Jim’s Big State Wrap-up: Sunday
Concluding our post-event coverage of the 2007 Big State Country Music Festival, here is the second half of my weekend wrap-up.
Sunday:
Colin Gilmore, 11:15.
The son of Texas icon Jimmy Dale Gilmore, Colin played to a small but very enthusiastic crowd at the BMI stage. Admittedly, I only had chance to stick around for about three songs, but I was impressed by the polished and eclectic sound that I heard.
Ashley Ray, 11:45.
I had never heard of Ashley Ray prior to Big State, and when I saw her uber-sexy promo shot in the festival’s program, I expected a performance that pushed style over substance. I was way, way off the mark. Ray’s songs were, by far, the freshest new material I heard all weekend. This is an artist to watch.
Eric Michael Hopper, 11:45.
Hopper earned his way onto the John Deere stage by winning the fan-voted Big State Star Contest. I think I want a re-count.
Kelly Willis, 12:30.
Willis has been one of my favorite artists since I was old enough to realize that “Shania Twain” wasn’t a complete definition of Country Music. Sitting off-stage in the VIP lounge, eating a ham sandwich, and listening to her bittersweet vocals was as close to a surreal experience as I’ve had in quite a while, and it made me realize how sorry I am for anyone who has never had the pleasure of hearing this lady sing in person.
Kevin Fowler, 2:00.
Where do I begin…pelvic thrusts? Check. Tasteless jokes? Check. Sexual innuendo? Check. And all of that just from the crowd as it waited for Fowler to take the stage. One of Texas Country’s favorite sons, Fowler has some very, very good songs, but I have a hard time taking him seriously as an artist when he continuously acts like a hormone-driven twelve year old.
Sunny Sweeney, 3:30.
Sweeney seems to feel the need to bombard us with the fact that she’s a traditionalist. Doesn’t that defeat the purpose? It just feels like she’s trying too hard to be the personification of what she sees as the “ideal” artist performing “real” Country Music.
Gary Allan, 4:00.
Is Gary Allan the most underrated artist in Country Music? This guy is a hell of a performer with a body of startlingly excellent work.
Trace Adkins, Willie Nelson, The Flatlanders.
I had a few loose-ends to tie up on Sunday evening, so I didn’t get to spend more than a couple of minutes at each of these shows. The chatter from everyone I talked with post-event, however, was the The Flatlanders lived up to every ounce of their reputation.
Tim McGraw, 8:30.
Did anyone else notice that Tim performed a ton of covers? Did anyone else notice that few, if any, of them were country? Did anyone else care? The flock of sheeple went gonzo with applause and admiration as McGraw offered up a string of mediocre vocal performances (mediocre is generous, in some cases–his opening number, “The Joker” was awkward and painful to hear). I wonder: has McGraw reached the level where his image means more than his music?
Bruce and Charlie Robison, Timeless.
Unbelievably awesome. A testament to everything that is good about Country Music.
If you enjoyed this article, be sure to subscribe to our feed or receive updates via email.
Popular Stuff
Sponsor
Catch up on Nashville Star through Matt C.'s live blog. Episode I | Episode II | Episode III | Episode IV | Episode V
Tagged In This Article
Ashley Ray // Bad Cover Songs // Bruce Robison // Charlie Robison // Eric Michael Hopper // Gary Allan // Kelly Willis // Kevin Fowler // Sunny Sweeney // Texas Country // Tim McGraw // Trace Adkins // Willie Nelson
Current Discussion
- bresenolouie: In this haunting tale of the young widow, she is confused about the sudden tragi...
- Julie: I'm only an occasional reader of this site, and I'm beginning to see why. This ...
- bresenolouie: Chris N. is perfectly right!!! This is a universal situation - the "REALITY IN ...
- Dustin: JMO: Matt, just wait for this video to come to help you understand, its ok to ad...
- Stormy: Well then,revenge first and investigation later. The song has a huge poblem wit...
- Brady Vercher: Nice try, but I didn't suggest the song wasn't about vengeance. My willful inter...
- Chris N.: Yeah! It’s just like how the Europeans learned to speak the Native Americans...
- JR: I love this song! Where can I get a copy to balst from my speakers as I drive th...
- Stormy: How does one interpret the song to be about something other than vengance?...
- Sarah: I don't care what anyone says the song "Back that thang up" is AWESOME!! Justi...
Carrie Underwood - “Just a Dream” “Just a Dream” is not perfect. In fact, it’s deeply, deeply broken. But the single is a great vocal performance of a risky song
Toby Keith - “She Never Cried In Front Of Me” Apart from the shifts in perspective and changes in tense, the major problem with this song is that the lyric fleshes out too many irrelevant details.
Brad Paisley - “Waitin’ On a Woman” Bizarrely, it took a song written by someone other than Brad Paisley for radio to hear what the Paisley style can truly accomplish.
LeAnn Rimes - “What I Cannot Change” When LeAnn Rimes enters a recording studio, she carries with her the most impressive instrument in the room.
Randy Travis - “Dig Two Graves” The combination of song and Travis’ performance together are an example of what makes country music truly exceptional.
Pat Green - “Let Me” The song itself owns Pat Green and he gets lost somewhere in the melody.
Merle Haggard at the Ryman Auditorium: Of the Haggard classics, “Silver Wings,” “The Way I Am” and crowd-favorite “I Think I’ll Just Stay Here and Drink” were performed with confident ease while “Kern River” was sung with inspired tenderness and “Back to Earth,” from 2007’s Last of the Breed, contained more than a trace of Willie’s nasally twang.
One of an emerging wave of artists empowered by decreasing production costs and a rapidly changing distribution landscape, Kelleigh Bannen has taken a do-it-yourself approach to her debut album, Radio Skies.
The two-time Dancing With The Stars champion, Julianne Hough, recently took some time to answer questions for The 9513 in this exclusive interview.
After cutting ties with Warner Bros. Records, Ray Scott decided to take the proverbial bull by the horns and form Jethropolitan Records, a place where he can get back to the blood and guts of what he terms “real country music,” the kind of stuff you don’t hear on radio anymore.
Sing Me Back Home: Love, Death, and Country Music by Dana Jennings When Jennings addresses modern country in the final chapter, he leaves you with the impression that it just can’t tap into the primal psyche the same way the classics that served as his nursery rhymes did.







5 Comments
RSS for comments on this post | Trackback URI for this post
October 19, 2007 at 11:20 am Permalink
Kelly Willis must have been surreal if you think that sandwich really had ham on it. It was bread, cheese, and lettuce.
Didn’t you check out the Drive-By Truckers?
I think we all forgot to mention Tim McGraw’s new lackluster song, “Southern Voice.” It should top all name checking songs in the history of name checking songs.
October 19, 2007 at 11:55 am Permalink
I’m glad we didn’t stick around for Tim after all.
October 19, 2007 at 12:00 pm Permalink
Hey Brady, I name checked McGraw’s new song in my wrap-up.
Glad to hear someone feels the same way about Fowler as I do, and you’re spot on about the Robison’s show.
October 20, 2007 at 7:25 am Permalink
Tim’s music never meant that much to me, and neither does his image. Can’t answer that question.
November 2, 2007 at 3:33 pm Permalink
we traveledfrom the northwestern corner of Iowa to spend two days in texas at an event that did live upto its name, I know we are planning on a return trip next year. As for the line up we enjoyed most of it, but like alot of others we were not Tim Mcgraw fans. Chris Cagle got our vote for fun. well hope they do as good of job lining up 2008, would not mind seeing Reba in that line up.
Leave a Comment