The 9513’s 1st Annual Country Music Awards Results: Willie Nelson Still Rules

In 2008 Willie Nelson released an adventurous (if not entirely successful) new album with producer Kenny Chesney (Moment of Forever), collaborated with trumpeter Wynton Marsalis on a full-length album titled Two Men With The Blues, starred with Toby Keith in a movie (Beer For My Horses), co-wrote a Western novel (A Tale Out Of Luck), had a biography (An Epic Life) and a Box Set (One Hell of a Ride) released, and played dozens of shows all around the country.
Not bad for a guy who celebrated his 75th birthday in April.
Nelson edged out Patty Loveless to capture the title of Country Artist of the Year in The 9513’s 1st Annual Country Music Awards, for which ballots were tabulated from three voting blocs: The 9513’s staff, readers who made 50 or more comments in the voting period, and the public at large.
In fitting manner for an artist whose iconic status is built on his ability to connect with diverse audiences, Nelson performed solidly in all three. Willie claimed less than 50% of The 9513 staff vote, but still managed to pull ahead of Loveless, whose classics album Sleepless Nights was hailed by critics, by 5% of the final tally.
Nelson’s Moment of Forever may not have been a masterpiece, but the album, which set the singer’s nuanced vocal style vocal into Chesney’s modern, lush production, was solid enough to earn the respect of the hundreds of voters who participated in this year’s awards. Led by the Kristofferson penned titled track, Moment of Forever proved at least two things artistically—Willie Nelson never slows down, nor is he afraid of taking chances with his sound.
It was another singer’s artistic revitalization, however, that led to an Album of the Year victory. Trisha Yearwood’s first album for the Big Machine label, Heaven, Heartache and the Power of Love, brought together stunning material with some of Yearwood’s finest vocal performances, in the process winning over critics and fans of substantive contemporary country. Released in 2007, just weeks into the eligibility period, Heaven, Heartache and the Power of Love (which spawned the Grammy-nominated single “This Is Me You’re Talking To”) earned a rare 5-Star review from The 9513, and dominated this year’s voting, winning by a solid 13%.
The award for Bluegrass Album of the Year was a considerably tighter race. Two bluegrass veterans who made names for themselves playing with artists like Doyle Lawson and Ricky Skaggs, Jamie Dailey and Darrin Vincent (who earned four and a half stars for the self-titled debut album), claimed five of nine staff votes, but were ultimately edged out 35.8-32.6% by Old Crow Medicine Show’s drug-themed Tennessee Pusher.
Produced by Don Was, the seventh album from OCMS is an edgy, sometimes shocking collection that delves deep into addiction and the American heartland, doing so with instrumentation that goes well beyond bluegrass traditions. Bluegrass supergroup The SteelDrivers managed only 16.5% of the total vote for their self-titled debut, but did score 50% of the regular commenter’s support.
Only one win was produced by the three acts who tied for the lead in nominations. Hayes Carll, Eleven Hundred Springs and Kasey Chambers & Shane Nicholson each received nods in four categories, but Carll was the only one to claim a victory, crushing the competition to earn the title Texas Artist of the Year.
Another Texan scored what may have been the year’s biggest surprise. Rodney Hayden managed a dominating win in Song of the Year for his solo-penned “Huntsville,” from his album 12 Ounce World. Hayden topped fan favorite Sugarland, critical darlings Dailey & Vincent, Chambers & Nicholson, and even the impeccable, Matraca Berg-written “Dreaming Fields” (Trisha Yearwood) to claim the honor—a fact which surely speaks to Hayden’s growing reputation as an elite songwriter.
The Results
Country Artist of the Year
Willie Nelson – 31.5%
Patty Loveless – 26.5%
Hayes Carll – 16.6%
Kasey Chambers & Shane Nicholson – 14.4%
Eleven Hundred Springs – 11.0%
Album of the Year
Heaven, Heartache and the Power of Love by Trisha Yearwood – 38.4%
Rattlin’ Bones by Kasey Chambers & Shane Nicholson – 25.6%
Trouble In Mind by Hayes Carll – 14.9%
The Good Life by Justin Townes Earle – 10.8%
The Life of a Song by Joey + Rory – 10.3%
Bluegrass Album of the Year
Tennessee Pusher by Old Crow Medicine Show – 35.8%
Dailey & Vincent by Dailey & Vincent – 32.6%
The SteelDrivers by The SteelDrivers – 16.5%
Iron & Diamonds by The Gibson Brothers – 11.4%
The Infamous Stringdusters by The Infamous Stringdusters – 3.6%
New Artist of the Year
Justin Townes Earle – 40.5%
Joey + Rory – 27.2%
Ashton Shepherd – 24.4%
Crystal Shawanda – 5.1%
Dailey & Vincent – 2.8%
Texas Artist of the Year
Hayes Carll – 42.7%
Jason Boland – 22.5%
Eleven Hundred Springs – 12.1%
Reckless Kelly – 11.9%
Bruce Robison – 10.8%
Group of the Year
Joey + Rory – 42.1%
Eleven Hundred Springs – 36.0%
Dailey & Vincent – 13.5%
Old Crow Medicine Show – 8.2%
Kasey Chambers & Shane Nicholson – 0.2%
Best Album Cover
Burn Your Playhouse Down by George Jones- 49.4%
Country Jam by Eleven Hundred Springs – 25.0%
Bulletproof by Reckless Kelly – 18.4%
Trouble In Mind by Hayes Carll – 5.2%
Meet Glen Campbell by Glen Campbell – 2.0%
Song of the Year
“Huntsville”
(Performed and written by Rodney Hayden) – 36.2%
“Very Last Country Song”
(Performed by Sugarland, written by Krisitan Bush, Jennifer Nettles and Tim Owens) – 23.9%
“Dreaming Fields”
(Performed by Trisha Yearwood, written by Matraca Berg and Gary Harrison) – 22.6%
“By the Mark”
(Performed by Dailey & Vincent, written by David Rawlings and Gillian Welch) – 12.3%
“Rattlin’ Bones”
(Performed and written by Kasey Chambers & Shane Nicholson) – 5.0%
Record Company of the Year
Sugarhill Records – 48.8%
Rounder Records – 20.0%
Lost Highway Records – 18.0%
Palo Duro Records – 11.0%
Compadre Records – 2.2%
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February 2, 2009 at 8:46 am Permalink
Good to see Joey + Rory getting some love on the awards, old crow medicine show was probably my runner up in that group category.
February 2, 2009 at 2:06 pm Permalink
As a disclaimer, I liked Rattlin’ Bones, but I thought the hype was a little much. Evenso, I didn’t expect Chambers and Nicholson to get shut out in the manner they did.
Looks like my choices aligned in 5 out of 9 categories.
February 2, 2009 at 2:41 pm Permalink
Way to go, Willie! Thanks guys.
February 2, 2009 at 3:21 pm Permalink
Personally, I didn’t think there was enough hype for them.
February 2, 2009 at 4:13 pm Permalink
I’m actually a little surprised that Willie beat out Patty Loveless in the Artist of the Year category, but if she had to be #2, I’m satisfied that it’s to Willie.
And it’s great to see so much appreciation for Heaven, Heartache, and the Power of Love. Now, Trisha needs to get the Grammy.
February 2, 2009 at 4:13 pm Permalink
I am with Leeann on not really feeling as though the Chambers/Nicholson disc had much hype surrounding it. Of course, it depends on ones definition of “hype”. I did see many reviews that were positive, but I dont know that equals hype, as it is merely an article discussing ones thoughts on the actual disc and not some p.r.generated blitz. When I think of hype, I think of magazine covers, cmt insider interviews and general media sturation ala Sugarland’s hype-filled summer where you couldnt open a friggin magazine without hearing Kristian Bush blab on about how Van Halen is country and how he likes stupid hats (ok I made that one up, but the proof is in the many pictures he took for that albums press tour)…
February 2, 2009 at 4:22 pm Permalink
Rodney Hayden is the BEST!!! He deserves song of the year!! Everybody needs to go watch Rodney.
February 2, 2009 at 4:39 pm Permalink
Considering it was primarily an Australian release, I don’t think it could be expected to see it generating a lot of major media press. But it didn’t seem that there was much room for critical commentary in any discussion about the record and I just felt that it wasn’t exactly perfect. The songs were a little abstract at times, they used “wire” in at least four different songs and if I remember correctly, they had different meanings (not necessarily a knock, but is that an Aussie thing?). “Jackson Hole” stuck out like a sore thumb and I think those sorts of filters are almost never a good idea (it did sound cool at the end of Gary Allan’s “He Can’t Quit Her”).
Take Jamey Johnson’s record for instance: That Lonesome Song was lauded by just about everyone yet it was still open to critical thought. I just think the case for Rattlin’ Bones was pretty much open and shut among the insular country music blog world, even though I liked it quite a bit–it made my top 10, what more do you want‽
February 2, 2009 at 4:59 pm Permalink
I think people could have criticized the disc more, but I think that the fact that it didn’t actually get enough hype made it seem as though it wasn’t worth it to get into deeper discussions about it. Sure, it got some love over here and at Country Universe and The Gobblers Knob, but not a whole lot more “press” beyond that….at least not from what I saw.
With that said, there certainly were some imperfections, the second one that you mention being one of them, though I personally like “Jackson Hole” and liked “wire being used in those ways.
February 2, 2009 at 5:01 pm Permalink
Oops, I meant third not second. As for the abstractness of some of the songs, that’s one of the beauties of the record for me. I feel like I get more from it each time I listen to it, which has been quite a few times, to say the least.
February 2, 2009 at 6:50 pm Permalink
I don’t put much stock in the results of polls that are open to public voting. With the internet all it takes is some dedicated fan club members spreading the word on their favorite artists online forums to get lots of voters who normally don’t participate on The 9513. If the votes had been limited to the folks who have posted more than 50 comments and the 9513 writing contributors the results would have been far more valid in my opinion. I’m most suspect about the wins by Rodney Hayden and OCMS which isn’t really a bluegrass band in a conventional sense anyway. OCMS belonged more in an Americana category in my opinion.
This 9513 Awards process was an interesting concept but I can’t say I find the results particularly relevant. Okay, maybe this is just sour grapes since I only scored wins in two categories….(lol)
February 2, 2009 at 6:59 pm Permalink
I’m surprised (but not unpleasantly so) by the Hayden win. I didn’t realize he had that big of a support base out there.
February 2, 2009 at 9:34 pm Permalink
At least Joey+Rory won…
February 3, 2009 at 10:43 am Permalink
We designed the awards so that there would be a balance between the three groups, and I think the results accurately reflect the influence of each.
February 6, 2009 at 11:25 pm Permalink
I went to school with Rodney Hayden. He is a really good guy.
Amazing to see him have so much support.
And Trisha Yearwood is the greatest.
February 7, 2009 at 2:50 pm Permalink
You did a great job.
I love Old Crow in fact their new cd topped my top ten list this year.
I just don’t see this new one as a bluegrass cd. In fact I don’t see them as bluegrass more alt country or Americana.
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