Gretchen Wilson – “If I Could Do It All Again”
Songwriters: Rivers Rutherford, George Teren
Gretchen Wilson’s new single is all about second chances: What she would do if she could do it all again. It seems prescient, if only because Wilson’s own career could use a few do-overs. Her rugged tomboy persona was fresh and promising on 2004’s “Redneck Woman,” which sounded like a mission statement from a country-music outsider. A single mother from Illinois who wasn’t going to get all dolled up like Faith or Shania—you’d be lucky if she kicked the mud from her boots—she reveled in downhome defiance.
Somewhere along the way, however, the seams in that persona started to show, and Wilson’s third album, One of the Boys, and her live DVD, Undressed, both revealed a growing self-consciousness, suggesting that she was playing a part rather than just playing herself. When the music is good, it doesn’t matter what part she is playing. Wilson can belt anthems like “Here for the Party” or “Skoal Ring,” and ballads like “When I Think About Cheatin’” and “I Don’t Feel Like Loving You Today” prove she can do vulnerable just as forcefully as she can do brash. But recent singles, including the underperforming “The Earrings Song” earlier this year, sounded safe and forgettable.
“If I Could Do It All Again,” the new single from her forthcoming fourth album, is not a bad song by any means, just uninspired and misread–not to mention a bit predictable in its rock-ballad arrangement. It touches on the usual sentiments: She wouldn’t blame others for her own problems, she’d pray more, sing in the shower more, that sort of thing. The lyrics contain very few details specific to Wilson’s life, but instead of sounding universal, the song comes across as slightly anonymous, as if any other country singer could be performing it.
But the kicker comes right before the bridge, when Wilson sings that she would, “Concentrate on who I am/Not who I might have been/If I could do it all again.” It’s unclear whether the songwriters intended those lines to be ironic commentary on this type of navelgazing, but the important thing is that Wilson either doesn’t grasp that game-changing contradiction or can’t convey that she does. Which is too bad: Wilson isn’t the most subtle or nuanced singer, but her voice has real grit and power. She’s better than this song.
![]()
Listen on MySpace: Gretchen Wilson – “If I Could Do It All Again”
Popular Stuff
Sponsor
Tagged In This Article
Current Discussion
- Razor X: Maybe his brother did talk him into it but what’s to say he hasn’t ‘always loved’ and ‘wanted’ to ...
- Brian: Josh Kelley will be fine. At the very least it means Katherine Heigl may show up on country award shows regularly. ...
- Razor X: Change may be inevitable but we aren't required to support it and if enough people boycott it, it doesn't last ...
- Jon: "You can’t stop “progress”… We can if we try hard enough. Um, no. Not that I think "progress" is a good ...
- Joe: When she moved from Mercury to BNA, I think we were all just allowed to think there'd be some grand ...
- sam sam: Well, Suzie, maybe if I saw his live show I'd love him. But I'm not interested in attending concerts. Radio ...
- JOHN: Personally Sherrie s voice is as pure as it gets to me. Just listened to her demo songs after reading ...
- Suzie: What is all this hate for Bucky about anyway?? He has one of the best voices in country music ...
- Razor X: You can’t stop “progress”… We can if we try hard enough.
- Bobby P.: I HATED her vocals on "Gypsy Boots." She sounded like Gretchen Wilson's screechy range (think "All Jacked Up") and was ...

Is Dave Haywood going solo? This and many other of country music's most pressing questions answered in the September edition of The 9513's world famous Mailbag!
Caroline Herring likes to sing songs about life in the South. No, not exactly like Justin Moore and Jason Aldean...
The 9513's resident historian Paul W. Dennis sits down for a chat with country music legend Gene Watson.
As much as we love girl singers, we love songs about girl singers even more. Here's just a few of the many tribute songs out there.
Step away from the river and up to a jukebox, because heartbreak is only temporary, but a good song about drowning yourself—like a diamond—lasts forever.
What do you think about music labels "testing the waters" with a single before providing access to an artist's entire album?
What country artist, young or old, would you recommend as a must-listen artist to a newcomer on his/her journey through country music, and what would your essential song picks be?


1 Trackbacks/Pings
Trackback URI for this postJune 19, 2009
[...] or nuanced singer, but her voice has real grit and power. She’s better than this song.” Stephen M. Deusner, the 9513 [...]
24 Comments
RSS for comments on this post | Trackback URI for this post
June 18, 2009 at 10:28 am Permalink
Gretchen Wilson is actually from Illinois, not Indiana, which is declared on the last track of her debut album (”Pocahontas Proud”). I enjoyed this the first few listens, but I agree that it’s a bit of a tepid statement from someone who could make something more true-to-life. he theme makes sense given the scope of her career, but it could’ve been fleshed out in a more detailed way, given her unique brand of life experiences. I much preferred “The Earrings Song” or whatever they were planning on calling it.
June 18, 2009 at 11:58 am Permalink
Whether Gretchen Wilson is aware of it or not her welcome mat at Top 40 country radio has been withdrawn due to major marketplace changes. Since the days of “Redneck Woman” Top 40 country radio has shifted towards American Idol winning pop diva type female vocalists or teeny pop diva/screechers who become pop culture icons. The fact that Ashton Shepherd’s two singles didn’t rise above # 20 on the singles charts is clear proof mainstream radio has lost interest in these types of “authentically country” female artists. Suburban soccer moms and tween and teen girls just can’t relate to those gals from rural small towns who are proud of their heritage. I don’t care how good this or Gretchen’s future singles may be, the odds of radio embracing them are slim and that’s a shame.
June 18, 2009 at 12:19 pm Permalink
Thanks for the correction, Blake. When I did a search for this song, it looks like Aaron Lines cut a version as well and it was changed slightly for Gretchen. I think the song would be all right in the hands of an older artist or a more emotive singer like Gary Allan (who’s tragedy is greater than getting squeezed out of radio), but it doesn’t work very well without context.
June 18, 2009 at 12:59 pm Permalink
Another part of the problem Gretchen has is Miranda who is younger, blonder, cute and doesn’t have to sing songs about how she is some redneck country girl because she just IS so we can all see it. Also, because Miranda IS a redneck country girl she doesn’t have to confrom to the Dukes of Hazzard cliches about what redneck country girls do.
June 18, 2009 at 1:16 pm Permalink
Gretchen’s music became the antithesis of what the audience was demanding. Country’s female listeners, over the past five years, were not looking for “strong woman” songs or party anthems–they were looking for moral affirmations and family-friendly material. Hearing Wilson sing about getting “All Jacked Up” probably didn’t play well with moms who listen while driving their kids to school.
On a related but different note, it’s worth mentioning that Wilson has spent a lot of time inadvertently attacking her audience–”One of the Boys” rejected femininity, “Homewrecker” made anyone who has ever been involved in an affair feel guilty and depressed, and “California Girls” set up an Us vs. Them scenario, even though as the format bleeds into the suburbs there are more and more of “them” consuming the product.
June 18, 2009 at 1:16 pm Permalink
But Miranda’s not getting a lot of love from radio, either, so it’s hard to make the case that she’s the reason Gretchen got squeezed out.
June 18, 2009 at 1:18 pm Permalink
Miranda has maintained the essence of an outsider, whereas Wilson succumbed to the pressure to buy into the system. Lambert’s popularity is spurred by her independence, and that’s something Wilson was never able to establish.
June 18, 2009 at 1:21 pm Permalink
Gretchen’s music became the antithesis of what the audience was demanding.
I think she’s suffering from the same problem as Billy Ray Cyrus. People just got tired of hearing “Redneck Woman” over and over, again, much as they did with “Achy Breaky Heart” and have rejected most of what she’s done since then.
June 18, 2009 at 1:32 pm Permalink
I always thought that Gretchen’s music sounded forced and stilted. “Redneck Woman” and a couple others aside, her up-tempos seemed loud for the sake of being loud, and (especially in cases like “Here for the Party”) were largely cliché. Her ballads (”When I Think About Cheatin’”) usually felt half hearted and lacking in emotion.
June 18, 2009 at 2:35 pm Permalink
I must be in the minority here because I much prefer this song over the “Redneck Woman”, “All Jacked Up”, stereotypical drunk chick, Muzik Mafia crap she cut early in her career. That being said this song won’t vastly improve my opinion of Gretchen as an artist though either.
June 18, 2009 at 2:49 pm Permalink
Jim: Also, its hard to maintain that you are vastly different from “California Girls” when you spend the entire video dancing around on a beach in a bikini.
June 18, 2009 at 3:01 pm Permalink
Since the equivalent of American Eye-Doll Blonde of the Month winners were dominating the charts before Gretchen showed up, you have to wonder if her initial success, which looked very much like a page turning, in a good way, was more like a novelty fluke. I think her ballad singing is her strength–but her audience never did, and the turns on “redneck par-tay girl” got redundant–probably because they couldn’t find anything else that worke commercially.
You can say Miranda “fills her space” in airplay, (though not in a large way) but “they” (the big “them”) said that Gretchen did that with Dixie Chicks space. As long as radio programmers think there’s a quota for one Non-Pushover type country woman on the air at any one moment, (because these guys always so well know what their female audience cares about and prove it so very well) nowomen will last long who’s more than a kewpie doll and compliant clothes model.
June 18, 2009 at 3:01 pm Permalink
I quite like this song <3 I enjoyed it a lot
June 18, 2009 at 4:05 pm Permalink
its funny, how every new female artist is dubbbed as “the biggest thing since the dixie chicks” but after one album they fizzle.
June 18, 2009 at 4:18 pm Permalink
however miranda awaits i think a really big future.
she is/ should be the one who saves country music from the rascal flatts, carrie underwoods of this world.
June 18, 2009 at 5:19 pm Permalink
I had big hopes for Wilson after her first album. Then I saw her in concert and she pretty much screamed every song. It was unsettling and unpleasant. Then she did the “California Girls” bikini video and lost any credibility she still had as a different sort of female singer.
June 18, 2009 at 10:08 pm Permalink
I could be wrong, but im of the opinion that Miranda’s more likely to have a moderate amount of lasting presence than Gretchen because of Gretchens rocketship to the top.
June 19, 2009 at 7:48 am Permalink
I think Rick nailed it. Ultimately we have to stop measuring success by something called the Top 40. Radio is no longer the kernel of success for an artist. I know they like to think it is, but that is not the case anymore. Anyone heard a Jimmy Buffett song on the radio lately? As far as Gretchen goes, she has more talent in her pinky finger than Taylor Swift does in her whole body. Talent apparently does not matter so much anymore. Which is a real shame. I’d rather listen to this new single from Gretchen any time than hear another Taylor Swift song about high school. And if you think that hair flip she does is “authentic”, something’s wrong.
June 22, 2009 at 10:43 am Permalink
I’m with Mike- Top 40 country radio and radio as a whole is only going after the money and could can less about the fans or Country Music as a whole. Gretchen and her music do fit into the teeny bopper POP country carp they play! And that a real shame! I love her music and thanks to my IPod can’t listen to it when ever I want.
I felt like I was at a POP concert at Taylors CMA Fest performance! It was kinda funny at first all the kids and some parents where all standing up and singing, but by the end of the set, everyone was looking dazed, confused and only applauded politely! LOL
By the way Gretchen was voted as one of the Super 8 Top 8 performances by the Fans attending this years CMA Fest! And that was without being on the big stage at LP field! So she still has a great fan base and puts on an excellent live show!
June 24, 2009 at 4:53 am Permalink
Gretchen Wilson allowed herself to be used as a tool by the suits … set herself up for a fall from mainstream radio … it is my understandin’ that “Redneck Woman” was originally set to be recorded by the Dixie Chicks … bein’ the opportunists the music execs are, they targeted a ready-made demographic/angry radio audience with the over-hyped image of a Skoal totin’, hell yeah, mud runnin’, patriotic “redneck” female … it’s been 6 years now since Ms. Wilson was propelled to the top courtesy of the Nashville/New York marketin’ machine … can they be commercially successful once again by revealin’ her “fluffier” side? … maybe, maybe not … it’s a younger demographic now but just as, maybe more, fickle as the ones who put her at the top in the first place.
June 24, 2009 at 6:26 am Permalink
Having finally gotten around to hearing this track, I’d give it a sideways thumb – it’s okay, nothing special. Moreover, she doesn’t fit what Nashville wants (or needs) these days to appeal to the vacuous teeny-bopper set they are targeting (sigh)
July 9, 2009 at 9:53 pm Permalink
I think that gretshen was cut way to short and not given her due. It is a shame that the music industry take down souch a talented person. As for as competing with taylor or any of those new so called singers there is no way they can come up to her standards.If the radio stations would play some of her music and let us hear it, Gretchen might have a chance. LETS cut the bull and let perform her music. Don’t just pick five or six artists and play them to death. I turn my radio OFF. I want to hear some Gretchen
July 10, 2009 at 3:17 pm Permalink
I’d have to agree with Razor X, people get tired of what they hear on the radio so it’s understandable. I think that all she needs is one more hit to prove to people why she is a good artist and that’ll make them come back for more.
September 23, 2009 at 6:23 pm Permalink
“By the way Gretchen was voted as one of the Super 8 Top 8 performances by the Fans”
Hey Was that sponsored by Super 8 motels? Could have been a nice match!
BTW. What’s not to like about this song? Sad that radio ignored it to play the new “deep teenage emo tune” from up the next and coming shooting star.
Go figure.
Leave a Comment