Welcome to The 9513! If you're interested in country music, be sure to subscribe to our feed or receive updates via email.
Mystiqueros Love Beer And Chicken
Deep in the heart of downtown Austin, Wilkins stood center stage at a blues bar telling the story of how he and band mate Marcus Eldridge tried to take the traditional route for country singers through Nashville, but couldn’t make it work. Fortunately for those in attendance on Tuesday night, they were led to Antones for the CD release party of Wilkins’ sixth album, Diamonds in the Sun.
Earlier in the night The Mystiqueros entered brandishing brightly lit candles that they placed at the front edge of the stage. Wilkins strapped on his guitar, but barely grazed the strings as he opened with a spine-tingling interpretation of “Going to New Orleans”. The band surrounded Wilkins in a semi-circle, joining in on harmony at different times throughout. Afterwards, the band dispersed to their respective instruments while Walt dedicated the song to Walter Hyatt and Buck Jones, saying the band would carry the song with them wherever they went.
Wilkins introduced the next song as his current single, claiming that it’s already #22 on the Texas Music Charts and one of the most added songs to radio across the nation according to the Americana charts. When I first heard “Trains I Missed” online it was easily one of the best songs I had listened to in quite some time, but it pales in comparison to hearing the richness of each sound when The Mystiqueros perform it live.
The band, with the exception of Marcus Eldridge, mirrors Wilkins with shoulder length hair and a disheveled, salt of the earth appearance. Ray Rodriguez sat in the back on drums while Marcus Eldridge, Bill Small, and John Greenberg stood to each side of Wilkins. Each of the front men have released their own solo albums at one time or another which makes the band exceptionally versatile and allows them to share vocal duties.
In between songs Wilkins thanked his wife for letting him be in a band like he was 17 again. Another time he mentioned his long hair and said that without it he’d probably look like a grandpa despite only being 46 years of age.
Midway through the night I wandered over to the merchandise booth to pick up a new album thinking I was being clever to get one before the show was over. Unfortunately, I wasn’t as smart as I thought, they were already sold out…at the CD release party. One can only hope that that’s a sign of good things to come for Walt Wilkins & The Mystiqueros.
Popular Stuff
Sponsor
Tagged In This Article
Current Discussion
- leeann: I *did* mention the Lauderdale song in my review. I really liked it. He sounds...
- Thomas: "whereas rap was the word of truth, today country is where you go for honesty".....
- Razor X: The Jim Lauderdale track is excellent. Another one that I liked better than I t...
- Dylan Gramm: Why does that statement make Keith a racist?...
- f_t_e: Namely this: http://thinkprogress.org/2008/07/30/toby-keith-obama-white/ "...
- f_t_e: Yeah, because if there's anyone who would have supported John McCain, it's the m...
- Josh: Rascal's "I'm Moving On" was good.. that's all I got....
- Mirandas2cool: Kenny really has made some bad choices lately. I really like I go back and his o...
- Dylan Gramm: What's the Jim Lauderdale track like?...
- leeann: I didn't mention it in my review, but I didn't like the Skaggs duet either. It ...
In Memory of Don Helms (1927 - 2008) Helms dated back to a time when an excellent four or five piece band and a good singer were all that were needed to make great country music. No drums, no light shows, no production tricks in the recording studio–just good music.
Don’t look now, but Darius Rucker, lead singer of 90s rock group Hootie & The Blowfish, has a country hit on his hands. What you probably haven’t heard is that Rucker is the first black artist to chart a single in the country top 20 since Charley Pride last did it in 1988.
News that former Sugarland member and co-founder Kristen Hall is suing her ex-mates, to the tune of $1.5 million, goes a long way towards providing a bit of context regarding the Atlanta singer/songwriter’s sudden departure from the group.
Josh Gracin - “Unbelievable (Ann Marie)” Despite initial marketing that touted the album as deep and personal, “Unbelievable (Ann Marie)” is anything but deep or personal.
Josh Turner - "Everything Is Fine" Turner is the rare example of an artist who records material that’s both quality and trademark.
Darryl Worley - "Tequila On Ice" A groovy mid-tempo that sways, a refreshing reprieve from the exhausting pace of a format that clamors for loud music and swelling choruses.
Blake Shelton - "She Wouldn't Be Gone" It’s all about nailing the melody rather than providing a legitimate interpretation that accentuates the lyrical content, although Shelton does do a pretty good job of injecting what limited emotion he can.
Forgotten Artist: David Rogers David Rogers (1936-1993) is proof of the adage that it’s great to be on a major label, but only if the label is truly behind you.
Forgotten Artist: Charley Pride For the ’70s, Billboard has Charley listed as its third ranking singles artist behind only Conway Twitty and Merle Haggard.
In this exclusive interview with The 9513, the Show Dog Records trio talks about growing up around Waylon and Jessi Colter, and about how those experiences have helped shaped their music as they set off on their own country music journey.
One of an emerging wave of artists empowered by decreasing production costs and a rapidly changing distribution landscape, Kelleigh Bannen has taken a do-it-yourself approach to her debut album, Radio Skies.







5 Comments
RSS for comments on this post | Trackback URI for this post
July 26, 2007 at 7:19 am Permalink
Nice review, thanks!
July 26, 2007 at 9:43 am Permalink
Wow, you make me feel like I was there. Awesome.
July 26, 2007 at 8:08 pm Permalink
Hey, I love that Buck Jones record. I should review it for my own site as a tribute to the guy. “Goin’ To New Orleans” was/is my favorite track off of it.
July 26, 2007 at 9:22 pm Permalink
Thanks Linda and Heidi.
Matt, if I remember correctly the Buck Jones record was co-produced by Walt Wilkins. Anyways, Wilkins’ version was outstanding. If you ever get a chance to hear it live I’d highly recommend it.
April 10, 2008 at 2:20 pm Permalink
WALT WILKINS ,JOHNNY, BILL, RAY, and MARCUS YOU
ARE THE BEST FROM TEXAS
WONDERFUL MUSIC AND BEAUTIFUL VOICE
GOD BLESS YOU ALL
LOVE FROM VERONIQUE
AND GREETHINGS FROM
NETHERLANDS
Leave a Comment