Welcome to The 9513! If you're interested in country music, be sure to subscribe to our feed or receive updates via email.
SXSW 2008: Palo Duro Records Showcase Wrap-Up

The first set of the Palo Duro Records Showcase on Wednesday night featured an acoustic lover’s wet dream with a song swap between Trent Summar, Tommy Alverson, Dallas Wayne, and Buzz Cason. All four artists were in a dapper mood, keeping the moderately sized Waterloo Ice House audience in high spirits. If the term “laidback” had a spokesperson or four, it’d be these guys.
Notably absent of his trademark red pants, Trent Summar elicited a few chuckles at the cost of Eliot Spitzer, who unfortunately wasn’t able to attend. He performed several self-penned songs you might recognize from other artists–Jack Ingram recorded “Love You” and Summar’s new buddy Gary Allan cut “Guys Like Me” on one of his albums–along with originals like “Supposed to Do” and “Horseshoes & Hand Grenades.”
MySpace | Website
Tommy Alverson pulled out “Maybe in Mexico” from his Heroes & Friends album along with “Country To The Bone,” which serves as a commentary on today’s country music, he sang, “your new single is the seventh cover of a Harlan Howard song / well that thin disguise won’t get you by if you ain’t country / country to the bone.” Pure badassery.
MySpace | Website
Dallas Wayne had is own commentary on the state of country music, too, with “If That’s Country”. He sang “you can make a star of a teenage girl, but one million dollars won’t make her a Merle / yea, laser beams and navel rings and a pretty face might be something / but you can kiss my Ozark ass if that’s country.” Later he remarked “it’s time for a killing song,” before breaking into “Your Biggest Fan.” Trent Summar chimed in, saying “it’s always time for a killing song.” Amen.
MySpace | Website
The biggest hit came with Buzz Cason’s “Soldier of Love,” a song that’s been covered by the Beatles, The Derailers and Pearl Jam. Cason told the story of a girl approaching him to tell him about the Pearl Jam cover, he joked “I don’t know who Pearl Jam is, I’ve heard of toe jam, but not Pearl Jam.” One good natured and intoxicated fan found it hard not to join in on “Barbecue,” before stumbling out the door later in the evening. In fact, the whole audience found it hard not to join in, chanting “barbecue” each time the chorus came around.
MySpace | Website

During the next set and with Waterloo packed to near capacity, Walt Wilkins & The Mystiqueros rolled through tracks of their newest album. At one point Jason Eady and Cory Morrow joined the band for a tune, while Texas artists Bobby Duncan and Jesse Dayton were seen mingling with guests. The Mystiqueros finished with their hit song “Trains I Missed” and came back with a special encore of “Just Like Hank,” featuring a guest vocal from songwriter Tommy Alverson.
MySpace | Website

Despite having only half the audience of The Mystiqueros, Darryl Lee Rush kept the place alive with originals like “White Trash Paradise,” “Uncle Freddie Drove a Tractor,” and the handful of soulful harmonica solos courtesy of the immensely talented Don Gallia.
MySpace | Website
After fixing some minor sound snafus, the self-described hard-rockin’, kick-ass Country band Miles From Nowhere tore through new songs off their 2007 release, Bloodline. Well after midnight the band wrapped up before being beckoned back for not one, but two more songs, and even then those who lingered were left wanting more from the Blossom, Texas outlaws. Displaying his southern hospitality, guitarist Adam Walker thanked each person who exited on his side of stage.
MySpace | Website
Stay tuned for thoughts and comments from Thursday, Friday and Saturday as well. There’s a lot of fantastic music being played in Austin right now and this is just the tip of the iceberg.
Popular Stuff
Sponsor
Tagged In This Article
Bobby Duncan // Buzz Cason // Cory Morrow // Darryl Lee Rush // Jason Eady // Jesse Dayton // Miles From Nowhere // SXSW // The Mystiqueros // Tommy Alverson // Trent Summar // Walt Wilkins
Current Discussion
- leeann: Sorry, I missed that you were specifically talking about the 2007 recording befo...
- Hollerin' Ben: I don't think that headshot is designed to keep everyone calm...
- Chris N.: Seriously, it's just a head shot. Everybody stay calm....
- Katie: How is the Kellie cover desperate? It's a headshot. I know I'm in the minority ...
- Jamie: TONIGHT! From www.galleywinter.com ... Join us for a listening party chat ...
- Peter Kohan: I think Stephen H.'s reading of Toby's statement is correct... but I also think ...
- Hollerin' Ben: Stormy, when are you going to learn that women's place in popular music is t...
- Chris N.: I'll take it....
- Stormy: My problem with the Kellie Pickler cover is that it so desperate screams: "This...
- Chris D.: I like the Kellie Pickler cover better than her last one, but her expression is ...
Miranda Lambert - “More Like Her” This kind of material, as opposed to her tough-chick-done-wrong romps like “Crazy Ex-Girlfriend” and “Gunpowder and Lead,” is where her real promise lies
Joey Rory - “Cheater, Cheater” It’s actually downright frivolous, but that just makes it all the more fun. And really, are you allowed to say “ho” on country radio?
Josh Gracin - “Unbelievable (Ann Marie)” Despite initial marketing that touted the album as deep and personal, “Unbelievable (Ann Marie)” is anything but deep or personal.
Josh Turner - "Everything Is Fine" Turner is the rare example of an artist who records material that’s both quality and trademark.
Darryl Worley - "Tequila On Ice" A groovy mid-tempo that sways, a refreshing reprieve from the exhausting pace of a format that clamors for loud music and swelling choruses.
Blake Shelton - "She Wouldn't Be Gone" It’s all about nailing the melody rather than providing a legitimate interpretation that accentuates the lyrical content, although Shelton does do a pretty good job of injecting what limited emotion he can.
In Memory of Don Helms (1927 - 2008) Helms dated back to a time when an excellent four or five piece band and a good singer were all that were needed to make great country music. No drums, no light shows, no production tricks in the recording studio–just good music.
Don’t look now, but Darius Rucker, lead singer of 90s rock group Hootie & The Blowfish, has a country hit on his hands. What you probably haven’t heard is that Rucker is the first black artist to chart a single in the country top 20 since Charley Pride last did it in 1988.
News that former Sugarland member and co-founder Kristen Hall is suing her ex-mates, to the tune of $1.5 million, goes a long way towards providing a bit of context regarding the Atlanta singer/songwriter’s sudden departure from the group.
Forgotten Artist: Wynn Stewart Both Buck Owens and Merle Haggard have cited Wynn Stewart as a major influence on their careers, yet somehow, he was never able to translate his enormous talent into extended and consistent success for himself.
Forgotten Artist: David Rogers David Rogers (1936-1993) is proof of the adage that it’s great to be on a major label, but only if the label is truly behind you.
In this exclusive interview with The 9513, the Show Dog Records trio talks about growing up around Waylon and Jessi Colter, and about how those experiences have helped shaped their music as they set off on their own country music journey.
One of an emerging wave of artists empowered by decreasing production costs and a rapidly changing distribution landscape, Kelleigh Bannen has taken a do-it-yourself approach to her debut album, Radio Skies.







7 Comments
RSS for comments on this post | Trackback URI for this post
March 14, 2008 at 11:06 pm Permalink
I will admit to not being familiar with any of the mentioned artists except Trent Summar. Let’s face it outside of Texas someone without satellite radio nor access to an Americana radio station will never hear these types of artists. Texas is like a musical island with its own idigenous culture that doesn’t extend much beyond its borders. (Now you guys will likely tell me many of the artists are not from Texas! Sheesh, my ignorance is showing again….)
I discovered the musical vision of Trent Summar years ago when I picked up the “Hank Flamingo” CD in a bargain bin for $ 1. Trent then moved on to form the New Row Mob but all his music has had a distinctive Trent Summar sound to it that is unmistakable. Unfortunately many of Trent’s songs in the past tended to sound a little bit too much alike, but he is not alone in that regard as a singer/songwriter. (Heck a lot of Hag’s filler songs on his early albums all sounded alike.) Its good to see he’s written some Top 40 mainstream hit songs. If you like Trent, its worth your while to track down a copy of “Hank Flamingo” just for his manic cover of the George Jones’ classic “White Lightning”. Great stuff…….
March 15, 2008 at 12:50 am Permalink
Hah, all the guys are indeed Texas artists.
I didn’t discover Trent until the release of his Horseshoes & Hand Grenades album, so I haven’t gone back and listened to old stuff, yet, but he’s got a manic cover of George Jones’ “He Stopped Loving Her Today” on that one…old habits must die hard. I think he calls his distinctive sound “farm rock.”
March 15, 2008 at 9:52 am Permalink
Thanks for the terrific review/coverage — my only disappointment was that I didn’t meet you in person (guess it was a bit crazy at times). Next time!
One very minor correction: while “Soldiers of Love” was definitely a huge hit (after all, how many times to the Beatles cover you!), technically Buzz’s final song of the night has had a larger impact on the world: Everlasting Love, recorded by dozens including U2 and Gloria Estefan. And yep, Buzz wrote that too.
I feel so lucky to be working with such fine and talented folks, and I’m glad you were able to share the night with us — thanks for coming out.
Chris
March 15, 2008 at 10:59 am Permalink
Thanks for the terrific showcase, Chris. I don’t know who half the people are most of the time, so I just sit back and enjoy the music, but we’ll definitely have to meet next time.
I was unaware of the background behind “Everlasting Love,” but that’s pretty awesome and makes him that much more impressive in my mind. When I referred to “Soldier of Love” as the biggest hit I meant more along the lines of the biggest hit with the audience in attendance that night, I probably should have been more clear about that.
March 15, 2008 at 2:10 pm Permalink
“Just Like Hank” by Walt Wilkins & The Mystiqueros is one of the best songs I’ve heard this year. Congrats to Walt and Co. on it!
March 16, 2008 at 6:07 am Permalink
Good one ya’ll! Damn, I miss Austin!
March 25, 2008 at 6:16 am Permalink
Thanks to Walt Wilkins the Mystiqueros,
For the beautiful music,
And thanks
To Chris Thomas from,
Palo Duro Records
You are the best from Texas
love from
Veronique
and best regards from
Netherlands
Leave a Comment