Lady Antebellum – “I Run To You”

Having only one album and three single releases to their name, Lady Antebellum has already racked up an impressive number of accolades. They were nominated for Top New Duo or Vocal Group in the 43rd Annual ACM Awards a full month before their debut album was released and eventually won the award. Granted, they were nominated in a weak year, but the trio also went on to receive a nomination and win for New Artist of the Year at the 42nd CMA Awards over much more formidable competition, and are currently up for the Grammy’s Best New Artist covering all genres and Best Country Performance by a Duo or Group with Vocals.
Despite the accolades, the group doesn’t exactly have any pretensions of actually being country, as demonstrated by their third single. “I Run To You” is a vague profession of love by lead singers Charles Kelley and Hillary Scott and while Kelley’s husky vocals have been widely praised as fresh, they’re slightly reminiscent of singers like Eddie Vedder of Pearl Jam and Scott Stapp of Creed. And though his voice isn’t especially unique outside of country, there is a place for him within the genre if the group demonstrates a willingness to embrace it as more than a marketing label.
“I Run To You” begins with Kelley proclaiming that he runs from hate, prejudice, and pessimists–things nearly anyone most likely wouldn’t want a part of. Then Scott joins, contemplating whether or not she’s in control of her life and the speed at which she “runs.” After establishing that Kelley avoids pessimists, the duo somewhat contradicts that opening line by singing that the “world keeps spinning faster/Into a new disaster….” It’s all a little abstract, but at least they have each other to run too, right? But considering the reasons they’ve mentioned for “running,” it’s a mighty faint profession of love.
The song comes across as purposefully cryptic because they either didn’t fully develop the idea, haven’t become comfortable opening up in their lyrics, or they just didn’t feel the need to focus on the lyric other than as a device to support the melody. Whatever the case, it’s a method that doesn’t need to be followed by them or any new or upcoming country acts.
Despite the lack of a meaningful, coherent lyric, the song still manages to make for a pleasing listen due to the group’s knack for catchy melodies and harmonies. As long as the production doesn’t get in the way, the same could be said for nearly any song they release, so it’s important that they don’t become complacent with their lyrics in a genre that places a premium on well crafted stories.
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Listen: Lady Antebellum – “I Run To You”
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14 Comments
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February 4, 2009 at 2:48 pm Permalink
I can see that Lady Antebellum is a very talented group, but I can’t detect the least vestiges of country music in what they do.
February 4, 2009 at 4:39 pm Permalink
I understand the need to release a slower paced song. But I have to agree, “I Run To You” shouldn’t have been the one. I would have preferred “All We’d Ever Need”.
February 4, 2009 at 4:46 pm Permalink
They serioulsy need to release things people say or all we’d ever need, because these songs are so much better than the ones they are releasing.
February 4, 2009 at 4:47 pm Permalink
They’re good, and I see some longevity to them.
February 4, 2009 at 4:48 pm Permalink
Yeah, “All we’d ever need” would have been better. Sounded to me like they were going for dialogue type lyrics and it just broke down.
February 4, 2009 at 5:26 pm Permalink
Lady Antebellum is a very talented pop group and Charles Kelley’s “rock and roll voice” is their secret weapon. They are not a country act and at least make no false pretensions to be one, which is refreshing. In today’s Top 40 mainstream country marketplace being a pure pop act is not only acceptable it can be a downright plus for garnering airplay. This is an okay song and should do well at radio just because its a song from L-A. Fan loyalty seems far more important these days, as far as radio airplay is concerned, than artistic merit.
February 4, 2009 at 5:35 pm Permalink
This is my second favourite song off of their album. I think that Long Gone would have been a better choice, Hillary Scott hasn’t had a fair chance to shine yet.
February 4, 2009 at 7:21 pm Permalink
It’s not a bad song, but when you size it up to “All We’d Ever Need”, you can immediately sense what this track is lacking: the infectious, organic chemistry that makes Kelley and Scott’s voices drive a song home, regardless of how rudimentary the lyrics can be, while not being melodramatic either. “Can’t Take My Eyes Off Of You” is another fine example, even while that song is admittedly less immediate.
Here, that chemistry isn’t gleaming nearly as well as it should, as this is built more around a conventional pop-leaning melody that doesn’t give them enough space to finesse their spontaneous, charismatic strengths. So again, this isn’t a bad song……….just a forgettable one.
February 5, 2009 at 8:12 am Permalink
Yeah, definitely not the best song lyrically.. but it is catchy, is an easy listen, and flows well.
I also fear that overproduction and generic songs will one day make them RF2 (Alabama3, osnap)
February 5, 2009 at 2:51 pm Permalink
As long as Dan Huff doesn’t get behind the producer’s chair, I think they’ll be fine enough! ;)
April 30, 2009 at 11:32 am Permalink
Love this song, but I think the video could have been a lot better.
June 10, 2009 at 10:34 pm Permalink
i lvoe this song and everyone needs to quit puttin it down
June 11, 2009 at 8:29 am Permalink
They don’t impress me. Just more of the same from Nashvile.
June 23, 2009 at 3:25 pm Permalink
I love this song no matter what category it belongs in.
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