New Porter Wagoner Collection is What a Compilation Should Be
For me, greatest hits and compilation albums serve two purposes: they provide an introduction to artists with whom I’m unfamiliar and they’re an affordable way to obtain the best tracks from artists who do not make good albums. We’ve discussed this at The 9513 and it appears that our readers value these collections for a variety of reasons, but I’ve always had trouble appreciating the compilation as an art form itself. Greatest hits collections seem to be the product of commercial convenience and compilation albums focus on exhaustively presenting one period of an artist’s catalog; seldom is the result artistically compelling. Out of the Silence Came a Song: The Somber Sound of Porter Wagoner, the new compilation from Legacy Recordings and Porter Wagoner’s first posthumous compilation album, is a welcome exception.
The album title ensures that few listeners will mistake this compilation for a greatest hits collection and indeed it is not. Up-tempo favorites like “Company’s Coming,” “Y’all Come” and “Misery Loves Company” are conspicuously absent. More questionable omissions include “A Satisfied Mind,” “Skid Row Joe” and “Green Green Grass of Home.” However, it’s hard to argue with most of the substitutes on this 29-track collection. The choice of theme is a good one; I always found such somber songs as “The Carroll County Accident” and “The Cold Hard Facts of Life” to be among Porter’s most compelling Opry performances.
Still, the album’s significance lies in its inclusion of some deep catalog songs that many listeners have forgotten or never heard. “The First Mrs. Jones” is a haunting murder ballad that sounds like the Louvin Brothers sans the harmony. Also striking is Porter’s versatility and fearless stylistic diversity. Several excellent recitations are interspersed among hard-core honky-tonk and the psychedelic twang of “The Rubber Room” and “George Leroy Chickashea.”
What emerges is a compilation that is truly interesting and labors to paint a picture rather than collect hits. It’s not a good introduction to Porter Wagoner and wouldn’t be a good choice for a country fan who wants a succinct and representative collection to remember one of the genre’s greatest. It’s not even a compilation of Porter’s best songs. However, Out of the Silence Came a Song succeeds in constructing a catalog cross-section. It fixates on a common theme and proceeds to present the Porter Wagoner behind the hits, Porter the risk-taker and genre-buster, Porter outside of the twinkle of Rhinestone suits. It’s a fitting addition to the collection of any fan who realized only after his death just how much they appreciated Porter Wagoner.
Track Listing:
1. Out of the Silence (Came a Song)
2. The Rubber Room
3. George Leroy Chicakshea
4. Cassie
5. Fairchild
6. Indian Creek
7. Lonely Comin’ Down
8. Bones
9. Jim Johnson
10. Lonelyville
11. My Many Hurried Southern Trips
12. Simple As I Am
13. Woman Hungry
14. The First Mrs. Jones
15. The Cold Hard Facts of Life
16. Shipworn
17. Julie
18. The Carroll County Accident
19. Let Me In
20. Wino
21. The Bottom of the Bottle
22. Nothing Between
23. Crumbs From Another Man’s Table
24. He’s Alone Again Tonight
25. Life Rides the Train
26. Little Boy’s Prayer
27. My Last Two Tens
28. The Party
29. Moments of Meditation
If you enjoyed this article, be sure to subscribe to our feed or receive updates via email.
Popular Stuff
Sponsor
Catch up on Nashville Star through Matt C.'s live blog. Episode I | Episode II | Episode III | Episode IV | Episode V
Tagged In This Article
Current Discussion
- bresenolouie: In this haunting tale of the young widow, she is confused about the sudden tragi...
- Julie: I'm only an occasional reader of this site, and I'm beginning to see why. This ...
- bresenolouie: Chris N. is perfectly right!!! This is a universal situation - the "REALITY IN ...
- Dustin: JMO: Matt, just wait for this video to come to help you understand, its ok to ad...
- Stormy: Well then,revenge first and investigation later. The song has a huge poblem wit...
- Brady Vercher: Nice try, but I didn't suggest the song wasn't about vengeance. My willful inter...
- Chris N.: Yeah! It’s just like how the Europeans learned to speak the Native Americans...
- JR: I love this song! Where can I get a copy to balst from my speakers as I drive th...
- Stormy: How does one interpret the song to be about something other than vengance?...
- Sarah: I don't care what anyone says the song "Back that thang up" is AWESOME!! Justi...
Carrie Underwood - “Just a Dream” “Just a Dream” is not perfect. In fact, it’s deeply, deeply broken. But the single is a great vocal performance of a risky song
Toby Keith - “She Never Cried In Front Of Me” Apart from the shifts in perspective and changes in tense, the major problem with this song is that the lyric fleshes out too many irrelevant details.
Brad Paisley - “Waitin’ On a Woman” Bizarrely, it took a song written by someone other than Brad Paisley for radio to hear what the Paisley style can truly accomplish.
LeAnn Rimes - “What I Cannot Change” When LeAnn Rimes enters a recording studio, she carries with her the most impressive instrument in the room.
Randy Travis - “Dig Two Graves” The combination of song and Travis’ performance together are an example of what makes country music truly exceptional.
Pat Green - “Let Me” The song itself owns Pat Green and he gets lost somewhere in the melody.
Merle Haggard at the Ryman Auditorium: Of the Haggard classics, “Silver Wings,” “The Way I Am” and crowd-favorite “I Think I’ll Just Stay Here and Drink” were performed with confident ease while “Kern River” was sung with inspired tenderness and “Back to Earth,” from 2007’s Last of the Breed, contained more than a trace of Willie’s nasally twang.
One of an emerging wave of artists empowered by decreasing production costs and a rapidly changing distribution landscape, Kelleigh Bannen has taken a do-it-yourself approach to her debut album, Radio Skies.
The two-time Dancing With The Stars champion, Julianne Hough, recently took some time to answer questions for The 9513 in this exclusive interview.
After cutting ties with Warner Bros. Records, Ray Scott decided to take the proverbial bull by the horns and form Jethropolitan Records, a place where he can get back to the blood and guts of what he terms “real country music,” the kind of stuff you don’t hear on radio anymore.
Sing Me Back Home: Love, Death, and Country Music by Dana Jennings When Jennings addresses modern country in the final chapter, he leaves you with the impression that it just can’t tap into the primal psyche the same way the classics that served as his nursery rhymes did.







4 Comments
RSS for comments on this post | Trackback URI for this post
December 23, 2007 at 12:28 am Permalink
I know people have their views about Greatest Hits/Compilation albums.
I think they are released for almost purely commercial purposes, but that doesn’t bother me because studio albums exist largely for commercial purposes, too. If an artist’s studio albums stop selling, that artist will get dropped from the label. I suspect that major labels are just as interested in the bottom line when they release non-greatest hits CDs as when they release Greatest Hits CDs.
In general, I am less interested in the motive behind a particular release than the quality of the release. So I don’t really care if Toby Keith recorded “How Do You Like Me Now” to get rich, to appease a label executive, or to insult a former girlfriend or to do the song’s co-writer a favor. What I care about is whether I like the song.
So if a Greatest Hits CD has a lot of songs I like, I’ll buy it (unless I own them already!)
December 23, 2007 at 8:25 am Permalink
Interesting. This is almost identical to “The Rubber Room” compilation released last year on Raven. The only difference being the omission of one snog (”The Party”).
December 23, 2007 at 10:38 am Permalink
This is indeed the same compilation as RUBBER ROOM (my copy of Rubber Room does contain “The Party’) and it is great beyond words. This would be the first disc I would recommend followed by a standard hits compilation and the live PORTER WAGONER - IN PERSON (on Koch)
December 23, 2007 at 10:57 am Permalink
Thanks for the info guys. Because of the reasons I outlined in the article I don’t follow compilation releases closely, even for Porter Wagoner, one of my favorite artists. The fact that this was previously released perhaps detracts from the credit due Legacy Recordings (though I really like the title that they give the collection), but does not change my assessment of the excellence of this collection.
Leave a Comment