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43rd Annual ACM Awards: Who Should Have Been Nominated
In a perfect world, The 9513 staff would select the ACM nominees and fans would not vote for Entertainer of the Year. Here in the real world, the Academy votes for the nominees, the fans vote for the Entertainer, and I make fun of both.
There are only two rules: as much as I’d like to, […]Continue reading "43rd Annual ACM Awards: Who Should Have Been Nominated"
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The Year in Review: Everybody’s Trying to be the Next Alabama
Alabama was the story of the 1980s, one of the few artists from that decade that I don’t wish to forget. Alabama was country music’s first supergroup and one of its first superstars, so it’s surprising that their success didn’t immediately spawn a generation of successors. Nineties groups like Blackhawk, Ricochet, Shenandoah and Lonestar were […]
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UT Quarterback Colt McCoy Cites Country Songs as Best Motivators
Josh Turner is set to host the four-hour America’s Grand Ole Opry Weekend Year-End Special.
On Friday, January 5th Chuck Prophet and friends were accidentally locked in Closer Recording Studios. Armed with a few beers, peanut butter, and a battery powered record player with Waylon Jennings’ Dreaming My Dreams LP the incarcerated occupants made the best […]Continue reading "UT Quarterback Colt McCoy Cites Country Songs as Best Motivators"
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Album Review: Halfway to Hazard - “Halfway to Hazard”
Halfway to Hazard closes their debut album (Mercury) with the self-penned “Welcome to Nashville,” an exceedingly harsh critique of the way buisness is done in Music City. Singing, “It ain’t been this bad since Conway got him a perm,” and citing industry practices such as payola and the use of Auto-Tune (a recording tool […]
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Vince Gill Performed For Four Hours At The Ryman And Country Music Is Not Dead, It Is Only Sleeping
Peter Cooper wrote a perceptively entertaining article for The Tennessean about Vince Gill’s performance at the Ryman on Wednesday night. Gill had a 17-piece band and played from 7:30 to around 11:30.
Much of the set list was made up of material from “These Days,” and the audience was pleased enough with the new songs that […]
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- CRAIG R.: Jim that is an excellent point....
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- Brian: Toby once made the comment that he was the "Barry Bonds of songwriting." After "...
- CRAIG R.: I must confess that Toby Keith has really not impressed me that much since " H...
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LeAnn Rimes - “What I Cannot Change” When LeAnn Rimes enters a recording studio, she carries with her the most impressive instrument in the room.
Kellie Pickler - “Don’t You Know You’re Beautiful” Coming from Kellie Pickler, it’s like a rich man telling the beggar that his soul is rich and that’s better than all the money in the world.
Lee Ann Womack - “Last Call” It’s not her strongest song, but it’s well written with a good performance, and despite the dull internal conflict, it’s rife with emotional depth.
Brad Paisley - “Waitin’ On a Woman” Bizarrely, it took a song written by someone other than Brad Paisley for radio to hear what the Paisley style can truly accomplish.
Merle Haggard at the Ryman Auditorium: Of the Haggard classics, “Silver Wings,” “The Way I Am” and crowd-favorite “I Think I’ll Just Stay Here and Drink” were performed with confident ease while “Kern River” was sung with inspired tenderness and “Back to Earth,” from 2007’s Last of the Breed, contained more than a trace of Willie’s nasally twang.
One of an emerging wave of artists empowered by decreasing production costs and a rapidly changing distribution landscape, Kelleigh Bannen has taken a do-it-yourself approach to her debut album, Radio Skies.
The two-time Dancing With The Stars champion, Julianne Hough, recently took some time to answer questions for The 9513 in this exclusive interview.
After cutting ties with Warner Bros. Records, Ray Scott decided to take the proverbial bull by the horns and form Jethropolitan Records, a place where he can get back to the blood and guts of what he terms “real country music,” the kind of stuff you don’t hear on radio anymore.
Sing Me Back Home: Love, Death, and Country Music by Dana Jennings When Jennings addresses modern country in the final chapter, he leaves you with the impression that it just can’t tap into the primal psyche the same way the classics that served as his nursery rhymes did.






