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March ‘08 Album Review Wrap-Up
Carlene Carter - Stronger
Born the daughter of June Carter and Carl Smith and step-daughter to Johnny Cash made Carlene Carter an heir to a rich line of country music nobility, but that doesn’t mean you’ll finder her latest album dripping with steel guitars, fiddles, and hillbilly twang. Stronger is at times beautiful and poignant, […]
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LeAnn Rimes - “What I Cannot Change” When LeAnn Rimes enters a recording studio, she carries with her the most impressive instrument in the room.
Kellie Pickler - “Don’t You Know You’re Beautiful” Coming from Kellie Pickler, it’s like a rich man telling the beggar that his soul is rich and that’s better than all the money in the world.
Lee Ann Womack - “Last Call” It’s not her strongest song, but it’s well written with a good performance, and despite the dull internal conflict, it’s rife with emotional depth.
Brad Paisley - “Waitin’ On a Woman” Bizarrely, it took a song written by someone other than Brad Paisley for radio to hear what the Paisley style can truly accomplish.
Merle Haggard at the Ryman Auditorium: Of the Haggard classics, “Silver Wings,” “The Way I Am” and crowd-favorite “I Think I’ll Just Stay Here and Drink” were performed with confident ease while “Kern River” was sung with inspired tenderness and “Back to Earth,” from 2007’s Last of the Breed, contained more than a trace of Willie’s nasally twang.
One of an emerging wave of artists empowered by decreasing production costs and a rapidly changing distribution landscape, Kelleigh Bannen has taken a do-it-yourself approach to her debut album, Radio Skies.
The two-time Dancing With The Stars champion, Julianne Hough, recently took some time to answer questions for The 9513 in this exclusive interview.
After cutting ties with Warner Bros. Records, Ray Scott decided to take the proverbial bull by the horns and form Jethropolitan Records, a place where he can get back to the blood and guts of what he terms “real country music,” the kind of stuff you don’t hear on radio anymore.
Sing Me Back Home: Love, Death, and Country Music by Dana Jennings When Jennings addresses modern country in the final chapter, he leaves you with the impression that it just can’t tap into the primal psyche the same way the classics that served as his nursery rhymes did.






