Lovesick Blues: The Life of Hank Williams

I went to Barnes & Noble the other day to pick up a beginner’s guide to playing mandolin. They didn’t have one at my local store, so I came away with the Sunny Sweeney album and a book by Paul Hemphill called “Lovesick Blues: The Life of Hank Williams” instead.
The book is a biography of Hank Williams’ life and it is wonderfully written and entertaining, if not a bit biased. Despite his obvious admiration for Williams, no holds are barred in Hemphill’s account of Hank’s life from meager beginnings, his rise to meteoric heights, and finally his untimely death. He delves into Hank’s torrid relationships with alcohol and the women in his life and how neither of them ever treated him right, the bond between Hank and Fred Rose, who helped him reach his potential, and Hank’s reverence for the recording studio. Despite it all, the drinking, the drama with his wife, Audrey, and in between skipping out on shows, Hank treated the recording studio as his sanctuary. It was if he knew that no matter what he did, his legacy would be based on the songs that he recorded.
Hank is portrayed as a victim of his tragic life, but at the same time, it was the pain that fed his talents. He did as much as he could to derail his rise to fame and tempt fortune, but despite it all, nothing and no one could deny the obvious singing and songwriting talent that he possessed. Some people think of Hank Williams as a genius, despite being uneducated, but Hemphill attributes his success to his ability to connect with the common man and pour his soul into the words he was singing. He was the “poet of the working class” and his music was simply three chords and the truth.
Hemphill does an excellent job recounting Hank’s debut at the Grand Ole Opry and you can feel the excitement as he sings encore after encore; the fans not willing to let him leave, Hank happy to oblige, and Louie Buck trying to continue the show, but unable to stop any of it from happening. He runs through the story behind some of the songs and upon my next listen, I couldn’t help but smile knowing where the lyrics came from.
The book was a light read that touched on the life of Hank Williams without going into mundane detail or trying to over-analyze the psychological reasons for him living the way he did. No doubt the book was a tragedy, as was Hank’s life, but it was an interesting portrayal that could be comical at times and give you insight into the life and history of one of the greatest country singers of all time as well as country music itself. The only fitting end to this post is one of the greatest sign-offs I’ve ever heard, so y’all come on back and keep on readin’ if “the good Lord’s willin’ and the creeks don’t rise.”
If you enjoyed this article, be sure to subscribe to our feed or receive updates via email.
Popular Stuff
Sponsor
Forgotten Artists: Cal Smith - When the Florida Sunshine Opry (Eustis, FL) booked its first “name” (non-local) act back in 1999, the act they chose was Cal Smith. No wonder, since Cal is an excellent singer, musician, storyteller and showman. | View more artists featured in Paul W. Dennis' recurring "Forgotten Artists" feature »
Tagged In This Article
Current Discussion
- Hollerin' Ben: Wow- by those standards there really hasn’t been an authentic mainstream country album released by anyone in at least 10-12 ...
- Razor X: "Wow- by those standards there really hasn’t been an authentic mainstream country album released by anyone in at least 10-12 ...
- Mike Parker: "I don’t consider much of what he did after that point to be authentic country" Wow- by those standards there really ...
- Mike Parker: I let the card slide because at least is seemed like something brothers would talk about. But yes, one ...
- Razor X: I have mixed feelings about Garth. I thought his first album was a masterpiece. I also liked the ...
- Jim Malec: Mike--I do agree with you about some of those nitpicky lyrical points, but I don't feel like they really undermine ...
- Kelly: Sorry, Matt. I see what you mean, but I still dont get how not only the American Recordings, but ...
- Mike Parker: Not liking Hank Jr. is perfectly okay with me. I think he recorded some really great material, but it's ...
- Hollerin' Ben: "However, if you think that Garth’s music is a perversion of the country form, as Baron and Robbie Fulks implied, ...
- Matt C.: Kelly: I said the American Recordings don’t change my assessment of Cash’s career and legacy. As opposed to a ...
In an attempt to discover and highlight the best music every month, We'll be publishing a list of the best songs released throughout that period. Here's Brady Vercher's picks for October.
For the second episode of The 9513 Country Music Podcast, your host Kelly Dearmore caught up with two seemingly different artists in Sarah Borges and Trent Willmon. Take a listen.
Free Music Downloads: If you’ve only recently come to country music, or have never delved past the genre’s surface and it’s most famous names, you may not have heard of Tom Russell. That’s a shame, and The 9513’s Free Music series is here to help set you down the right path.
Martina McBride - “Ride” Catchy, but a little low on cogency–not to mention originality. And it essentially resolves into the same kind of positive “message song” that has defined so much of McBride’s recent work.
Richie McDonald - “How Do I Just Stop” So gloriously simple and unequivocally lackluster that people of every political persuasion should rejoice in the opportunity to come together and have a hearty laugh at its expense.
Donnie Vondra - “If I Didn’t Love You” Combinining a golden trifecta of country music—steel guitar, fiddle and a strong, twangy vocal—"If I Didn't Love You" pulls together a sweet, toe-tapping ditty reminiscent of Marty Raybon-era Shenandoah.
Lance Miller - “Bacon Frying” A charming country song that is beautiful for its simplicity, a musical remnant from a time when songwriters understood that often the best thing to do is just get out of the song’s way.
John Rich - “Another You” For a guy who is supposed to be a genius songwriter, John Rich sure does seem to be running out of ideas.
George Ducas - “Walk Through This World” Ducas banks on the success of recent artists’ pleasantly bland lyrics and agreeable instrumentation for his first release with WhiteStar Nashville.
In this exclusive interview for The 9513, Little Big Town’s Jimi Westbrook talks about life with the band, as well as A Place to Land, the group’s current album, which has charted in the top 10 of Billboard’s Top Country Albums chart on two separate occasions







1 Trackbacks/Pings
Trackback URI for this postMay 7, 2007
[...] Paraphrased from Lovesick Blues: The Life of hank Williams by Paul [...]
3 Comments
RSS for comments on this post | Trackback URI for this post
April 10, 2007 at 8:57 pm Permalink
Great review. I loved this slim book on the King of Country.
April 11, 2007 at 7:26 am Permalink
Thanks Baron. It was pretty slim, but it read like a novel which made it fun to read. I’m thinking about checking out the Hank Williams biography by Colin Escott next.
April 11, 2007 at 9:57 am Permalink
I’d definitely recommend the Escott bio; it’s hands down the best music book I’ve ever read. It’s more of a typical biography than “Lovesick Blues,” which was a little too novel-ish for me, but it’s a fascinating look into Hank’s life that every country music fan should read.
Leave a Comment