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Album Review: George Jones - Burn Your Playhouse Down: The Unreleased Duets
Over several days in the winter of 1993, during one of the worst ice storms in Tennesee history, George Jones, producer Brian Ahern and a boatload of country and pop stars retreated to the famous “Bradley Barn” studio to record Bradley Barn Sessions, an album of Jones classics performed as duets between The Possum and […]
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Album Review: Eleven Hundred Springs - Country Jam
In conversation, as well as in my writing, I’m often dismissive of current, corporate, country music radio, so it’s typical to field accusations of “elitism,” of trying to pigeonhole country music’s sound into an early 60’s George Jones mold for narrow-minded nostalgia’s sake, and of requiring that every song have the pretense of earth-shaking […]
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Album Review: Julianne Hough - Julianne Hough
In one way, Julianne Hough could be considered the first member of a new generation of country singers. Scholars and fans alike have noted the evolution of the country genre from the music of the rural lower class to the soundtrack of suburbs. This demographic shift, and the coincident thematic divergence of radio singles, […]
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Album Review: Cory Morrow - Vagrants & Kings
When it comes to songwriting, Cory Morrow is like that guy at the party who keeps telling the same lame jokes over and over, while all of his friends look on, either too embarrassed or too kind to break the truth to him that he’s not funny in the slightest.
Vagrants & Kings, the Texas […]Continue reading "Album Review: Cory Morrow - Vagrants & Kings"
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Album Review: Hayes Carll - Trouble In Mind
Far too much of the country music coming out today is “successful” in achieving a very limited aim; to be enjoyable by leaning heavily on pop-rock conventions while using the lyrics to vaguely define the emotional point of the song and to provide just enough of a hook for folks to sing to. […]
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Album Review: Kathy Mattea - Coal
Kathy Mattea’s recently released album, Coal, is a superb concept album centered around coal and it’s effect on the people who depend upon it for their livelihood. She’s taken a collection of songs that stood well on their own when released previously and molded them into her greater thematic vision to tell the story […]
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Album Review: Josh Gracin - We Weren’t Crazy
Four long years after the release of his self-titled debut, Josh Gracin returns with We Weren’t Crazy, a full-throttle, balls-to-the-wall effort that, despite its obsession with tempo, reads as the most sincere country effort yet from an American Idol alumnus.
The album avoids all of the song-traps that artistically doom so many of its contemporaries, […]Continue reading "Album Review: Josh Gracin - We Weren’t Crazy"
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March ‘08 Album Review Wrap-Up
Carlene Carter - Stronger
Born the daughter of June Carter and Carl Smith and step-daughter to Johnny Cash made Carlene Carter an heir to a rich line of country music nobility, but that doesn’t mean you’ll finder her latest album dripping with steel guitars, fiddles, and hillbilly twang. Stronger is at times beautiful and poignant, […] -
Album Review: James Otto - Sunset Man
James Otto has garnered a few mentions on The 9513 thus far, including making Jim Malec’s list of Artists to Watch in 2008, but even so, his name may not be familiar. Hopefully that will change with the release of his sophomore album, Sunset Man, featuring John Rich and Otto as producers, with Jay […]
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Album Review: George Strait - Troubadour
George Strait has a knack for choosing the right songs, which has helped him remain a constant on the charts over the past twenty seven years, so it’s hard not to jump on his bandwagon and praise everything he does. His twenty-fifth studio album, Troubadour, no doubt contains some strong singles and has him […]
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- leeann: I *did* mention the Lauderdale song in my review. I really liked it. He sounds...
- Thomas: "whereas rap was the word of truth, today country is where you go for honesty".....
- Razor X: The Jim Lauderdale track is excellent. Another one that I liked better than I t...
- Dylan Gramm: Why does that statement make Keith a racist?...
- f_t_e: Namely this: http://thinkprogress.org/2008/07/30/toby-keith-obama-white/ "...
- f_t_e: Yeah, because if there's anyone who would have supported John McCain, it's the m...
- Josh: Rascal's "I'm Moving On" was good.. that's all I got....
- Mirandas2cool: Kenny really has made some bad choices lately. I really like I go back and his o...
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- leeann: I didn't mention it in my review, but I didn't like the Skaggs duet either. It ...
In Memory of Don Helms (1927 - 2008) Helms dated back to a time when an excellent four or five piece band and a good singer were all that were needed to make great country music. No drums, no light shows, no production tricks in the recording studio–just good music.
Don’t look now, but Darius Rucker, lead singer of 90s rock group Hootie & The Blowfish, has a country hit on his hands. What you probably haven’t heard is that Rucker is the first black artist to chart a single in the country top 20 since Charley Pride last did it in 1988.
News that former Sugarland member and co-founder Kristen Hall is suing her ex-mates, to the tune of $1.5 million, goes a long way towards providing a bit of context regarding the Atlanta singer/songwriter’s sudden departure from the group.
Josh Gracin - “Unbelievable (Ann Marie)” Despite initial marketing that touted the album as deep and personal, “Unbelievable (Ann Marie)” is anything but deep or personal.
Josh Turner - "Everything Is Fine" Turner is the rare example of an artist who records material that’s both quality and trademark.
Darryl Worley - "Tequila On Ice" A groovy mid-tempo that sways, a refreshing reprieve from the exhausting pace of a format that clamors for loud music and swelling choruses.
Blake Shelton - "She Wouldn't Be Gone" It’s all about nailing the melody rather than providing a legitimate interpretation that accentuates the lyrical content, although Shelton does do a pretty good job of injecting what limited emotion he can.
Forgotten Artist: David Rogers David Rogers (1936-1993) is proof of the adage that it’s great to be on a major label, but only if the label is truly behind you.
Forgotten Artist: Charley Pride For the ’70s, Billboard has Charley listed as its third ranking singles artist behind only Conway Twitty and Merle Haggard.
In this exclusive interview with The 9513, the Show Dog Records trio talks about growing up around Waylon and Jessi Colter, and about how those experiences have helped shaped their music as they set off on their own country music journey.
One of an emerging wave of artists empowered by decreasing production costs and a rapidly changing distribution landscape, Kelleigh Bannen has taken a do-it-yourself approach to her debut album, Radio Skies.






