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Kellie Pickler - “Don’t You Know You’re Beautiful”
Songwriters: Chris Lindsey, Aimee Mayo, Karyn Rochelle
Kellie Pickler’s first single, “Don’t You Know You’re Beautiful,”–which she debuted at the ACM Awards back in May–from her sophomore album just entered the top 40 last week. The song begins by telling a fifteen year old girl with tangled hair and tattered clothes that she’s beautiful and her worth comes from within, not from designer clothes or a price tag. It’s a bit cheesy and generic, but I can deal with it. It’s commendable despite being underwhelming.
But as the song progresses–after a chorus consisting of “Don’t you know you’re beautiful” sung over and over–we learn that the homecoming queen is beautiful as well. Who would have ever imagined a homecoming queen being beautiful? Then it somehow deviates from the message and gives advice to that little homecoming queen to keep her innocence. How that relates to beauty, who knows, but hey, don’t you know you’re beautiful.
So, what exactly is the point of the song? To tell every girl that she’s beautiful? If every girl is beautiful, then how meaningful is it to tell someone that they are beautiful? “Hey, look at you, you’re beautiful… just like everyone else.”
If we don’t extrapolate the message, the song is pointless, and if we do extrapolate the message, it’s meaningless.
Ultimately, coming from Kellie Pickler, it’s like a rich man telling the beggar that his soul is rich and that’s better than all the money in the world as he passes him on the street–and somehow the rich man is still able to make money from the beggar. In other words, it’s easy for someone with Pickler’s looks to pass along such a message. The irony of her physical enhancements and photos with her clothes hanging off her shoulders can’t be discounted, either.
So we have a mindlessly positive song that appeals to women by letting them know they’re beautiful just the way they are and by blaming men because they’re obviously the root of all women’s problems. It’s perfectly suited for radio.
In addition to the lyrical deficiencies, it’s a recycled hit. Two of the songwriters (Mayo and Lindsey) previously co-wrote the Martina McBride hit, “This One’s For The Girls,” which starts out with a verse directed at young girls (just like this song), telling them to hold onto their innocence while everyone else is giving in (just like this song), and the chorus even contains a line that says, “You’re beautiful the way you are.” Now doesn’t that look familiar?
So why would Kellie Pickler record a song like this that fails to highlight any identifiable quality that she has to offer the country audience and is essentially a recycled hit? And really, anyone could sing this just as blandly as she does here, so hopefully this isn’t indicative of the album to come. Maybe her producer, Chris Lindsey, has the answer, but I’m sure he won’t mind the songwriter royalties that roll in as this one climbs the charts.
Stay beautiful, faithful readers. Stay beautiful.
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Current Discussion
- Chris N.: PANIC!...
- leeann: Telling someone to stay calm rarely keeps one calm.:)...
- leeann: Sorry, I missed that you were specifically talking about the 2007 recording befo...
- Hollerin' Ben: I don't think that headshot is designed to keep everyone calm...
- Chris N.: Seriously, it's just a head shot. Everybody stay calm....
- Katie: How is the Kellie cover desperate? It's a headshot. I know I'm in the minority ...
- Jamie: TONIGHT! From www.galleywinter.com ... Join us for a listening party chat ...
- Peter Kohan: I think Stephen H.'s reading of Toby's statement is correct... but I also think ...
- Hollerin' Ben: Stormy, when are you going to learn that women's place in popular music is t...
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Trackback URI for this postJune 28, 2008
[…] gave it a mention in the latest Kellie Pickler single review, and I’m sure it’s happened before, but no one seemed to pick up on it, so I’ll […]
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June 23, 2008 at 7:05 am Permalink
Kellie Pickler released a crappy song? Well I, for one, am shocked.
June 23, 2008 at 7:37 am Permalink
This topic was covered so well by Christina Agulera’s Beautiful that it almost needs to be retired. In this case, however, she was also outdone by TLC.
June 23, 2008 at 7:39 am Permalink
It’s just another example of contemporary songwriters taking the easiest approach to a particular topic. This song avoids all of the emotional difficulty associated with the issue of self-image.
There is no depth of thought involved in this composition. It deals only with what is obvious, what is expected; it deals only with the very outer edges of the subject matter. And in doing so it asks nothing of those who hear it, except to turn their minds off and listen to the pretty hooks.
June 23, 2008 at 7:45 am Permalink
I also know I am beautiful..I have a face for blogging
(thank you, thank you. I’ll be here all week, try the veal….)
June 23, 2008 at 8:24 am Permalink
the song sounds like the aural equivalent to an after-school special. in this week’s episode, kelly finds out she is–shock!!–beautiful. *swoon*
i’m going to puke.
June 23, 2008 at 8:40 am Permalink
Kellie only got her huge fake boobs to feel MORE beautiful.
What a role model to be singing this song - Little Miss au naturale!
June 23, 2008 at 8:40 am Permalink
i love the song… i think she’s giving a good msg.
June 23, 2008 at 8:50 am Permalink
Mike: No, she got them to feel more mature, remember.
I guess that’s the lesson. You are beautiful now but you are only a grown up with implants. So I guess you are supposed to hold on to the innocence of how your body feels with no silicone?
June 23, 2008 at 8:54 am Permalink
I actually thought that was a well written review. Everything I’ve heard about this song has been fairly positive, but you’ve not only provided a contrasting view, you added lots of humor and lots of truth to add to the punch of your point.
I’ve only managed to mindless listen to this song so far, which only further proves the point that there is nothing special going on here.
June 23, 2008 at 9:01 am Permalink
i’m with Tyson on this one… i like the song, who cares about the boob job? let the girl live her life, you guys have too much time to waste bashing other artists, not funny at all.
June 23, 2008 at 9:06 am Permalink
The second verse is just…odd. There’s too much going on in this song. I think it would have been better if the writers narrowed the focus and concentrated on building a story around one character.
June 23, 2008 at 9:23 am Permalink
Brandon: Could I suggest that you have too much free-time, since you seem to have plaenty of time to “bash” the critic and his review?? I probably shouldnt jump to the 9513’s defense as much as i do, but it pisses me off when someone take that lame, pointless approach to a review they disagree with. Dont bash the critic for bashing the song/artist you seem to like, tell us why the critic is off-base in your opinion…dont be so predictable and simple…you “like the song”, wow that is absolutely brilliant!!!
June 23, 2008 at 9:26 am Permalink
Songs along the same line of reasoning that kick the butt of this sonic trifle are Katrina Elam’s “Pretty” and especially Bomshel’s rockin’ “Be Yourself”. Sadly these songs were never released while Kellie’s single will thrive on “Airhead Country Radio” as its shallow feel-good message will score a direct hit with fans of Taylor Swift, Carrie Underwood, and Rascal Flatts (when they aren’t too busy bobbong their heads).
So Hillary Lindsey writes a lot of Carrie Underwood’s hits and her husband Chris is writing and producing for Kellie Pickler. I tend to find Amy Mayo’s output trite and unbearable regardless of who she co-writes with. It now seems part of the reason for the crappy state of mainstream country these days is the handful of writers who many top singers rely upon repeatedly. This inter-breeding has resulted in musical output the equivalent of the kid picking on the cabin porch in “Deliverance”……
PS - Personally I think Kellie’s okay and would like to see her source much better material. Kellie did not need a boob job at all and should have worked on the emotional issues behind her desire for that unnecessary surgery.
June 23, 2008 at 9:27 am Permalink
i was talking about Mike and Stormy coment… i respect the review opinion.
didn’t like the coment about the artist, just that.
June 23, 2008 at 9:40 am Permalink
My bad, i need to tone it down sometimes…love you.
June 23, 2008 at 9:44 am Permalink
Carolyn, I think what you mentioned is an extension of what Jim was saying. I’ve noticed it in a couple of their other songs, but when they incorporate more than one story, none of the intracacies are fully explored. Instead they rely on some generic universal thought to tie the stories together and the stories themselves serve as a sort of anecdotal evidence to support that universal thought. They hope that the listener will derive a deeper truth from the song even though it’s not necesarily implied.
Rick, Aimee and Chris are the married couple. I don’t know if Hillary is related or not. I agree about the “Insider Club” or “Inner Circle” or whatever you want to call it not being a good thing.
June 23, 2008 at 10:21 am Permalink
Its a shame she isn’t stretching a bit more, artistically.
****
How do you guys go about picking what you are going to review? A number of your reviews/artists you highlight really expand my knowledge of good and interesting artists. Adam Hood, comes to mind. I’m probably the only person in my city who knows him at all, thanks to you.
But lately there has been a number of reviews that seem to be preaching to the choir a bit. This one, Rascall Flatts, etc., make me think “Whats the point, I knew they wouldn’t like that..”
Why not give some airtime, positive or negative, to artists that don’t get the press so easily? Steve Azar, Road Hammers, etc. are just a few examples that come to mind.
June 23, 2008 at 12:34 pm Permalink
Cindy, ideally we’d like to cover as many of the single and album reviews as possible, no matter who they’re by, but time constraints limit what we can do, so typically we cover what we have strong opinions about and try to mix it up as much as we can.
Reading the comments may make it seem like we’re just preaching to the choir, but there are many, many readers that don’t comment, and with each post, new readers/commenters notice the site as well.
I gave the Azar album a few listens, but it didn’t move me enough one way or the other to be able to give it a thorough review. I believe a Road Hammers review is forthcoming, though.
Due to the sheer breadth of indie material out there, we can’t cover it all and there’s no point in negatively covering an average Joe just because they’re indie. We try to limit reviews to worthwhile indie material or introduce artists in an unbiased manner, allowing y’all to make your own minds about them.
I think Jim’s done an excellent job recently with his pieces on Ray Scott, Kelleigh Bannen, Becky Schlegel, and Emily West. And more good ones are on the way.
At the same time, a lot of indie artists make it incredibly hard to find what they’re doing unless you follow announcements on their websites or MySpace.
June 23, 2008 at 12:48 pm Permalink
Kelly, props for your “face for blogging” comment; that was awesome.
I think this review makes a lot of great points about the single and I agree it’s not the strongest offering from any of the involved parties, but I have to agree with Cindy2 that the negativity on this site toward the generally-bad pop-country corner of the genre is getting a little redundant. I suppose this review may be something of an exception seeing as how this single has gotten a lot of positive press from other sites - so this is a good counterpoint - but generally speaking I think it’s a point worth considering.
But I reiterate that this particular review is very well-written.
June 23, 2008 at 12:48 pm Permalink
This is worse than “Bob That Head,” which at least aims for the lowest common denominator and hits it. This song tries to have a message, to be “deep,” but its lyrics are shallow. Its embarrassing and almost offensive.
What an insult it must be to a poor girl to be told, “hey don’t worry about nice clothes; you’re beautiful; your worth ain’t on a price tag.” This girl is poor. She doesn’t need to be told she’s beautiful on the inside; she needs money!
Keith Whitley’s “Homecoming 63″ gives a male’s perspective of Homecoming-night sex in the back of a car. Its worlds better than the second verse in Pickler’s tune.
Also, why patronize and belittle the Homecoming queen by calling her “little;” especially in a song about self-esteem?
June 23, 2008 at 12:49 pm Permalink
Whoops, sorry Brady. Didn’t see your reply to Cindy2’s comment when I started writing mine.
June 23, 2008 at 1:27 pm Permalink
No problem, Dan, and thanks for the props on the review. Depending on your definition of pop-country, I think we’ve only given 4 of 5 negative reviews during the past couple of months and highlighted at least that many indie artists during the same time. If there isn’t anyone pointing out the lack of substance in music, what’s to keep it from proliferating?
And I’d point out that the negative reviews aren’t necessarily indicative of our views on pop-country, but may be indicative of trends in pop-country. I made the same observation that Stormy did about Christina Aguilera’s “Beautiful,” particularly that pop doesn’t have to lack substance to be worthwhile.
hairandtoenails, it puzzled me that they’d call the homecoming queen “little” as well.
June 23, 2008 at 1:55 pm Permalink
Hairandtoenails: Not to mention patronizing the Homecoming Queen by pretending her sexuality is all a matter of what other people think about her and not anything that she wants to do.
And to write off an entire marriage with “Let him go, let him fly!” Whee? Wouldn’t want to waste any time mourning that or nothin.’ It makes me long for Danni Leigh’s Homewrecker Blues which manages to be humerous and heartbreaking all at once.
June 23, 2008 at 2:04 pm Permalink
And its possible that it is a function of age. I’m 33. I don’t need someone to tell me that I am a unique snowflake–I already saw that special and I know that is both true and false. I don’t spend a whole lot of time worrying about measuring up to Cosmo or not because I have made my peace with that. I have also lived enough to know that if I have time to worry about the size of my butt, I’m doing good because I don’t have worse things in my life to worry about. As much a most of us who were out of college when “Beautiful” came out can appreciate the lyrics and vocals, most of us probably relate to Real Live Woman better because at some point you make peace with yourself. So its entirely possible that the main problem with this song on this board is that pretty much everyone on this board has largely outgrown it.
June 23, 2008 at 3:21 pm Permalink
Wow! Seeing Chris Lindsey’s name a co-writer reminds me of a song Hillary Lindsey wrote with Troy Vergas, “This is Me” recorded by Faith Hill.
This song seems to me to be a “recycled hit” of Jessica Andrews’ “Who I Am”, written by Troy Vergas and Brett James.
I guess the songwriters are going green!
June 23, 2008 at 4:27 pm Permalink
Erm, I don’t see the comparison to “Who I Am,” which is a pretty darn fine song, despite being a list song.
June 23, 2008 at 4:42 pm Permalink
Also, just have to point out: I love Pop-Country, when it’s done well. Trend of negativity? Would you call “Stronger Woman” (Jewel) and “Don’t Think I Don’t Think About It” (Darius Rucker) Pop-Country? I would, and I gave both thumbs ups. Jewel even got what I would describe as a glowing review.
June 23, 2008 at 5:08 pm Permalink
Yeah, it’s just not a good song. What I hate is how it seemingly trivializes REALLY minor issues abd just tells people to brush it off and not let it get them down. Ugh.
June 23, 2008 at 5:11 pm Permalink
When, dear God, when will this bad singer’s 15 minutes of fame end?
June 23, 2008 at 5:56 pm Permalink
Hillary Lindsey’s original version of “This is Me” is much better than the sanitized version Faith cut, perhaps, too, because it was really about the songwriter. Such a personal song was always a weird choice for a cover for Faith, I thought.
I’ll add in another to the list that explores a similar theme better: Pretty Girl by Emily West.
June 23, 2008 at 6:03 pm Permalink
Its a little “poppy” for me, especially since Kellie can sing a country song pretty dang well.
June 23, 2008 at 10:26 pm Permalink
Kellie picked this song for the positive message. Here’s a post she wrote about it
http://blog.myspace.com/index.cfm?fuseaction=blog.view&friendID=62796960&blogID=396334157
Don’t You Know You’re Beautiful is mostly aimed towards teen girls and many haven’t heard the older songs with similar messages. It’s a pretty good song however it won’t be the best on her new album. The songs Kellie co-writes tend to be the best, and she’s working with different songwriters.
More reviews
http://countryuniverse.wordpress.com/2008/05/24/review-kellie-pickler-dont-you-know-youre-beautiful/
http://countrycentral.wordpress.com/2008/05/26/single-review-dont-you-know-youre-beautiful-by-kellie-pickler/
CRAIG R. “When, dear God, when will this bad singer’s 15 minutes of fame end?”
More like 15 years or so since Kellie is one of the best new country singers in years! That’s why she was the only new artist nominated for CMT Music Awards Performance of the Year award and won.
June 24, 2008 at 6:52 am Permalink
Sweet, another album I don’t have to worry about buying because the singer doesn’t want to market to me.
June 24, 2008 at 12:40 pm Permalink
DYKYB: I am sorry to tell you that she can’t sing.
She couldn’t sing on American Idol, and her version country music is a true insult. If you think she is the future of country music then your understanding of country music, and its history, is very limited. And by way- I don’t take the CMT Music Awards as a serious award show.
June 24, 2008 at 5:15 pm Permalink
Craig R.: I’m sorry to tell you you’re wrong. Kellie sang fine on American Idol and was one of Simon’s favorites. I didn’t see anyone else on the show nail real country songs like Fancy. Kellie is one of the best singers both live and recorded. Anyone who isn’t tone deaf and has been to her concert or goes to youtube and listens to her sing national anthem without any music, Santa Baby or I Wonder on the 2007 CMA Awards with little music can tell this. And she does not need any vocal tweaking.
Which version of country do you think isn’t an insult?
Why wouldn’t you take the CMT Music Awards seriously? I take it as seriously as the CMAs and ACMs since the voting is less influenced by sales chart positions. Kellie also deserved ACM and CMA awards but hasn’t won them yet because other artists who received more label promotion, airplay, and sales had the advantage and won. At least real country music fans voted for I Wonder, a real, great country song, to win 3 CMT Awards. No bad singers were nominated for Performance of the Year and Kellie won over Sugarland and other great artists. This award means much more than music video awards because it’s for live performing, not music videos. I Wonder also received standing ovations at many concerts, Opry, and CMT Awards because the biggest country music fans and stars know a great performance when they hear one. That’s why Kellie has many great concerts already done and more booked, gets great reviews, and Brad Paisley’s tour broke records when she toured with him. How many other albums nearly 2 years old are still selling over 2,000 copies a week? How many without top 10 airplay?
June 24, 2008 at 7:04 pm Permalink
Kellie was her season’s Sanjaya.
Simon has come out on record saying his favorite American Idol is Fantasia.
June 24, 2008 at 7:14 pm Permalink
Hey Brady…
Yeah, you make some good points. I love Ray Scott, and I’ve discovered Emily West from you guys too. I usually don’t like “Girl” singers.
I guess between reading the Bob that Head thread and this one, I just started wondering about what kind of music y’all want to focus on. I just get frustrated when I hear really talented people who can’t get PR to save their life.(Not a knock on Kellie Pickler..)
I’m just curious, I was surprised to hear you say the Steve Azar record didn’t really do much for you. I was blown away by his guitar playing (Flatlands), and some (not all) of the songs I think are pretty special. The record has a very intimate sound to it that I like a lot.
Glad to hear you have something coming on the Road Hammers.
Keep up the good work!
June 24, 2008 at 10:17 pm Permalink
Stormy: “Kellie was her season’s Sanjaya.”
LOL! If you really believe that you’re as clueless as Craig R. It’s more like Kellie was her season’s Carrie and that’s why I voted for both. Daughtry and Kellie were the best and finished 4th and 6th on the most competitive season of Idol ever, and since they are the only 2 non-winners or runners-up Sony BMG chose to sign in 7 seasons that says it all. Sanjaya isn’t even in the same universe, he’s one of the worst and Kellie is one of the best. How did I miss the news that Sony BMG or any major label signed Sanjaya to a record deal? Where can I buy his gold album? If he even has an album it must be indie or on the same label as William Hung. LOL Who is he touring with, Howard Stern or My Little Ponies? Maybe we’ll see Sanjaya in Brad’s Celebrity sequel video. Which awards was he nominated for? Ponyhawk of the Year? LOL Now an accurate statement would be that Kevin Covais (Chicken Little) was his season’s Sanjaya.
“Simon has come out on record saying his favorite American Idol is Fantasia.”
Simon also picked Kellie and Daughtry to win their season and said he thinks he prefers Kellie to last year’s winner (Carrie). All 3 are great singers. The reason he said that about Fantasia is because he doesn’t like country music as much as other genres and maybe he was trying to help revive her sales. He really likes Carrie, Kellie, Daughtry, and the other top artists. Kellie ranks #8 in album sales among all Idols, even outselling some winners and runners-up. Almost 2 years after the release of Small Town Girl, no one has broken her new country artist debut week sales record. Julianne Hough, who won and was on several seasons of Dancing With The Stars, is the next closest and they are selling her CD for almost half the price of Kellie’s at Amazon and Wal-Mart. So that shows us who the real winners are.
June 25, 2008 at 9:20 am Permalink
DYKYB- It is clear that you really love this girl.
But I have seen a great many female singers who make Kellie Pickler look shallow ( Elizabeth Cook pops to mind). You may support her as much as you like- but she will not last long. She has few, if any, talents that can maintain a long life in country. She isn’t Lynn, or Parton or Harris or Reba. Before you know it there will be another girl singer they are promoting. And Kellie Pickler will just be a past Idol singer, like that Bucky kid, who had her 15 minutes in the sun. I find it a little sad that you can’t really see how she does nothing to enhance country music.
June 25, 2008 at 6:27 pm Permalink
Well, Kellie’s latest single here does nothing. Really, nothing (not even to a “beautiful” little 14 year old). Emily West’s “Pretty Girl” goes a LOT deeper into the story then this song does. It goes into why she doesn’t feel pretty and other people thinking she’s pretty rather than just mindlessly singing you’re beautiful (now buy my cd!)
June 26, 2008 at 9:54 am Permalink
I agree with Rick, Katrina Elam’s “Pretty” has the same message as this song and is much better lyrically (and better vocally, in my opinion). Too bad country radio ignores her.
July 1, 2008 at 9:05 pm Permalink
I just the song tonight and the message is clear. Sometimes girls rich or poor, homecoming queen or band geek don’t believe they are beautiful. LOW SELF ESTEEM PLAYS A BIG PART. I was one of those girls. It is a vicious cycle. I now have a 16 year old daughter that feels that she is not beautiful no matter how often she is told. Music reaches people in ways that simply telling them can not.
I like this song no matter who has done it or how many times it has been done. The message needs to be sent often. Who knows it may reach one when nothing else can.That is what is important. So many times our young are ignored and feel not so beautiful in face or soul.
PLUS the third verse is one that made me smile. There are alot of women that need to know that it is not their fault if BOZO leaves them for a younger woman.
Sorry it was so long.
July 9, 2008 at 10:12 am Permalink
Is it necessary for 9513 reviewers to bash everyone who is not one of their personal favorites and let bias get in the way or critiquing the material itself? It’s quite pathetic. Carrie Underwood is given the same treatment as well.
July 9, 2008 at 10:15 am Permalink
Carrie Underwood’s last single got a thumbs up.
July 28, 2008 at 6:27 pm Permalink
I can’t find the lyrics to this song anywhere and I’d really like the words to this song do you know where I can find them? I love this song and want to do it for a solo for my school chorus concert.
July 28, 2008 at 6:49 pm Permalink
Here you go:
http://www.martina-mcbride.com/lyrics/thisonesforthegirls.shtml
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