Taylor Swift – “White Horse”
Songwriters: Liz Rose & Taylor Swift.
If “Love Story” is a theme song for an animated Disney fairy tale, Taylor Swift’s new single “White Horse” could have played behind the many misadventures of the jaded women on Sex and the City.
In fact, the song did air on SATC byproduct Grey’s Anatomy, a decidedly un-teenage television show about death, infidelity and bisexuality.
“White Horse,” therefore, is quite a leap for the queen of the OMGeneration. It’s a direct rebuttal to her previous single’s happy-ever-after ideal, down to shared references of grand staircases, princesses and fairytale romances. In “White Horse,” there is a tarnish that colors those idyllic relationships and settings as Swift realizes the prince’s horse is really more of a dirty off-white.
Although Swift has dealt with themes of rejection and loss before, the results have never been this mature or realistic. With lyrics like “Holdin’ on/The days drag on/Stupid girl I should have known, I should have known,” it’s refreshing to hear her without the arrogance of “Should’ve Said No” or the teenage bitchiness of “Pictures to Burn,” where exacting revenge is portrayed as half the fun.
Swift’s strength as an honest songwriter, exemplified by “Teardrops on My Guitar” and “Tim McGraw,” is able to shine here without her distracting tendencies to rush lyrics and scream choruses. The song is served well by understated vocals, light instrumentation and a driving bridge, as seen on her apt—if not slightly boring—performance of “White Horse” at the recent American Music Awards.
Swift’s other major strength lies in her ability to tune in to exactly how her peers would express themselves–providing they had a pink rhinestone guitar, platinum-album bragging rights and Miley Cyrus as a personal Facebook friend, of course.
In that regard, it’s notable that “White Horse” breaks from Swift’s usual adolescent formula, as her narrator’s age is undefined. Lyrics like “This is a big world/That was a small town/there in my rearview mirror disappearing now,” put her in an older age group that is capable of escaping on its own, possibly to college or a new job.
The interesting lyrical syncopation also reflects a grown-up account of the unsettling stream-of-consciousness thought process that often accompanies the disappointing realization of reality. It’s a nice change to hear Swift singing music not easily pigeon-holed to a specific demographic, the way Tanya Tucker and LeAnn Rimes successfully sang up to their older audiences with “Delta Dawn” and “Blue.”
But while “White Horse” is a turning point for Swift from high-school centric pandering—thankfully, there’s no mention of daddy, sneaking out of the house or being “gay”—to broader, more relatable themes, it may also very well be her turning point from country to pop.
Gone are the fiddle and banjo staples usually incorporated alongside her cutesy Southern drawl. When “White Horse” makes its inevitable leap to the pop charts, little about the song will need be tweaked, making the abominable practice of silencing steel and string for easier mainstream digestion unnecessary. But is that a good thing or a bad thing?
While she may not be in Hollywood, as she explains in the song, she’s not quite in Nashville either.
Country music, as Bob Dylan might phrase it, it is a’changin’. But despite the genre’s constant shifting, labeling Swift as a “gateway drug” into country music is a misnomer. Swift will never introduce the next generation of country music to George Jones, Merle Haggard or Waylon Jennings in the way other up-and-coming artists like Ashton Shepherd or Miranda Lambert could.
However, a good song is a good song and will stand on its own, no matter what genre it will successfully take by storm. Arguing about Swift’s detrimental (or beneficial) effects on country music negates “White Horse’s” skillful illustration of the pain and confusion that comes with accepting a lover’s shortcomings. Swift’s performance is believable and emotional, and is hopefully a sign of more mature, thoughtful content to come.
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Listen: Taylor Swift – “White Horse”
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December 5, 2008 at 8:57 am Permalink
Oh no. The 9513 has another Taylor Swift apologist?
December 5, 2008 at 9:14 am Permalink
An honest and realistic look at Swift and this song. Great review. While I’m not a Swift fan, this is easily the strongest track on her album.
December 5, 2008 at 9:58 am Permalink
Well, now you’ve gone and done it. I can see this going to 75 comments or more.
December 5, 2008 at 9:59 am Permalink
Agree with the review for the most part, but…
“But despite the genre’s constant shifting, labeling Swift as a “gateway drug” into country music is a misnomer. Swift will never introduce the next generation of country music to George Jones, Merle Haggard or Waylon Jennings in the way other up-and-coming artists like Ashton Shepherd or Miranda Lambert could.”
… Why is it the goal to use newer artists to promote the legacies of what country music used to be? I understand that Jones, Haggard and Jennings represent the era of authentic country music, but at some point you have to stop living in the past and accept the fact that the genre is changing. I frown upon Swift’s vocal abilities with the rest of you all, but I still believe she is this “gateway drug” into our industry. No, she won’t convince new fans to go back and listen to some Johnny Cash; she will, however, get fans to turn out country radio and become fans of George Strait and Alan Jackson, along with the multitude of Swift-life pop-country artists. Good for the industry? Yes. Good for those seeking the return of what used to be? No.
Miranda Lambert, as used in your example, is the same. Sure, she puts out better music and sounds a lot better than Swift, but she’s not going to introduce country music fans to the instrumental ideals that created the genre. She is moving on with the rest of the industry and putting out singles to compete with the Taylor Swifts.
That being said… sure, we’ll receive music occasionally that takes us back to the days of Haggard and Jennings, but I don’t believe it’s the goal of many, if any, of the artists today to bring back the glory days. Taylor Swift will not lead fans to real country music, but she is a “gateway drug” into today’s country music, and that is a great thing for the monetary welfare of today’s artists.
December 5, 2008 at 10:05 am Permalink
After “Fifteen,” this is my favorite song on the record, for all of the reasons described here. I think it’s such a definitive step forward and an answer to the criticism that her music isn’t relatable for anyone outside her age group. Taylor has said she almost didn’t put this on the album, which I found really fascinating — I feel like maybe it’s so mature that she was saving it for her third record, and that it’s the best clue we have as to what her future stuff will sound like.
On a side note, with all due respect to the very capable men of The 9513, it’s nice to see some female voices added to the mix. :)
December 5, 2008 at 10:10 am Permalink
Nicely done, Karlie. I couldn’t agree more.
While I’m not a huge fan now, I’m looking forward to Taylor tackling more material like this.
December 5, 2008 at 10:24 am Permalink
Hey Zach–I think you are exactly right:
“Taylor Swift will not lead fans to real country music, but she is a ‘gateway drug’ into today’s country music, and that is a great thing for the monetary welfare of today’s artists.”
I’d consider “real” country music to include Jones, Haggard and Jennings. But I would agree that her music could lend itself to fans discovering Alan Jackson and George Straight, as evidenced by her inclusion on AJ’s CMT Giants concerts tomorrow night. But I really doubt this specific song would influence anyone’s opinion on the history, instrumentation and thematic material unique to country music.
And Katie–Thanks! I’m not sure one of the guys would have thrown the Sex and the City reference in there. ;)
December 5, 2008 at 10:52 am Permalink
I’m with Chris N. – you guys have ‘gol-durn gone and done it’ now … comments are gonna explode.
I actually almost kinda liked this song however. And I think the video will be a direct sequel to ‘Love Story’, so look for another appearance from ‘underwear boy’.
December 5, 2008 at 10:54 am Permalink
Great review, Karlie.
I will admit that after hearing this song, I dropped my protest against the album and gave it a real listen…and then gave the thing to my husband so I wouldn’t have to admit to owning it. But I liked it. And that’s why I don’t use my full name on this site. :)
December 5, 2008 at 11:07 am Permalink
the song really plays shows Taylor’s strength. The writing is solid, and the melody is engaging, and it doesn’t require too much vocally. I think it’s a really strong effort.
December 5, 2008 at 11:11 am Permalink
This one’s the best song she’s recorded to date. It’s also going to be her biggest pop cross-over and actually should be the song that makes her an international phenomenon. She’s also already sold a million copies of “Fearless.”
Nice review, Karlie.
December 5, 2008 at 11:11 am Permalink
This song would be perfect for a “Young Country” station where the emphasis is more on young than country. This is a fine pop song but it does irk me that Taylor is leading the country radio format further and further away from anything recognizable as traditional country music. The fact her iPod song list contained maybe 5% of songs by country artists is enough to make me wish she would jump ship and head to the pop realm as her home base, but that’s not going to happen. I’ll just keep listeneing to Merle, George, & Waylon and leave Taylor and her music to the young’uns.
December 5, 2008 at 12:00 pm Permalink
I really like this song. It’s my second favourite on the album, after Hey Stephen. I think that this song could be a really big song for her. It will no doubt be played on several different genres. It’s already at forty-something on the Billboard Hot 100, and it hasn’t even been released to radio yet.
The music video could very well be the sequel to love story. I really like the idea that this video could have several possibilities.
Nice review, Katie.
December 5, 2008 at 12:56 pm Permalink
I have not bought a Taylor Swift cd, nor do I plan to. But you naysayers should cut her some slack. Anyone who sells records like she does is good for the format, and it’s the Taylor Swifts that make the Randy Housers and
the Zac Browns possible.
December 5, 2008 at 1:11 pm Permalink
I agree with you on this song it has to be the strongest by far on her album. I heard her do this song live at the grammy nomination thing and she sounded even worse than she usually does live.
December 5, 2008 at 1:35 pm Permalink
I like “hey stephen” and “breathe” better. I guess because “white horse” sounds a lot like “love story” to me. Taylor reminds me a lot of the folk artists that I used to listen to over the past few decades. I think folk would be a better fit for her for a number of reasons – her voice being one of them. But i’m all for artists not writing to fit a specific genre and just letting them create.
December 5, 2008 at 2:58 pm Permalink
I’m glad this got a good review – its my favorite song of her’s!
December 5, 2008 at 4:07 pm Permalink
I would rather the neighbor’s cat screeching before listening to this song again. Who ever told this girl she could sing? Its too bad real artists like Tiff Merritt don’t get the publicity that this teenager gets.
December 5, 2008 at 5:38 pm Permalink
While it may be well written pop song for someone her age, it is not a country song. More importantly, she still can’t sing live. The other night at the Grammy concert is enough evidence of that to anyone here who continues to defend her singing, or lack thereof.
I am not saying she is without talent. She has talent as a songwriter..and potential when she grows up to write songs adults might tolerate.
She butchered that Brenda Lee song. It is still giving me shudders.I think that Taylor needs to move to pop and stop pretending to be country. She would be more honest if she did that, and I might respect her more.
December 5, 2008 at 7:37 pm Permalink
“I am not saying she is without talent.”
I am.
December 5, 2008 at 7:40 pm Permalink
“Gone are the fiddle and banjo staples usually incorporated alongside her cutesy Southern drawl.”
Yeah, gotta love those Pennsylvania drawls.
December 5, 2008 at 7:40 pm Permalink
I am scared. I like this song.
First the Flatts, and now her?!
What is happening to my taste?
December 5, 2008 at 9:12 pm Permalink
Rainbow, you are succumbing to the mindless charms of AirHead Country Radio! Egads! I’d warn you to back away slowly before your I.Q. starts being adversely affected and you start desiring a minivan with soccer ball stickers in the rear window…..
December 5, 2008 at 9:48 pm Permalink
Rainbow.
Your taste maybe changing for the better.Dont get upset.It’s a good thing.
Taylor Swift is a good singer.
December 5, 2008 at 10:42 pm Permalink
Now Rainbow knows he’s in trouble for sure.
December 6, 2008 at 3:36 am Permalink
http://www.youtube.com/watch?v=XyVsNi2CI-w
She did a really good job on Jay Leno. See for yourself!
December 6, 2008 at 5:28 am Permalink
Taylor’s live singing is very uneven, sometimes she is passable and other times she is just plain terrible. The Tonight Show performance of “White Horse” was one of her better outings. I do like the song, Taylor has an exceptional talent at writing witty and tuneful pop songs, and White Horse is one of her better efforts.
I do think Taylor is a “pop” singer and that eventually when she doesn’t need country music as a cover any longer, she will happily end up where she belongs on the Pop charts. (Her label has said as much, they don’t care where she sells, just so that she sells. That, at least, is honest.) I also don’t think Taylor is a “gateway” to country, her main audience is tween and teen girls who primarily listen to pop music not country. That is why Taylor’s songs are all over the pop charts and the iTunes best sellers list.
While I do like White Horse, I think it is still a teenage song, the imagery is still that of a teenage girl looking for prince charming on a “white horse”. Most adult women hopefully don’t think in those terms anymore.
December 6, 2008 at 7:07 am Permalink
The idea that a 18 year old girl should drive listeners to iconic male figures of 40-50 years ago is a bit of a stretch in any genre. By no means am I a TS fan, but if she was a total bimbo with a booming voice we’d kill her more. She writes her songs and has a very mediocre voice, im some aspects we’d be saying that’s anti-nashville, but she’s just too damn polarizing.
Id only wish she wouldnt give interviews because that is really where she falters and comes across as silly and naive
December 6, 2008 at 9:36 am Permalink
Taylor is not bringing pop fans to country music. She is selling to pop fans only– tweens- who scream so loud at her shows it hurts worse then Taylor’s vocals.
I saw taylor open for Rascal Flats, and the live singing was very very bad– yet her fans loved every minute of it.Some of them do not even think she is a country singer, they see her as pop due to the pop remixing. They hear her on pop radio, not country radio- as they dont’ even listen to country radio.
By contrast, Carrie Underwood is bringing fans into the genre that are actually buying cds of other artists, and seeing their shows. Carrie got me to like country music due to American Idol. I know what you are thinking- but before you bash me– know I actually love country music now, and buy cds of people like Patsy Cline, George Strait, Alan Jackson,Tammy Wynette, Johnny Cash, Dolly, Brad Paisely, Martina, and Garth. So I am actually becoming a “real” country fan because Carrie exposed me to the genre. I go to all sorts of country concerts, not just Carrie concerts.
Alan Jackson is now my favorite, along with Brad.
At a Carrie show- you will see middle aged people, college kids, old timers as well as teens and kids.. It is a huge diverse group of fans, whereas at Taylor shows, it is only kids and tweens– with the parents who brought them looking annoyed and read to leave ASAP. Taylor is not helping country music– she is helping Taylor.
December 6, 2008 at 9:49 am Permalink
I think Taylor would fall on her face trying to be a pop star. I honestly don’t see how she fits in that genre any better than she does in Country.
Taylor’s music might skew toward the tween crowd, but she’s got my respect as a songwriter. Shoot- half the acts I listen to can’t sing. I’d rather listen to a lousy singer with something to say than a wailing diva spouting nonsense and drivel.
December 6, 2008 at 10:29 am Permalink
There’s one enormous benefit for Taylor if she did rebrand hersalf asa pop singer – she wouldn’t have to embarrass herself by trying to sing live. Lipsynching live performances seems to be accepted in pop.
December 6, 2008 at 10:54 am Permalink
they are accepted if you have a giant choreographed show. I’m not sure, but I don’t think Taylor’s strengths lie in her dancing. I tend to think in the other direction. I think if she was to play to her strengths (and away from the money) she would get rid of the over-produced arrangements and just sit down with a guitar and sing. Some of her songs are good enough to make that work- others, not so much.
December 6, 2008 at 11:01 am Permalink
“While I do like White Horse, I think it is still a teenage song, the imagery is still that of a teenage girl looking for prince charming on a “white horse”. Most adult women hopefully don’t think in those terms anymore.”
I can’t speak for most adult women, but I think being disappointed by love in the quiet, crushing way Swift describes here is applicable to women of all ages. I also think the metaphor works, since we’ve been conditioned from birth with images from Disney, etc., about “the one” who will make everything okay. And although I’d agree that ideal has changed since our parents and grandparents’ generations, it’s still perpetuated by shows like The Bachelor, most romantic comedies, etc. And, possibly, in the back of our own minds.
December 6, 2008 at 11:34 am Permalink
While I do like White Horse, I think it is still a teenage song, the imagery is still that of a teenage girl looking for prince charming on a “white horse”. Most adult women hopefully don’t think in those terms anymore.
More importantly, most grown up women can’t follow the escape routes that Taylor espouses. Life is larger than the man in it and has many threads which keep you bound to where you are.
December 6, 2008 at 9:26 pm Permalink
I have to agree with Mike Parker. I am not a Taylor fan but I will say someone who can write and sing their own songs scores some points with me. Especially when the songs have some sort of message or story to tell. While her songs arent necessarily country. They are an awful lot closer than songs from the likes of Luke Bryan, Lost Trailers, and the Trailer Choir.
December 7, 2008 at 4:01 am Permalink
She did such a GREAT cover of Alan Jackson’s “Drive”! It was AMAZING!!!
December 7, 2008 at 7:30 pm Permalink
I’m sure this song shatters dreams of “Prince Charmin’” that girls have. Its lyrics is inspirational. I think this song will be up for a tight competition against Just A Dream for Song of the year, in cma (assuming they’re not gonna root for George), acm and grammys
December 8, 2008 at 9:58 am Permalink
Ladies, if you do meet Prince Charmin, remember not to squeeze him.
December 8, 2008 at 11:25 am Permalink
Karlie says: I can’t speak for most adult women, but I think being disappointed by love in the quiet, crushing way Swift describes here is applicable to women of all ages.
Considering that my 50 something mother is going through a break-up with her husband, she certainly relates to this song, eerily so. Almost as if Taylor and Liz wrote it for her.
December 10, 2008 at 11:47 pm Permalink
Gerald said, “I’m sure this song shatters dreams of “Prince Charmin’” that girls have. Its lyrics is inspirational. I think this song will be up for a tight competition against Just A Dream for Song of the year, in cma (assuming they’re not gonna root for George), acm and grammys.”
I’m not really sure about what you said. I don’t this song could even touch Just A Dream regarding the depth of its message. You should it’s a cute song with a great melody and I do admit I love it (if only she could sing it live, sigh). It’s like comparing Brooks and Dunns “Believe” with Britney Spears’ “Toxic” and you have to admit Toxic was an uber-catchy song.
I mean White Horse being nominated for CMA Song of the Year is quite ridiculous considering the CMA’s choices for nominees in the past years. I’ve only been watching the CMAs since Carrie Underwood burst thru d scene but i have actually been doing some research and most nominees in the past years in my honest opinion have a lot of country twang than the poppish White Horse. I think it’s almost next to impossible.
December 11, 2008 at 3:51 am Permalink
I love Britney. I love her Circus Video. I will certainly buy the CD. I hope she sells record numbers so that her critics will have to eat crow!
By the way, check out this very cool web site – they have a software that lets you publish your comments to a special page dedicated for Britney http://www.commentino.com/Tags/Britney – very cool in my opinion
December 18, 2008 at 5:32 pm Permalink
this is the greatest song. its soooo true!!!
December 26, 2008 at 10:23 am Permalink
I don’t think she should be recognized for having a crappy voice and mediocre songwriting skills. Any fifth grader with a dull pencil could have written this and like all of Taylor’s other songs – it falls under the same fairy tale teenage melodramatic schmooze. I don’t find this particularly interesting at all.
December 26, 2008 at 4:57 pm Permalink
while you lot talk about how immature or childish Taylors songs are, remember that she writes her own songs as inspired by her experiences. and seeing as she’s only 19, you can hardly expect her to write songs about life at 40.
older people may not literally share her idea on prince charming or any other childish ideas but i think that the feelings behind the ideas are fairly the same. when ur hurt, ur hurt. there’s no specific type that comes with age.
January 6, 2009 at 7:06 pm Permalink
Where does Taylor Swift live?
January 29, 2009 at 2:55 pm Permalink
idk.I would love to just spend a day with a country singer like Taylor.Hey u might think its crazy but its always been my dream.But when u don’t have enough money everyone thells u to give it up.I guess i should it’s not like i’ll get a email or have taylor come to my door and ask to hang out.Taylors the reason i don’t give up on my dreams.I used to like the Jonus Brothers to but wat Joe did was soo wrong.To my Taylors songs r saying u should not let a boy ruin u,follow ur dreams and i will.OH Jeff get a life just cause u dont like her doesn’t mean i don’t.So if u have something mean to say about Taylor keep it to ur self.I will always defend her.DONT BE MEAN TO HER!!!
May 4, 2009 at 1:35 am Permalink
white horse is actually much better than all her other songs. it’s more mature, sweet, she sounds better here than ever before and all her other songs on her first album r a bit childish. then again, she was younger when she wrote that and fearless is much better (yes it is, whatever u taylor haters say. if u don’t believe me check out rolling stone’s 4-star review of it) and thank God she started writing songs like white horse. y don’t u like it? i didn’t find anything 2 complain when i compared it 2 picture to burn, should’ve said no (let’s face it, those songs were filled with arrogance and teenage bitchiness, as karlie rightly put it) or any other song. Conclusion : she’s not a gr8 or a gud singer, just ok (if u don’t believe me, hear her live performances. though i think miley was mainly responsible 4 murdering ‘fifteen’ at d grammys, taylor did a fairly gud job considering d rest of her live performances), just a gr8 songwriter nd a gr8 entertainer. Conclusion of white horse: this souns like an Anti-Love Story which is why i like it. shows that she has started writing songs which have a sad ending, but thankfully, daddy’s not interfering. y does her daddy interfere in her relationships in her songs (picture 2 burn, love story)? but, on the whole, let’s not shift from the topic, white horse is much better than her other songs, except youre not sorry. yup, i loved that song, even if it really didn’t have a touch of country in it. truth is, banjo doesn’t really fit on songs like fifteen, the best day, forever nd always ( another gud song, considering she wrote it by herself). nd neither does banjo fit on white horse. nd y do u say taylor has a pop base? she does hve a country base in her songs (all right some songs). still, white horse is a gud song, which is what is important.
May 17, 2009 at 11:09 am Permalink
anyway, why most in the country world bash Taylor Swift?
She writes good songs (easy to ingest) though her live performances are poor (TS fans ,admit it). I think it will be silly (and quite uncomfortable) to hear her singing songs that are suited for people in their 40’s at this moment. (I just can’t imagine).
They’re right for saying that her music is nearer in the pop spectrum, but there’s still traces of country in her songs by the way.
For those who say that her way of writing songs are mediocre, I don’t believe that a typical 15-year old girl can write a song like this, I have read works of those and hey, it’s far, unless that 15-year old girl is a member of the student publication.
I am a country music fan and it’s nice to hear different songs with different themes catered to all age groups. She adds color to the country genre.
May 17, 2009 at 12:08 pm Permalink
There is my problem–I have been listening to her songs, not trying to ingest them.
May 17, 2009 at 9:32 pm Permalink
You know I am 40 years old and like Taylor Swift songs. I think it is because they keep things young and fresh. I am not crazy about the video’s but I think she is smart when it comes to marketing and innovation. She brings a younger crowd to country music and a side that is fun and doesn’t take life so serious.
May 17, 2009 at 10:08 pm Permalink
Miss Amy, i agree with you :).. She’s a breath of fresh air in the country music scene. She has good stories to tell.
Stormy, oops, I should’ve typed digest (easier to understand) not ingest ,my apology..
I have a question because I am a newbie in this site and I’ll be glad if you respond.
What are the bases for saying that a certain country song is good enough to the ears of critics and listeners? Thanks in advance :)
June 6, 2009 at 3:39 am Permalink
she a prefabricated FABIAN.CAN`T SING A LICK.GET REAL
August 19, 2009 at 6:34 pm Permalink
Gaetano, if you don’t like her then don’t comment on her. Honestly, I’m very sick of you bringing your ugly face in on good Taylor Swift stuff. She’s amazing, and you’re a dumbass!
@Rainbow: I’m not a fan of Rascal Flatts, but you’ve got great taste because you like Taylor’s song! Kudos to you! Boo for Gaetano: the dumb fag!
September 19, 2009 at 10:42 pm Permalink
I don’t understand why all of you guys are so hung up on the fact that she doesn’t sound like one of the middle-aged to old men that have dominated “real” country music for so long. So what if you don’t think she sounds like George Jones? She’s nto supposed to. What I honestly think is that a lot of you guys can’t embrace differences, and you want everything to sound like a man singing about a divorce or something. She is a teenager, and she is great. How dare you even imply that she’s had a detrimental effect on country music! She has revitalized it more than anyone has in such a long time. You guys ought to be worshiping her at her feet for what she’s done for country music, not insulting her. You’re just ungrateful. Another thing: I think it’s partially about her gender. People did this to Shania Twain and Faith Hill, too (saying that they weren’t “country” enough). I am sensing a pattern.
October 13, 2009 at 7:52 pm Permalink
Suzy, I agree whole-heartedly. Has country become sexist? And what the hell is it with all of these retarded Taylor haters?! And yes! People gave Shania and Faith the EXACT SAME TREATMENT! Taylor’s got pure, honest, clever lyrics and an amazing voice! Country music is more about lyrics than the way it sounds! Honestly, some people I’ve known who call themselves “country music fans” are nothing but arrogant jackasses who won’t give a newer country artist a chance and who’ll bash new artists and anyone who likes the new artists (Exhibit A: Gaetano.) Taylor’s great. She’s smart; beautiful; and a very talented singer, song-writer, and guitar player and every single song that she’s ever sang/writen is a great masterpiece! There’s a reason why so many people love her! There are many reasons! She’s new, but “new” doesn’t mean “bad”. In fact, she’s already a legend! And I’m not going to criticize anybody who doesn’t really like her, but I will tell off anyone who says she’s not good! Team Taylor all the way! :D
October 18, 2009 at 7:02 pm Permalink
I love this song. It’s a great song (as are all of her songs)! :)
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