Strait & McEntire Sell-Out Tulsa; Rabin Takes on Kitty Wells; Lady Antebellum and Patty Griffin Drop New Records

Jim Malec | January 26th, 2010 Email Share

  • The dual-bill of George Strait and Reba McEntire sold out Tulsa’s 18,000 seat BOK Center in less than an hour.
  • In the latest edition of Nashville or Bust, Nathan Rabin explores the music and influence of Kitty Wells:

    “Though Wells was rightly hailed as a pioneer who inspired multiple generations of female country singers, a deep, almost self-parodying strain of masochism courses through her songs. For a particularly over-the-top example, listen to “I Gave My Wedding Dress Away,” a maudlin melodrama about a woman who stands passively by when her spoiled younger sister steals her fiancé and decides to marry him. Normally, you’d have to plunge into the films of Lars von Trier to find selflessness taken to such grotesque extremes.”

  • There are only two new releases on our calendar for this week, but they’re both rather notable.

    Patty Griffin – Downtown Church:

    “Griffin wisely enlisted guides familiar with the territory: among others, the gospel-singing McCrary sisters and Mike Farris, the spiritually-minded Julie Miller and, most importantly, her multi-talented husband Buddy Miller as producer. Recording in a vast, historical church sanctuary (which inspired the title), he captured a sound that’s as metaphysical as it is physical, percolating and reverent in turns.” — Jewly Hight for American Songwriter

    “Though heartfelt, Downtown Church comes off as a little generic at times, landing squarely in the well-stocked category of ‘tasteful, intelligent, unruffled roots music.’” — Noel Murray for A.V. Club

    Downtown Church is a stunningly powerful and compassionate work addressing homelessness, kindness, deceit and finding the strength to persevere through troubled tides. Produced by Buddy Miller, and partly recorded in a 19th century chapel in Nashville, Downtown Church proves again that Griffin’s talents transcend the singer-songwriter category through sheer force of her soulful voice and interpretive ability.” — Michael McCall

    Lady Antebellum – Need You Now:

    “It’s unlikely that Lady A intended “Need You Now” to be a concept album, but it does cohesively describe the moment in young adulthood when wild promise starts to give way to more realistic expectations. Scott has a gift for strongly expressing tentative feelings, like cautious hope on “Perfect Day” and recovered self-respect in “Ready to Love Again.” Kelley is far less subtle, and his meaty gestures often threaten to overwhelm the fine material. But Lady A is making progress in its effort to balance comforting clichés with new realities.” — Ann Powers

    “Kelley seems like the kind of guy who hogs the mike at the karaoke bar. He dominates this album with his smug tenor, leaving Scott to trill in the background all too often. He would have been wise to let his co-pilot take the wheel on “When You Got a Good Thing,” a song that flirts with the heat of “Need You Now” but cools during the second verse, with Kelley’s lyrics sounding like they were cribbed from Hallmark.” — Chris Richards for The Washington Post

    “Lady Antebellum returns with an uninspired sophomore effort that is a prime example of style over substance. One of country music’s most hyped new acts, the trio (comprising singers Hillary Scott, Charles Kelley and multi-instrumentalist Dave Haywood) has little to say on a record constructed almost entirely from derivative licks, recycled pop arrangements and an unrelenting parade of clichés–all factors that combine to render Need You Now a 44-minute blur of ineffectual, unmemorable pop country.” — Jim Malec for American Songwriter

  • Lady A interviews with CMT Insider’s Allison DeMarcus:

    Charles Kelley: ["Need You Now" is] huge, honestly. We keep saying it was very unexpected and just a huge confirmation that this record is hopefully going to be a kind of life-changer for us. Doing the second album is a lot of pressure, and having the first single do so well hopefully takes a little bit of the pressure off. But on the flipside, it’s a double-edged sword because now the rest of the record has to live up to the first single.

  • From the West Virginia MetroNews:

    “Country music singer and anti-mountain top removal advocate Kathy Mattea was also asked to join the talks. She expressed several concerns to the leadership including about the security at the competing rallies across the state. ‘We want everyone to be able speak. Everyone on any side of this issue to be able to speak and not be in fear for their lives or their safety,’ Mattea said.”

  • Canadian roots-country artist Gord Bamford has found a novel way to raise awareness about his music while raising money for a good cause. Bamford has teamed up with 4-H Canada to allow the group to sell his albums, with the group keeping 33% of each copy sold. (via Lacombe Globe)
  • Jason Aldean could have played college baseball, but when his beloved Atlanta Braves didn’t draft him out of high school, he turned to a life of music. Now that’s country.
  • The Baltimore Sun’s John-John Williams IV reviewed last Friday’s Strait/McEntire affair (with Lee Ann Womack) at venue 1st Mariner:

    “Reba McEntire showed Friday night at 1st Mariner Arena why she is arguably the queen of country music, while veteran crooner George Strait left me wondering why he hasn’t been kicked from his throne.”

  • New starlet Ke$sa is only just beginning her reign over pop music with the ubiquitous hit “Tik Tok,” but she’s already planning her future pop-to-country crossover, according to Ace Showbiz Blog.

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  1. [...] Tuesday’s News Roundup, Jim included a link to a mixed review of the George Strait, Rebe McEntire and Lee Ann Womack tour [...]

  1. Greg
    January 26, 2010 at 12:11 pm Permalink

    Loved the review about the Reba/George/Womack tour, but was suprised with the negativity to George Strait. But glad the other two artists got stellar reviews

  2. Brady Vercher
    January 26, 2010 at 12:22 pm Permalink

    In case anyone is confused by the link to the Lady Antebellum CD in the roundup, the download is only $3.99 at Amazon today.

    The Bluegrass Blog also has an interesting writeup about the new bass singer/guitarist, Christian Davis, for Dailey in Vincent who wasn’t familiar with bluegrass and couldn’t play guitar when they hired him.

  3. numberonecountryfan
    January 26, 2010 at 12:25 pm Permalink

    Not Ke$sa! Pretty soon, you will be telling us that Lady Gaga wants a country music career as well!
    Great news about the Strait/McEntire/Womack tour. Should be the tour of the year!

  4. Rick
    January 26, 2010 at 12:27 pm Permalink

    I think that the Reba/George Tulsa show sold out so quickly primarily due to Sarah Buxton’s inclusion on the roster! Well, I can dream can’t I?

    I like John Williams IV comment “…while veteran crooner George Strait left me wondering why he hasn’t been kicked from his throne.” Oh, that one’s easy John, no one wants to be charged with “elder abuse”! (lol)

    It would seem that Jason Aldean has never had a self-esteem problem! Sheesh!

    Country Weekly is featuring a free download song from “Can You Duet” contestants “The Two Timers” this week. “Country Girl Diva” sounds like a combination of Kate & Kacey Coppola with some current BOMSHEL mixed in for good measure. These gals are currently a regular part of Billy Block’s Tuesday night gigs at the 12 & Porter Club in Nashville (through February at least). That Margaret Rogers is one pretty young gal.

    Link: http://www.countryweekly.com/freemusic

    PS – Sometimes they feature really good songs! The emphasis is on sometimes…

  5. Steve M.
    January 26, 2010 at 12:31 pm Permalink

    “Strait, on the other hand, sang one sad, whiny, slow song after another.”
    That tells you all you need to know about that reviewer. How dare George Strait sing real country!

  6. sam (sam)
    January 26, 2010 at 12:44 pm Permalink

    The reviewer for the Strait/Reba concert says that Womack “kicked things off with a slew of her number one hits(…she reminded the crowd each time she sang one).

    But, going by Billboard, Womack doesn’t have a slew of number one hits. She has exactly one #1 (“I Hope You Dance,”). (She does have several #2s on Billboard, which were possibly #1s on other charts).

  7. Thomas
    January 26, 2010 at 1:30 pm Permalink

    …it’s a hard life on stage when your music does not require wild dancing steps, hot pants or a shower scene. but it gets even harder when the guy who’s sent to review it for a the local journal has a name like John-John Williams IV and has no clue of the singers repertoire. still, even being slightly clueless, he showed some balls leaving the readers comments uncensored. funny stuff.

  8. Peter
    January 26, 2010 at 2:21 pm Permalink

    Ke$ha’s mom wrote some pretty big hits for Merle Haggard and Dolly among others…so at least the pedigree is there.

  9. Jon
    January 26, 2010 at 2:30 pm Permalink

    Williams wrote: “Strait’s songs sounded pretty much the same in both lyrics and tempo.”

    Which is a pretty substantive criticism that has nothing to do with knowing or not knowing “real” country – unless you think that “real” country only has room for one tempo and one set of lyric concerns.

  10. Adam
    January 26, 2010 at 2:37 pm Permalink

    I attended the Strait/Reba/Womack show in Baltimore Friday night, and I agree with the reviewer. Lee Ann and Reba were outstanding. George was flat-out boring. After 20 songs from George, my wife and I left, wondering why we stayed so long in the first place. If I knew nothing about music and had to choose the opening act from the three of them, I would have chosen George. (Aside: I do listen to a lot of George Strait and am a fan of what he puts out on CD, but I never need to see him in concert again.)

    We did have an opportunity to meet Lee Ann backstage. She is really sweet. Too bad we missed 75% of Reba’s show to do so.

  11. J.R. Journey
    January 26, 2010 at 3:56 pm Permalink

    I was waiting for those kinds of reviews. After attending several Reba concerts, I can say that nobody wants to follow her. The same thing happened when she shared the bill with Brooks & Dunn – she just wears the audience out and if you’re gonna follow her, you better be damn near spectacular.

  12. Nicolas
    January 26, 2010 at 5:28 pm Permalink

    I am hoping to get me some tickets when this tour rolls through town, because I really would love to see Reba and LAW! =)

    I agree with the criticism of George Strait, I just never really liked his music much, nothing against him though.

  13. K
    January 26, 2010 at 6:29 pm Permalink

    I read that review out of curiousity, and I thought it would be much worse. George was crticized, but his loyal fans didn’t seem to care one bit. After all, his brand of “stand around and sing” type of performing was around before all the techical, glitzy, and overblown stage shows that are put on by most contemporary entertainers today. If that’s what he has been doing for fifty-plus years and manages to still sell out stadiums and sell millions of tickets for fans who want to conme see him, good for him.

    I personally don’t enjoy the “stand around and sing” performer, but George’s fans obviously love it, and it seems to be a successful formula that works for both him and his fans. Most of his fans would probably perfer that style of performing.

  14. stormy
    January 26, 2010 at 8:21 pm Permalink

    Well, Ke$sa is going to need someplace to hide when Kelis returns and wants her career back.

  15. Kaleeda
    January 27, 2010 at 11:27 am Permalink

    I attended the LAW/REBA/George show also and totally agree with Adam’s review. Reba knocked everyone’s socks off and I was sooo exhausted after her show I nearly fell asleep for George because it was so boring. The only thing that made me stay was the fact I payed 100$ for a ticket but seeming Reba was worth that amount + more. I’ll Never go to a George Straite concert again.

  16. Steve M.
    January 27, 2010 at 11:53 am Permalink

    Good, will leave more for real country fans. I am sure you would have complained about a Hank Williams concert because all he would do is stand up there (and sway) and sing.

  17. Noeller
    January 27, 2010 at 2:24 pm Permalink

    Nice to see my boy Gordy Bamford get some love on the 9513. Proud 4H guy giving back in a really cool way. And FWIW, that new album from Gord “Day Job” is going to be stellar. The last album “Honky Tonks And Heartaches” was produced and co-written with Byron Hill (Fool Hearted Memory, Born Country, etc) with several cuts put on hold by both Alan Jackson and George Strait.

    He’s the real deal, that dude…

  18. sam (sam)
    February 12, 2010 at 6:15 am Permalink

    Its interesting that some people bashed the Baltimore Sun reviewer for his criticisms of the George Strait concert. I just found online a review of the same concert from the DC examiner that made similar comments.

    The Examiner review says there was, “widespread yawning at a concert by the living legend and King of Country Music.” And “George Strait (s) performance that simply lacked the passion and energy of the show’s preceding performers.”

    The Linke: http://www.examiner.com/x-16216-DC-Country-Music-Examiner~y2010m1d23-George-Strait-Reba-McEntire–Lee-Ann-Womack-in-Baltimore–A-review

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