on hard times and lose everything. And what we thought was just another story song about life on the range reveals itself to be a prayer.

    Lord please shine a light of hope on those of us who fall behind/And we stumble in the snow, could you help us up while there’s still time.

  1. t.scott
    March 22, 2010 at 12:21 pm

    I never liked Garth’s “pop” side,and he really didn’t need the theatrics to hold an audience.

    But his cowboy/rodeo songs were right up there with (here come the bazookas) , MARTY ROBBINS!!

    No one in the eighties and nineties even came close,and if he had been a little younger,he and Red Steagall together might have recreated the genre.

    But I don’t see how you left out “Too Young To Feel This Damn Old”.

    I felt “Beaches of Cheyenne” was a not as good remake of Henson Cargill’s “Silence On The Line”.

    Great review Jim

  2. Kelly
    March 22, 2010 at 1:03 pm

    “Wild Horses” and “Beaches of Cheyenne” are two of my top 5 all-time Garth Brooks songs. Also, I agree with T. Scott about “too young”…

  3. Thomas
    March 22, 2010 at 1:30 pm

    …don’t know whether you are the first one to do this but it certainly has been long overdue.

    for years i’ve been listening to a home-made cd with his cowboy songs – since “much too young…” and “cowboy bill” i’had been looking forward to the next ones with every release. they’re nothing short of damned good country music.

    i remember a day in the early ninties when i was in cheyenne and visited a rodeo exhibition on the grounds where the frontier days take place. i read about a young bull rider by the name of wayne frost, who got killed in the rodeo. i couldn’t help but wonder, whether garth had been standing there too one day and got the idea for “the beaches of cheyenne”. if i could ask him one question that would be the one.

    much appreciated effort, jim.

  4. Michael
    March 22, 2010 at 2:02 pm

    Great list filled with many of my favorites. I would have probably swapped out one of these for “In Lonesome Dove” though. Thanks Jim!

  5. Jeff
    March 22, 2010 at 2:08 pm

    Garth can sing a country and/or cowboy song! Of course the naysayers havent listened to a full album….

  6. Occasional Hope
    March 22, 2010 at 2:09 pm

    I don’t think acknowledging the many traditional-style country songs Garth recorded (and he did record a lot of really good material in that vein) is necessarily inconsistent with suggesting his more pop/rock inspired material did help shift the genre’s boundaries.

    I really like Night Rider’s Lament, but I prefer Suzy Bogguss’s version to Garth’s.

  7. Noeller
    March 22, 2010 at 2:29 pm

    I’ve got all of these on my IPod currently, and agree that Greatest Hits packages, no matter how thorough, don’t truly encapsulate Garth Brooks as an artist. One could refer to him as The King of the Album Cut, because he really and truly could create a full album. (most of the time…) :)

  8. t.scott
    March 22, 2010 at 2:36 pm

    @thomas
    Lane Frost was part of the video for “The Dance”.Yeah ,he knew about him.

  9. Adam
    March 22, 2010 at 3:28 pm

    It’s funny. I always skip country songs on my iPod that are primarily about cowboys. Yeah, I grew up in a small town in Oklahoma. Yeah, I spent many summers working on my great grandparents’ farm. But no, I wasn’t a cowboy and never dreamed of being one. I just don’t connect with cowboy songs. It’s like trying to connect with a rap song…I just can’t do it.

  10. Thomas
    March 22, 2010 at 3:31 pm

    …@ t. scott – thanks for letting me know. even though, i got lane frost’s surname wrong (it’s been almost twenty years since then) it was a moving final tribute there and then. seemingly, i wasn’t the only one who felt that way.

  11. Leeann Ward
    March 22, 2010 at 3:40 pm

    Great concept. It may not be cool to say it, but Garth is still among my favorite mainstream country artists.

    Great list. I prefer the song that name checks Chris Ledoux to the one that’s a tribute to him though.

  12. Thomas
    March 22, 2010 at 3:49 pm

    …if it helps you a little, leeann, not being cool beats being ignorant by a long way.

  13. Jim Malec
    March 22, 2010 at 4:03 pm

    I’ve heard “Much Too Young” so many times, but for me that song takes on a meaning that makes the cowboy aspect more incidental than anything on this list. But it’s a good point and I definitely admit it could have appeared here.

    Appreciate the feedback, y’all.

  14. idlewildsouth
    March 22, 2010 at 4:03 pm

    I’m not ashamed to say that Garth Brooks is my favorite artist, certainly whose career began in my lifetime.

    @thomas..
    there’s a great movie “8 Seconds” about Lane Frost. It’s pretty sensationalized, but it’s still a pretty good movie, with a great soundtrack as well.

    “Lonesome Dove” is not only one of my favorite Garth songs, but one of my favorite songs across the board. Leeann, I must agree I like the name check song much better. I saw Jared Niemon open for Jamey Johnson sometime ago, and as someone that grew up on Chris Ledoux, I couldn’t help but wonder if any of the people singing along realized that most of the song was referencing Ledoux songs.

    @T.Scott
    I don’t exactly see the connection to “Silence On The Line” (an incredible cover done by Ledoux on his “Cowboy” album, btw). However, the other day I was listening to “I Can Still Make Cheyenne” and did think that it was a poor remake in concept.

  15. Leeann Ward
    March 22, 2010 at 4:26 pm

    I agree about Much too Young, actually. Just not much for Good Ride Cowboy.

  16. t.scott
    March 22, 2010 at 5:02 pm

    idlewild,both of those songs reminded me of “Silence on the Line”.

    The first time I heard “Too Young” I nearly luaghed out loud. A friend of mine in the seventies had Chris Ledoux 8-track that I repaired 2 or 3 times.It was so worn out

  17. Rick
    March 22, 2010 at 6:26 pm

    Although I was never much of a Garth fan I always did enjoy hearing his traditional, cowboy/rodeo oriented songs on the radio. If all of those such songs were compiled onto an inexpensive CD, I might bite!

    As for “Night Rider’s Lament”, I’ll still go with the Nanci Griffith version. Nanci’s voice and vocal style don’t work well with some songs, but she nailed that one. I’d like to hear James Taylor cover this song too. Or better yet, a duet with Nanci!

  18. Steve M.
    March 22, 2010 at 6:37 pm

    Good list but “Much Too Young to Feel this Damn Old” should be #1, and I might have added “That Girl is a Cowboy.”

  19. luckyoldsun
    March 22, 2010 at 7:40 pm

    I agree–Early Garth was actually underrated, if that’s possible–at least among the critics.

    The idea that he brought pop into country is ridiculous–He was more country than a lot of what preceded him.

    I loved “Much Too Young,” “Wolves” “Cowboy Bill” “Wild Horses” and “Rodeo.”

    I never cared for “Beaches of Cheyenne”–The concept was kind of a ripoff of Strait’s “Ocean Front Property in Arizona” and the lyrics were dopey.

  20. idlewildsouth
    March 22, 2010 at 7:42 pm

    A ripoff of “Ocean Front Property”? Now I am lost.

  21. Leeann Ward
    March 22, 2010 at 8:01 pm

    luckyoldsun,
    Are we thinking of the same song? How is it a rip off of “Oceanfront Property”??

  22. Noeller
    March 22, 2010 at 11:07 pm

    Ya – different songs, for sure. One’s a haunting ghost story, and one’s a tongue-in-cheek novelty-type song.

    I’d forgotten about “That Girl Is A Cowboy” – man, I LOVED that song, ’cause I know some really great “cowboy” women!! :)

  23. luckyoldsun
    March 22, 2010 at 11:21 pm

    In “Ocean Front Property,” Strait–or the songwriter–puts Arizona abutting the Pacific Ocean as a counterfactual device.

    In “Cheyenne,” Garth puts Wyoming on the Pacific Coast.

    I guess it’s “Long Black Veil” meets “Ocean Front Property.” But those were great songs, and “Beaches of Cheyenne” was kind of a mess.

  24. idlewildsouth
    March 22, 2010 at 11:30 pm

    I would say “Beaches” (not the Bette Midler film) would be more of a metaphor than a counterfactual device, but to each their own, I suppose. Or are you suggesting the similarity lies merely in the placement of the songs subject matter? Because “Ocean Front Property” never specifies which ocean the property fronts. Sorry, it’s late and I’m bored, so know my nitpicking is mostly in jest.

  25. luckyoldsun
    March 23, 2010 at 12:52 am

    Idlewild:

    If

    “I’ve got some oceanfront property in Arizona,
    From my front porch you can see the sea,”

    doesn’t suggest the Pacific Ocean already, then

    “If you’ll buy that I’ll throw the Golden Gate in free”

    surely does!

    (But you can see the Atlantic from Idlewild Airport!)

  26. idlewildsouth
    March 23, 2010 at 7:10 am

    It doesn’t explicitly suggest the Pacific. Telling someone that is gullible you’ve got a bridge to sell them is a pretty common phrase, and the Golden Gate happens to be one of the most famous, certainly for Americans.

  27. bryan
    March 23, 2010 at 9:30 am

    Great blog Mr. Malec! A friend sent me the link to your blog, and I smile at your recognition of a very gifted man, and his love for a cowboy song. (thanks for including a couple of mine!)
    Blessings!
    bryan kennedy

  28. Thomas
    March 23, 2010 at 9:58 am

    @ idlewildsouth

    …thanks for the hint at the “8 seconds” movie and soundtrack.

  29. bll
    March 23, 2010 at 12:53 pm

    Actually Sevens has ‘Cowboy Cadilac’ on it- a tribute to the cowboy’s truck, and a pretty fun romp of a song. I’m a Garth fan, and liked the fact he wasn’t afraid to yodel.

  30. Jim Malec
    March 23, 2010 at 2:24 pm

    @Bryan: You’re welcome. Thanks for stopping by.

    @BLL: Not really a cowboy song, but nice try ;-)

  31. Rick
    March 23, 2010 at 6:34 pm

    Apart from honest to goodness dedicated cowboy music singers, and Tom Russell, I’d say the best cowboy/rodeo songs coming out of Nashville these days belong to Joey Martin and hubby Rory Feek. Both Joey+Rory’s “The Life of a Song” and Joey’s solo effort “Strong Enough To Cry” albums contained some great cowboy songs. The fact Joey is soooo much into horses may have a wee bit to do with this…

  32. Josh
    March 23, 2010 at 11:11 pm

    I agree with Rick on this one: Joey+Rory seems to be carrying that torch that Garth Brooks carried so well. I only hope that J+R follows Garth’s footsteps as having at least one traditional across their albums. Maybe Miranda Lambert and Jamey Johnson should take cue from this article and be other torch bearers. Anyone got those two email addresses?? :P

  33. Mike M.
    March 24, 2010 at 1:42 am

    A lot of people ask me why Garth Brooks is my favorite singer ever. This list almost perfectly explains that question. Garth Brooks didn’t ruin traditional country music, he was one of the leading proponents of it. His cowboy songs are the most obvious proof of this. In the mid-ninety’s, when Shania Twain and LeAnn Rimes were pushing pop on Country Music, Garth was putting out “The Beaches of Cheyenne.” Garth Brooks is traditional Country Music at its finest. He did bring rock n’ roll into Country, which every influential Country artist since Hank Williams has done, but never pop music, with it inconsequential lyrics and its “whatever’s popular at the moment” melodies. Garth Brooks is Contemporary Country at its finest. Garth Brooks is Classic Country at its finest. Only his idol Chris LeDoux does better cowboy songs than he does, and I’m sure he’s agree with me on the last part.

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