Miranda Lambert – “Dead Flowers”
“Dead Flowers” marks the maturation of a phenomenally talented but still budding songwriter into a full-fledged artistic powerhouse.
With that talent finally in full execution, Miranda Lambert has produced a piece of truly stunning art: The lead single from her third album is smarter, more precise and concise, and more vocally engaging than any of her previous releases.
A culmination of the incomplete parts that defined the bulk of her first two albums, Lambert has finally realized a balance between lyrical color, poetic phrasing and narrative specificity; whereas much of the material on Crazy Ex-Girlfriend was shrouded in ambiguity and vagueness, here her lyrics are razor sharp and her storyline is clear–that later point especially leading to a highly relatable emotional core.
In telling of a dying relationship where two lovers have somehow drifted to two very different places, Lambert brings together the edginess she’s known for with the directness and hooks that make songs memorable. “I’m living in a hurricane/All he can say is man, ain’t it such a nice day,” she sings, painting a portrait of contentment disturbed that is sad in a way that extends far beyond mood. This is a portrait of true sadness. And does it ever sting.
Great songs tell specific stories, and “Dead Flowers” marks a step beyond Lambert’s tendency to settle for lyrics that often feel anonymous. But while Lambert’s narrative voice has found a successful plane, so too (and perhaps even more satisfyingly) has her singing voice.
Lambert’s delivery here is confident, controlled and comfortable, her power notes smooth and never forced. When her voice swells from a whisper to declare, at the opening of the song’s chorus, that “He ain’t feelin’ anything,” it’s a flawless transition that sounds like a sudden flood of pain she simply cannot hold back.
In a stylistic sense what is especially interesting about “Dead Flowers” is that while much of Lambert’s earlier work can be defined within certain sets of predefined boundaries and variations, this song is something that sounds truly unique and unbeholden to any definite form. A careful listener can detect an underlying beat that pulses like something from the hands of Dann Huff, but there is also a dusty grit that recalls Lambert’s musical ties to country-rock artists like Mellencamp. At the same time, there is an accessibility that makes this radio friendly, although it certainly doesn’t sound like radio country.
As a whole Lambert has crafted a record that sounds derived from, but which also moves beyond a status-quo that has been in place for far too long. If this is Americana, it avoids the inaccessibility of some of its peers, and if it is contemporary country it maintains an unprecedented level of artistic integrity. Let’s hope her peers are taking note. This is music worthy of the the resounding critical praise she has already received.
“Dead Flowers” is a brilliant work from an artist who seems to have finally hit her stride.
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Listen: Miranda Lambert – “Dead Flowers”
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[...] that extends far beyond mood. This is a portrait of true sadness. And does it ever sting.” Jim Malec, Country Music 9513 [...]
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April 17, 2009 at 3:41 pm Permalink
Yay! <3 I love this song, its soooo good =D You rock Miranda
April 17, 2009 at 4:36 pm Permalink
^^ Ditto! I LOVE this song!
April 17, 2009 at 4:41 pm Permalink
Maybe it’ll grow on me. I’m with you on the lyrics though. I’m just not there with the vocals or the production.
April 17, 2009 at 4:46 pm Permalink
Ive been a huge fan of hers since she first came around, and I def agree that lyrically this is a huge growth for her. Im not really sold on the production, but like Leeann, maybe itll grow on me.
April 17, 2009 at 4:48 pm Permalink
Because I’m such a big fan, I’m hoping it will grow on me. I just don’t know though…
April 17, 2009 at 4:49 pm Permalink
I have to admit…I’m a big fan. Of both Miranda and the song.
April 17, 2009 at 5:53 pm Permalink
When it comes to Miranda’s major label albums, I feel like Jo Dee Messina singing Joe Diffie’s “My Give a Damn’s Busted”. Now when Miranda is “unplugged” its another matter entirely. All of this borderline “Texas Regional/Red Dirt” style production is a total turn off to me personally. As for this song the lyrics are indeed strong and the vocals fine, but as a whole this song leaves me utterly apathetic. I would love to hear a “stipped/unplugged” version of this song though…
April 17, 2009 at 6:35 pm Permalink
I thought this was a remake of the Rolling Stone’s “dead Flowers” there for a second. Rick, what don’t you like about Texas regional music styles?
Hope this gets her up somewhere closer to carrie and taylor. She’s a good songwriter and a better vocalist. We could use someone who is both as the “country ladies ambassador.”
April 17, 2009 at 8:18 pm Permalink
Agreed Kim; Miranda’s far better than Carrie and Taylor
April 17, 2009 at 8:24 pm Permalink
Good, I’m glad I’m not the only one who loves this song! I love the poetic nature of the lyrics, and it just works- It’s really grown on me since I got the studio version.
April 17, 2009 at 8:37 pm Permalink
I agree, the beat is very different. However, her preformance at the Acms was one of the bests. Beautifully written song, it paints such a vivid picture in your mind.
April 17, 2009 at 9:07 pm Permalink
Let’s leave Taylor and Carrie out of this, please.
April 17, 2009 at 9:19 pm Permalink
Brady, I’d kiss your feet right now if I could.:)
April 17, 2009 at 9:49 pm Permalink
I don’t know how I feel about it yet. How do you think radio will feel about it? I’d like like to see her get a number one hit one of these days. I think she’d like to get one too.
April 17, 2009 at 11:18 pm Permalink
I thought it was a pretty bad song. The lyrics did absolutely nothing for me. Ok, the first verse was so-so but then I lost interest. I gave up at the last chorus and turned it off.
On the plus side – I thought her vocals were better than what I’ve heard in the past, and I liked the ’sound’ of the song, the melody instrumentation etc.
Actually her vocals reminded me a bit of Deanna Carter on this song.
April 18, 2009 at 12:07 am Permalink
I’m not crazy about the song, either. Maybe with repeated listenings it will grow on me.
April 18, 2009 at 12:25 am Permalink
Its not a bad song, its just that it is not Miranda covering The Stones’ Dead Flowers which is what I really wished it would be. And this song is not nearly the awesome that her doing a Stones Cover would be.
April 18, 2009 at 12:50 am Permalink
PaulaW: “Actually her vocals reminded me a bit of Deanna Carter on this song.”
Is that good or bad? I’d say good, because I love Deana Carter <3 But thats just me
April 18, 2009 at 6:42 am Permalink
To me, it’s a good, deep song. Meaning you really have to listen to the words and feel them. I could understand it as I’ve been divorced 3 years now and that was my marriage she was describing. I admit, the words aren’t simple and you have to go a little deeper and how each phrase relates to the entire story/song.
My thoughts on award shows: Each top performer seems to win in 3’s if they are that good unless there is no one that comes close to them-hence “Brooks and Dunn” all those years. The female race is particularly close each year and if they vote for a true “vocalist”, I think the next few years will be Miranda’s
April 18, 2009 at 7:02 am Permalink
I hated this song the first time I heard it. Then I listened to it a few more times, and I thought it was so-so.
Now I love it. I’m excited for the new record.
April 18, 2009 at 8:38 am Permalink
Sorry wasn’t trying to get people worked up with the comparison part. Just trying to make a point about Miranda’s career.
When is her new CD out? Read a lot of conflicting reports.
April 18, 2009 at 11:21 am Permalink
Great review, Jim! Good to see you’re finally seeing what I’ve always seen in Miranda. Welcome to the dark side. ;-)
Looking forward to hearing the rest of the album as well. If the rest of it is as strong as this song, it’ll be another album of the year trophy for Ran!
April 18, 2009 at 2:02 pm Permalink
@Kim: Her new CD comes out in September
April 18, 2009 at 3:41 pm Permalink
Thanx Nicolas. long time though.
April 18, 2009 at 3:47 pm Permalink
I love this song! Malec im glad you are finally seeing what I have seen all along! Miranda is gonna go far with this song, I can see a #1 hit comming for her! Cant wait for the new album I can see now its gonna be HUGE!
April 18, 2009 at 5:13 pm Permalink
“Great songs tell specific stories…”
Hmm. Just a few weeks ago, great songs were “about characters and place,” and a couple of weeks before that they were ones that “live in the space between the setting and the final outcome.” It’s starting to look to me like maybe great songs can do a lot of different things, so why the grandiose pronouncements? And what’s the specific story here, anyway? It’s kind of all setting, isn’t it? Not that there’s anything wrong with that.
Personally, I think the record’s ok (I’d rather listen to it than the Rolling Stones’ “Dead Flowers,” or even a Lambert cover of same), but if there really is “something that sounds truly unique and unbeholden to any definite form” in it, I’m not hearing it, and unfortunately, this review doesn’t really say what it is; it just makes the assertion.
April 18, 2009 at 6:13 pm Permalink
Specific story = Miranda got v-day flowers n she threw them out in the yard before she left town … then when she got back she saw them lying in the yard
Then she wrote that song
April 18, 2009 at 6:56 pm Permalink
Good Song, Great Artist. Glad to have fresh new material from Miranda Lambert!
April 18, 2009 at 6:59 pm Permalink
This is a FANTASTIC song!! Miranda is an incredible talent; writing, singing, performing… the girl’s got it all.
I’m just waiting for this to be her first HUGE #1 HIT!
Radio also seems to be picking up on the fact that it’s going to be a smash. A lot of stations have started playing it even tho’ it hasn’t even been officially released yet.
April 18, 2009 at 7:00 pm Permalink
“Specific story = Miranda got v-day flowers…”
The lyric is set in January.
April 18, 2009 at 7:11 pm Permalink
^ Just read this: http://www.mirandalambert.com/blog/entry.php?entry=59
April 18, 2009 at 10:32 pm Permalink
I agree with the review insomuch as the story/storytelling in this song does achieve an important balance between distinctiveness and accessibility that has sometimes been lacking in her work. I just don’t think it’s the “breakthrough” moment the review makes it out to be, even if it does seem poised to do better at radio than some previous singles. I think both “Famous in a Small Town” and “Gunpowder & Lead” achieved the same balance, and ditto to a few album cuts like “Dry Town.”
This one is a bit less classifiable in genre terms, but I guess I think Miranda Lambert is at her best when she’s doing distinct, less aurally nebulous material. To me, this sounds like Rascal Flatts’ “Take Me There” with way more interesting lyrics, and it washes out the nuanced nature of her singing. I do like it alright, and I do think it could be a real hit, but I just don’t think it has the overall “punch” to stand out among her best work so far.
April 19, 2009 at 12:08 am Permalink
WOW! Miranda Lambert is great! Fantastic song
April 19, 2009 at 2:01 pm Permalink
I’d like to add that I do really like this review, though. It’s a very good piece of writing, even if I don’t agree fully with it.
April 19, 2009 at 3:14 pm Permalink
Nicolas, that blog entry describes the inspiration for the song, not the song, which is set in January, before Valentine’s Day.
April 19, 2009 at 7:49 pm Permalink
Jim, that is quite a good piece of writing you have here.
Good song, good lyrics, good melody, Good start to Miranda’s 3rd album.
April 19, 2009 at 8:46 pm Permalink
I agree with someone else who said that the song had to grow on them. When i first heard it on the ACM’s i did not really like it. Now that i have heard the studio version i love it! As a huge “Ran” fan; i can’t wait hear more new music!! Great lyrics and she sounds great too! Also thanks whoever posted the link to the “inspriation” behind the song.
April 20, 2009 at 12:57 am Permalink
As a longtime fan of Miranda I find it interesting that one of things that you seem the most enthused about this song Jim is the thing I’m least impressed with, the song’s production. I’m not in love with the sound of this song especially the the intro and the effect used on Miranda’s vocals that is especially noticeable before the first chorus, however I do like this song a lot.I agree that the writing and vocals are probably the best from Miranda so far and that it’s miles better than most of the songs on radio today. I just hope that the production of this song isn’t foreshadowing the sound of her entire new album and that the sound that made me fall in love with her music is still there somewhat.
April 20, 2009 at 7:10 am Permalink
This is a respond to Kim and Nicolas, Miranda is a very talented female country artist right now, but the problem why Miranda can’t even close to Carrie and Taylor is, She doesn’t have the like ability factor (The IT Factor) that Carrie and Taylor have. I like Miranda music but I don’t like her as a person.
April 20, 2009 at 9:37 am Permalink
Great review! The first time I heard this song, I thought to myself that she finally might hit the success she so deserves. The music, the lyrics, the emotion she sings with, I think will make this song a hit.
I own both of her Miranda’s CDs and think that she is by far one of the most underrated artists out there. I think Miranda fans either want her to be a Taylor Swift or a Gretchen Wilson and she is kinda in the middle of that spectrum. She has always kind of had the harder edge to her music unlike that of Carrie and Taylor, who are also on my iPod. But when I want to hear some real county music, I lean more towards “Gunpowder and Lead” then “Love Story”. If you’re looking for just a great CD, I really recommend her last album, especially the tracks, “Desperation” and “I Just Really Miss You” are stand out tracks.
If this is a sign of things to come on the 3rd album, it’ll be in my car by the afternoon of the day it comes out.
April 20, 2009 at 6:08 pm Permalink
Really great review Jim!! Really like this song and i think its gonna be a big hit,its at 59th 2 weeks before adds.
To Jennystonedeaf: How does she not have the like ability factor??
April 20, 2009 at 8:23 pm Permalink
While I think you tend to exaggerate the extent to which this serves as an artistic turning point for Lambert, or that “full-fledged artistic powerhouse” as you call it……….I nonetheless agree this is a solid, poignant track that is deserving of the praise it has received, and is one I hope radio will not overlook, especially in relation to the far inferior, often disingenuous crop of material that Lambert is presently competing with on the airwaves.
I do also agree she has never sounded quite this concise, and while it is clear “Gunpowder & Lead” and “Kerosene” in particular didn’t fail at all to be accessible to listeners, I think the brevity and straight-to-the-point nature of “Dead Flowers” will prove to be its calling card in helping sinew Miranda Lambert’s profile as a staple artist on Country radio.
April 21, 2009 at 9:00 am Permalink
To Miranda2cool, I am just expressing what everyone else is thinking. The people always portray her as an angry or desperate young woman. Her music is great but it seems she is pushing it to hard.
April 27, 2009 at 9:48 pm Permalink
One thing really irritating about this song is the quality of the recording. I listened to the attached link and thought jeez… I’ll just wait for the actual radio release copy, but alas… just as bothersome. Not sure what the point of that was, but I don’t like it, and I’m even used to some poor quality stuff from the ’50s and earlier (with reason).
April 29, 2009 at 10:19 am Permalink
memo to those who don’t get it: check the charts in 90 days.
May 27, 2009 at 2:17 pm Permalink
I think this is clearly Miranda’s most mature vocal yet. The writing is great. It is SOOOOO different than what everyone else is cranking out right now. Production is genuis. Mike Wrucke and Frank Lidell should get more credit. The simplicity kind of reminds me of the Julie Miller song “I Know Why The River Runs” (also produced by Lidell) that LeeAnn Womack covered on the IHYD album.
May 27, 2009 at 3:26 pm Permalink
This song is really growing on me. It’s still not my favorite song from Ran due to some production choices like the over production of the vocal, but I’m liking this song more every time I hear it which is unusual.
May 27, 2009 at 3:28 pm Permalink
This song is really growing on me. It’s still not my favorite song from Ran due to some production choices (like the over production of the vocal) but I’m liking this song more every time I hear it which is unusual.
May 28, 2009 at 1:11 pm Permalink
“Dead Flowers” marks the maturation of a phenomenally talented but still budding songwriter into a full-fledged artistic powerhouse.
If this is “maturation”, I’d prefer she go back to being a kid and talking to Charlie.
June 9, 2009 at 2:37 pm Permalink
I don’t like this song.
I hope Miranda has a successful career, and I know she can sing but this song just isn’t that great. It doesn’t seem to really go deep into any emotion, like classics of the past have (not to say that it is emotionless, just not focused like a great song should be). The instruments seem loud and obnoxious, rather than powerful and supportive to the lyrics, but her voice does sound good. As for Miranda reaching country music maturity, why is it that we cannot just accept the fact that she is now and has been since she released “me and charlie talkin’” a good country singer with good song and a good voice; not every musician has to be an icon, idol, or ledgend; Just let her keep on being good, and hopefully she will.
This Is Just My Opinion and I’m entitled to it, you are entitled to yours – so please don’t take offence. I’m just offering some balance.
June 9, 2009 at 2:52 pm Permalink
I love Miranda, but this….it’s just not her best work. She doesn’t seem into the song at all, and the lyrics are utter dross.
June 9, 2009 at 3:30 pm Permalink
I hope she releases a music video for the song soon, because I know that its going to be a big hit once she does
June 9, 2009 at 4:36 pm Permalink
Nicolas, Miranda Tweeted a few weeks ago that a video was coming in 28 days. So that means if there were no hold ups it should be out in a week or two, but I have yet to hear any word from her label on a video so I would suspect there was a delay, or possibly that she meant the video shoot was in 28 days.
June 9, 2009 at 4:45 pm Permalink
Ok Todd, thanks for the update! <3
June 14, 2009 at 2:13 pm Permalink
I love this song!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
June 19, 2009 at 12:59 pm Permalink
Nicolas, the video shoot was Wednesday, so look for it to come out within the next month or so.
July 14, 2009 at 9:17 am Permalink
i love this song, i think it is great, im really looking forward to buying and listening to the whole album when it comes out september 29th. the video should be out very soon. miranda is a great singer, songwriter, and performer.
July 16, 2009 at 4:16 pm Permalink
I love this song, the lyrics are so powerful and everytime i hear it i get a chill down my spine. The Video came out today on cmt.com Go check it out everybody, It’s Powerful!!! She is so beautiful.
August 3, 2009 at 9:47 am Permalink
This song has turned out to be a disaster! It barely reached #40 and now is sliding backwards! This has turned out to be one of weakest single releases of Miranda’s career! Jim, you have to start getting in tune with what the public likes as you were way off on this song!
August 3, 2009 at 9:53 am Permalink
I don’t think I even guaranteed that this would be a hit, did I?
August 3, 2009 at 9:56 am Permalink
Do we have to go through this every time? Artistic success and commercial success are not the same thing, yadda yadda yadda, blah blah blah. It’s not Jim’s job to be “in tune with what the public likes,” it’s to have informed opinions and to write well.
August 10, 2009 at 3:57 pm Permalink
Well, Its sad to say but, “Dead Flowers” has stalled and now she is releasing a new single “White Liar” I like it, you can go check it out on allaccess.com and it has already gaining alot of audience liking on the radio but it doesn’t even come to radios until August 17th
August 10, 2009 at 6:45 pm Permalink
well, my only consolation for dead flowers not doing well on the charts is a grammy for the performance!
August 13, 2009 at 5:58 pm Permalink
I have been big fan of this girl from the get go.
I love her songs but sometimes I think she is trying too hard to be the black sheep. It makes her stand out and get noticed and I guess that is the part of the game.
September 5, 2009 at 12:49 pm Permalink
To TRISH:
Where a song is located on the charts has little to do with what the public likes. It is the radio programmers who decide initially what will and won’t get airplay. Clear Channel owns the majority of the stations, which means a really small group is deciding on music taste for the masses.
September 16, 2009 at 1:52 pm Permalink
I love Miranda!!! She has a new performance out available to watch at http://soundcheck.walmart.com/miranda-lambert
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