Jim’s Big State Wrap-up: Sunday
Concluding our post-event coverage of the 2007 Big State Country Music Festival, here is the second half of my weekend wrap-up.
Sunday:
Colin Gilmore, 11:15.
The son of Texas icon Jimmy Dale Gilmore, Colin played to a small but very enthusiastic crowd at the BMI stage. Admittedly, I only had chance to stick around for about three songs, but I was impressed by the polished and eclectic sound that I heard.
Ashley Ray, 11:45.
I had never heard of Ashley Ray prior to Big State, and when I saw her uber-sexy promo shot in the festival’s program, I expected a performance that pushed style over substance. I was way, way off the mark. Ray’s songs were, by far, the freshest new material I heard all weekend. This is an artist to watch.
Eric Michael Hopper, 11:45.
Hopper earned his way onto the John Deere stage by winning the fan-voted Big State Star Contest. I think I want a re-count.
Kelly Willis, 12:30.
Willis has been one of my favorite artists since I was old enough to realize that “Shania Twain” wasn’t a complete definition of Country Music. Sitting off-stage in the VIP lounge, eating a ham sandwich, and listening to her bittersweet vocals was as close to a surreal experience as I’ve had in quite a while, and it made me realize how sorry I am for anyone who has never had the pleasure of hearing this lady sing in person.
Kevin Fowler, 2:00.
Where do I begin…pelvic thrusts? Check. Tasteless jokes? Check. Sexual innuendo? Check. And all of that just from the crowd as it waited for Fowler to take the stage. One of Texas Country’s favorite sons, Fowler has some very, very good songs, but I have a hard time taking him seriously as an artist when he continuously acts like a hormone-driven twelve year old.
Sunny Sweeney, 3:30.
Sweeney seems to feel the need to bombard us with the fact that she’s a traditionalist. Doesn’t that defeat the purpose? It just feels like she’s trying too hard to be the personification of what she sees as the “ideal” artist performing “real” Country Music.
Gary Allan, 4:00.
Is Gary Allan the most underrated artist in Country Music? This guy is a hell of a performer with a body of startlingly excellent work.
Trace Adkins, Willie Nelson, The Flatlanders.
I had a few loose-ends to tie up on Sunday evening, so I didn’t get to spend more than a couple of minutes at each of these shows. The chatter from everyone I talked with post-event, however, was the The Flatlanders lived up to every ounce of their reputation.
Tim McGraw, 8:30.
Did anyone else notice that Tim performed a ton of covers? Did anyone else notice that few, if any, of them were country? Did anyone else care? The flock of sheeple went gonzo with applause and admiration as McGraw offered up a string of mediocre vocal performances (mediocre is generous, in some cases–his opening number, “The Joker” was awkward and painful to hear). I wonder: has McGraw reached the level where his image means more than his music?
Bruce and Charlie Robison, Timeless.
Unbelievably awesome. A testament to everything that is good about Country Music.
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Ashley Ray // Bad Cover Songs // Bruce Robison // Charlie Robison // Eric Michael Hopper // Gary Allan // Kelly Willis // Kevin Fowler // Sunny Sweeney // Texas Country // Tim McGraw // Trace Adkins // Willie Nelson
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Joey Rory - “Cheater, Cheater” It’s actually downright frivolous, but that just makes it all the more fun. And really, are you allowed to say “ho” on country radio?
Josh Gracin - “Unbelievable (Ann Marie)” Despite initial marketing that touted the album as deep and personal, “Unbelievable (Ann Marie)” is anything but deep or personal.
Josh Turner - "Everything Is Fine" Turner is the rare example of an artist who records material that’s both quality and trademark.
Darryl Worley - "Tequila On Ice" A groovy mid-tempo that sways, a refreshing reprieve from the exhausting pace of a format that clamors for loud music and swelling choruses.
Blake Shelton - "She Wouldn't Be Gone" It’s all about nailing the melody rather than providing a legitimate interpretation that accentuates the lyrical content, although Shelton does do a pretty good job of injecting what limited emotion he can.
Don’t look now, but Darius Rucker, lead singer of 90s rock group Hootie & The Blowfish, has a country hit on his hands. What you probably haven’t heard is that Rucker is the first black artist to chart a single in the country top 20 since Charley Pride last did it in 1988.
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In Memory of Don Helms (1927 - 2008) Helms dated back to a time when an excellent four or five piece band and a good singer were all that were needed to make great country music. No drums, no light shows, no production tricks in the recording studio–just good music.







5 Comments
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October 19, 2007 at 11:20 am Permalink
Kelly Willis must have been surreal if you think that sandwich really had ham on it. It was bread, cheese, and lettuce.
Didn’t you check out the Drive-By Truckers?
I think we all forgot to mention Tim McGraw’s new lackluster song, “Southern Voice.” It should top all name checking songs in the history of name checking songs.
October 19, 2007 at 11:55 am Permalink
I’m glad we didn’t stick around for Tim after all.
October 19, 2007 at 12:00 pm Permalink
Hey Brady, I name checked McGraw’s new song in my wrap-up.
Glad to hear someone feels the same way about Fowler as I do, and you’re spot on about the Robison’s show.
October 20, 2007 at 7:25 am Permalink
Tim’s music never meant that much to me, and neither does his image. Can’t answer that question.
November 2, 2007 at 3:33 pm Permalink
we traveledfrom the northwestern corner of Iowa to spend two days in texas at an event that did live upto its name, I know we are planning on a return trip next year. As for the line up we enjoyed most of it, but like alot of others we were not Tim Mcgraw fans. Chris Cagle got our vote for fun. well hope they do as good of job lining up 2008, would not mind seeing Reba in that line up.
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