Gloriana Means Harmony – The 9513’s Exclusive Interview

Emerging four-piece Gloriana is riding high on the success of its debut single, “Wild At Heart.” Currently at #17 on Billboard–and still climbing–the song has quickly propelled the group into the country music spotlight. And with an August 4th album (produced by Rob Thomas cohort and Emblem label-head Matt Serletic) just around the corner, all signs point to a glorious future for the band.
Tom Gossin and Rachel Reinert took some time away from Taylor Swift’s Fearless tour to answer some questions for The 9513.
JIM MALEC: How was your CMT Awards Experience?
TOM GOSSIN: It was fun, man. We’ve never played an awards show before. Being from Nashville it was really, really cool. Definitely a bit surreal being there in person when we’ve only ever seen it on TV. We had a great time.
JM: I have to ask you about your name. Why did you call yourself after a 20th century British opera?
RACHEL REINERT: We were messing around with the word “glory” for a long a time, because we thought it was a good representation of this four-part harmony we do. While we were recording our album, we were taking a break and eating some Chinese food and Michael just threw out “Gloriana.” We all just really liked the way it sounded. We just thought it was a really cool name.
It has nothing to do with the British opera. We even found out that it was actually the first nickname of the first Queen Elizabeth. But it really has nothing to do with that. We didn’t take it from that or anything. It just kinda came out of nowhere and it just stuck.
JM: Speaking of things that came out of nowhere and stuck, let’s talk about your debut single, “Wild At Heart.” The success of that single caught me a little off guard. It has had a very consistent and strong run up the charts to this point, but you were a band that didn’t really receive that much hype early on. How did you feel about that single’s chances? Did you know you had a hit?
TG: We felt very strongly about the song. We knew it had a really fresh sound and we knew it didn’t sound like anything else on the radio. When you take that kind of risk with a song, you either bank on the fact that it’s gonna be pretty big or people just won’t get it at all. But we really believed in it, and we believed in the story that it told and the vibe that it kinda put out there. Yeah, we just went for it. It’s probably the most unique song on our record, or the most standout song on our record. So we decided to go ahead and make it the first single and just kinda hit people hard the first time.
JM: Tell me about the album. If that’s one of the more unique songs, how would you characterize the rest of the material on the record?
TG: We are big fans of the modern country movement that’s going. Sugarland, Rascal Flatts and Taylor Swift. But we’re also all kids that were raised on traditional country. So we wanted to make an album that fused the two, and that could maybe could bring in a younger audience to some of our music. With a song like “Wild At Heart,” you know, maybe we could get some of Taylor Swift’s audience to be interested and then, with the other half of our album, introduce them to some of the more traditional elements that we were raised on that maybe they haven’t heard before.
And I think we did that. We have an album coming out, 13 songs, and I’d say about half of it is one vibe and half of it’s the other vibe. So I think we accomplished what we were going for.
JM: What would you say has been the most surprising or unexpected thing that has happened to you since you’ve emerged as a force in country music?
RR: I would just say the success that we’re already starting to see this early on. We’ve played the Grand Ole Opry twice already, and we got to play at the river stage for CMA Music Fest and at the CMT Awards. And we also won the fan-voted Nationwide On Your Side Award. So, I mean, just one thing after another that keeps happening for us—especially considering that we don’t even have an album out.
And also the fact that we got picked to open up for Taylor Swift on her Fearless tour, ‘cause that’s been an incredible opportunity. It’s just been one thing after another. It’s all definitely been surprising. We all felt like we had something special between the four of us and I think we all felt confident about it. But I don’t think we knew that these wonderful things would start to happen so quickly for us.
JM: You mentioned the dynamic between the four of you, and I wanted to ask you about the decision to bring Cheyenne onboard. Because the band’s bio described the meeting with here as, “pure magic,” which sounds a bit dramatic. Walk me through that time. Because the three of you were already writing together and trying to get the wheels spinning under this thing. How do you go about bringing a fourth person—a stranger—into the fold? And what did she bring to the group that completed the dynamic?
RR: Well, here’s the thing. You know, the guys, they had been playing together for years in North Carolina. We’d all been playing music since we were young kids. All of us. They guys moved to Nashville. I had been in Nashville already. I had been living there for around two years at the time, but I had been back and forth since I was 15 because I had a publishing deal.
Cheyenne saw us playing one night at 3rd & Lindsley, and I knew who she was because she had released an album and she had had a short reality show stint. So I had recognized her already when I saw her out in the audience. And so when she came up to us and asked if she could get together with us some time I was instantly for it. I told the guys she was really talented, and everyone was open to it.
By the time we all met, she had learned to play the mandolin, and it just brought in the dynamic, you know, with the two guys and the two girls and this four-part harmony that I think just really stood out. There just wasn’t anything else really like that, you know? I mean, of course there’s Little Big Town and all that, but we just have a little bit more of a different sound. I don’t know how to really describe it, but it really just felt like it was meant to be because all four of us individually were trying to make it in music on our own. And it just didn’t happen. When the four of us finally got together it clicked. And then things just started happening, one thing after another.
JM: Has it been a challenge differentiating yourselves from Little Big Town?
TG: Not really at all. The one thing we get from people is the Little Big Town comparison, but then I always say to them, “Isn’t Little Big Town kinda like Fleetwood Mac?” Because they were the first ones to do it. Abba did it, as well. You could go through the list. Having two guys and two girls is just a lineup that happens to be two males and two females. But our sound is completely different, I think, than all of the aforementioned artists. And what we bring to the stage, what we’re going to bring in the future, it’s definitely our own thing. We’re not worried about the comparisons whatsoever.
JM: Tell me about your deal with Emblem.
TG: It’s a label started by Matt Serletic who’s our producer. He’s a Grammy winning producer who’s been a complete blessing for us to work with.
He actually got his first taste of country doing a Willie Nelson record. He produced The Great Divide. But he’s always been a country fan. And more than that a huge Americana fan. I know he’s a huge John Mellencamp and Tom Petty fan. And those are some of the guys that really influenced us as well.
He went to start a label and wanted to do a country project, and we were the first thing he came across. Actually, it was when Rachel and Mike and I had just written our first song together, called “Time To Let Me Go,” which is gonna be on the album August 4th. I had met Matt a couple of years prior to that with my brother through a manager we had at the time. This was maybe 2004 or 2005. And Matt had said that if we did anything cool in the future he’d check it out.
So we wrote that song and felt it was really strong, and I said, “Let’s send it to that Matt guy and see if he’s into this.” It just so happened he was looking for a country act and an act to launch his new label. So it worked out. The timing was perfect. You know, when they say a lot of the record business is luck and timing, that was one of those instances where we just happened to get to him at the exact right time. And it all worked out.
JM: Have you had a chance to write with Matt?
TG: We’ve fooled around with it. We had a writers’ camp over a weekend in Nashville where we got together with like 30 of the best writers in town, and Matt was involved there. So there were bits and pieces. But none of the official songs on the album ended up being us and Matt. But Matt wrote a lot for this record with Jeffrey Steele, and I think the two of them together really created a lot of the magic moments on this record.
JM: What does Gloriana need to do in order to achieve long-term success? If you’re lucky enough to be making records 20 years from now, how will you have gotten there?
RR: What it comes down to is consistently making great music. That’s a tough question. I think it’s a matter of making great music and continuing to deliver what people want. And just continuing to look at what we’re doing in the past and continuing to compete with ourselves as opposed to trying to compete with other people. What have we done, and how can we do this even better? Every single time.
JM: Being that Tom and Mike are brothers—and both guys—I wonder about the social dynamic of the band. Siblings have been known to band together at times, and to squabble at others. How do the four of you go about maintaining group harmony, especially considering the sibling to non-sibling dilemma?
TG: Truth is, man, we get along really well. It’s kinda weird. Mike and I, we’ve worked together making music, playing shows, writing and producing our own records for the past ten years. After the first little bit of it ten years ago we really learned how to gel together and honestly we get along better than any two brothers I’ve ever met. We don’t ever really fight, to tell you the truth. And we’re really on the same page musically. So that aspect’s fine.
And the girls are like best friends. They do everything together. They’re there for each other. And then the four of us, we’re like a big family. There’s an age difference between us all, so it’s more like we’re brothers and sisters. Mike and I never had sisters, and now it’s kinda like we have two little sisters and the girls got two real-life brothers to hang out with. So it’s been actually really easy for us.
JM: What is the difference between pop music and country music?
TG: Well, first off, country music, to me, is storytelling. And I know you could say that all different kinds of music are storytelling, but country music is a place for real musicians and, in my opinion, real songwriters and real singers. Nashville is the Mecca for people who are serious about music, whereas a pop artist might be serious about their dance moves or their body or their image. Country music is for people who are serious about their music.
RR: I agree with Tom.
TG: It’s about the song.
RR: And you know what else it is, country music also has this element of respect for all of the artists who have put the foundation in place. And with pop, it’s like “What’s the next new phase?” What’s the next cool thing? With country music it’s all about tradition and paying your dues and being respectful. And loving the artists that came before you, even if it was 50 years ago.
For More Information on Gloriana, visit: Official | MySpace | Twitter
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85 Comments
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June 25, 2009 at 12:48 pm Permalink
Having seen them do an acoustic show live (well, with an electric guitar) I can vouch for the musical talent in Gloriana. Tom reminded me of Charles Kelley of Lady Antebellum in both the talent and charisma factors and is the anchor member of the band in my opinion. Former MTV reality show star and pop star wannabe Cheyenne Kimball is the other stand out member due to her instrumental talent. Their energetic pop-rock country sound is infectious and the rock tinged production suits todays market to a tee. I’m just glad they do like real country music and hope to share it with Taylor Swift’s fan base through their debut album! (lol) I wish them luck…
June 25, 2009 at 1:05 pm Permalink
Where did country music go?
June 25, 2009 at 1:19 pm Permalink
this is a low point for the 9513. Pandering hits home, hard.
June 25, 2009 at 1:25 pm Permalink
Mike – I know that I contribute to the site via the podcast, so forgive me. How is this peice pandering? It was an interview, not an editorial or a review that would require some explanation as to why the writer came to a certain conclusion or opinion on an act.
Let’s just say that Jim doesnt really like this band (I dont know if he does or not), what is served by him brow-beating the artist with judgement and/or questions that you would consider “hard-hitting”. Jim gave the artist plenty of chance to dig their own grave, and in my opinion, they did just that with the answers regarding “modern country”. Perhaps you should look up the definition of pandering. This site has done a great job of giving all types of country fans something that will keep them coming back.
June 25, 2009 at 1:29 pm Permalink
I’ll be in the bathroom…puking.
June 25, 2009 at 1:32 pm Permalink
Can I get this CD in a box of Froot Loops as a Disney promotion?
June 25, 2009 at 1:46 pm Permalink
I was cleaning house one day and as usual had my country station on playing in the background. A song was playing when I stopped and took a listen then thought..”What is that doing on a country station?” It was as pop as pop could get and that was my first exposure to Gloriana’s “Wild at Heart”.
June 25, 2009 at 1:49 pm Permalink
Let me add to my comment…
I hope the answer is no, because I do love me some Froot Loops.
June 25, 2009 at 1:50 pm Permalink
Can I get this CD in a box of Froot Loops as a Disney promotion?
That would be a lethal sugar overdose, don’t you think?
June 25, 2009 at 2:28 pm Permalink
I wouldn’t call it pandering, but this is definitely a cut below the typical Jim Malec interview. This is what I would expect from Roughstock.
June 25, 2009 at 2:33 pm Permalink
Sometimes subtlety is better than aggression. Sometimes questions are more revealing when you don’t press too hard. I think this interview is one of the more revealing that I’ve done.
You don’t ask Gloriana the same questions you ask John Rich.
June 25, 2009 at 2:40 pm Permalink
So, Jim, what you’re saying is, “We report, you decide” ? ;)
June 25, 2009 at 3:03 pm Permalink
Oh, just stop being sooooo jealous!!!!!
June 25, 2009 at 3:04 pm Permalink
Well said Jim…
As I said earlier, there is something to be said for letting someone hang his/herself.
June 25, 2009 at 3:28 pm Permalink
I absolutely adore Gloriana! They are so talented and hard working! They enjoy what they are doing so much and it really shows in their performances!
June 25, 2009 at 3:36 pm Permalink
Wow, them’s some pretty pictures…what is this High School Musical: Nashville Edition??
June 25, 2009 at 4:33 pm Permalink
Is it unwise for a new act to go for a debut single that targets (or panders to) Top 40 country radio and succeeds? When I saw Gloriana perform the only song in their set I really didn’t care for was “Wild At Heart” as it just sounds so formulaic and manufactured, a sort of “corporate pop-rock country” sound. The other songs were much less bombastic and their more “country” numbers were quite good! Behind all that gloss, and the rock production, and pretty faces is a talented group that is not completely artificial. I guess I’m out numbered here….
June 25, 2009 at 4:40 pm Permalink
@Rick: I also think Gloriana has more potential than their debut single in them – but I kinda like “Wild at Heart” too
June 25, 2009 at 4:48 pm Permalink
I’m not content to pass judgment on this band until I hear an album. The three other tracks on their digital EP tell a completely different story from their debut single and are seemingly much less measured and formulaic.
Then again, I guess I am the younger and ill educated demographic that they are catering to so I shall hang my head in shame.
June 25, 2009 at 5:00 pm Permalink
This really hurts to say: I agree with Rick.
June 25, 2009 at 5:12 pm Permalink
I don’t care for the group’s debut single and it doesn’t sound like they target me one bit, but I think it’s a good interview. And pandering? Hardly.
They were pretty evasive on talking about traditional vs. pop, and while quick to pay lip service to tradition, they didn’t name a single traditional artist, while admitting to targeting Taylor Swift’s audience, which seems to be pretty revealing.
It’s a little more difficult to ask compelling questions of a new act that only has one single out. There’s not a whole lot to talk about.
June 25, 2009 at 5:30 pm Permalink
If there’s not a whole lot to talk about, then don’t do an interview – or, better, get an interviewer who can figure out what to talk about that’s a little deeper than “the sibling to non-sibling dilemma.” Maybe, you know, talk a little more about music. And seriously, Jim, the disconnect between your, um, assertiveness when writing about artists and their music vs. your, um, less assertive questioning when you’re face to face with them is almost alarming.
June 25, 2009 at 5:58 pm Permalink
Cheyenne Kimball is the new George Jones.
June 25, 2009 at 6:09 pm Permalink
“while quick to pay lip service to tradition, they didn’t name a single traditional artist, while admitting to targeting Taylor Swift’s audience, which seems to be pretty revealing.”
Exactly what I noticed from the interview.
Did Jon and Jim know each other in a previous life to The9513? The barbs seem more biting than what’s rational.
June 25, 2009 at 6:49 pm Permalink
Matt C:I wouldn’t call it pandering, but this is definitely a cut below the typical Jim Malec interview. This is what I would expect from Roughstock.
So Roughstock panders? How exactly?
Is our interview with Gloriana pandering?
June 25, 2009 at 7:12 pm Permalink
Anybody who has the gall to call this country needs to seriously get a clue. Furthermore, any band who thinks that the word “glory” is descriptive of their harmonies needs to take a long listen to an Alabama CD. Gloriana may well be comprised of talented individuals, but their music sucks like a (insert offensive prostitution comment).
June 25, 2009 at 7:16 pm Permalink
@SW
Very true. Alabama sounds fantastic and is country. Or an (even though not country) Eagles CD. Their harmonies are RIDICULOUSLY good. It’s like falling into heaven when you listen to those Eagles masterpieces. They’re not songs, they’re masterpieces.
June 25, 2009 at 7:45 pm Permalink
Cheyenne Kimball is the new George Jones.
We already have a George Jones. Why do we need a new one?
June 25, 2009 at 7:55 pm Permalink
I’m not impressed with Gloriana one bit and I also thought they were playing lip-service to tradition. I was a little surprised to see this interview because I didn’t think that the average 9513 reader was any more interested in reading about them than I am.
That being said, what purpose would it have served for Jim to go into the interview and start browbeating them? It doesn’t seem like a very professional thing to do.
June 25, 2009 at 8:02 pm Permalink
We have a wide and varied readership, many of whom do not comment here. Part of my job is interviewing all kinds of artists who appeal to all kinds of readers. This also helps draw contrasts between artists of different bearings.
June 25, 2009 at 8:05 pm Permalink
Jim,
This is exactly the approach any website that wants readership should do, at least in their chosen area of focus, for people to criticize you, or me or any other website for not doing so is lunacy in my mind.
June 25, 2009 at 8:19 pm Permalink
Yeah, so if someone doesn’t wanna hear about Gloriana, they shouldn’t read it and complain :)
June 25, 2009 at 8:31 pm Permalink
I wholeheartedly disagree with Lucas that Cheyenne Kimball is the new George Jones! It’s quite obvious that she is indeed the new Tammy Wynette instead…
June 25, 2009 at 8:50 pm Permalink
Good point Rick. I would however say that Led Zeppelin is the old George Strait and Alan Jackson is the next Metallica.
June 25, 2009 at 9:47 pm Permalink
I’m surprised. I actually thought they came off alright here. Quite inoffensive, but I didn’t expect them to have much provocative to say in the first place – as others have said, they’re still very new.
And I don’t feel like an artist should to name-drop a traditional artist for their music to reflect traditional influences, assuming some of it actually does (I’ve only heard two songs from them and neither did, so I have no idea). It’s natural they would mention targeting Taylor’s fanbase; that’s their tour, and if they do actually expose some kids to more traditional music, that’s great. I don’t know, I guess I’m just giving them the benefit of the doubt on that stuff until I hear some more music.
Last thing, to pick up something others have mentioned: I frankly prefer a less confrontational interview style most of the time anyway. There is a way to address the elephant in the room without coming across as pompous or rude, and I think this interview demonstrates that well. Jim was pretty frank with them and did ask some revealing questions, but it was done in good taste, to where people of differing perspectives can read this and make up their own minds about what the artists said. I like that. I prefer interviews to sound like conversations, not interrogations.
June 25, 2009 at 9:59 pm Permalink
I suppose this is the wrong time to propose a first annual country bloggers’ convention.
“Wild at Heart” is a little busy production-wise, but it still beats a bunch of current Top 40 songs right now. I think the rest of their EP is solid. I wouldn’t put them on LBT’s level, but I will at least give them a shot.
June 25, 2009 at 10:07 pm Permalink
The only reason I was skeptical about their traditional country influences claim is because they name dropped the current artists, but seemed to sidestep naming any specific traditional artists that they liked. Perhaps it was only scattered thoughts and they just didn’t think to mention any, but I’m not sure. In the end, I don’t care if they’re influenced by traditional country, but I don’t want to think that they’re just saying it in order to please people. I can swallow honesty on that matter much easier than fronting. Of course, I agree that it may be assuming a lot, but it’s hard not to read between the lines, especially since that’s what we’re supposed to be doing with this interview, I guess?
“Last thing, to pick up something others have mentioned: I frankly prefer a less confrontational interview style most of the time anyway. There is a way to address the elephant in the room without coming across as pompous or rude, and I think this interview demonstrates that well. Jim was pretty frank with them and did ask some revealing questions, but it was done in good taste, to where people of differing perspectives can read this and make up their own minds about what the artists said. I like that. I prefer interviews to sound like conversations, not interrogations.”
Couldn’t agree more.
June 25, 2009 at 10:20 pm Permalink
I haven’t heard any of their music aside from “Wild At Heart” but based just on that one song, I find it hard to fathom that they’ve got any traditional country in their repertoire at all. If they do, they’re going after two divergent segments of market and I can’t imagine that there are many people who would like both.
This seems to be a group that’s being marketed on their looks and youth and the lack of substance in their debut single seems to confirm that.
June 25, 2009 at 10:29 pm Permalink
Well, I checked out clips of theirs on Amazon and I can give them a little benefit of the doubt now. This song, from their EP, is pretty rootsy, anyway. The others are pretty pop or rock though.
http://www.amazon.com/gp/product/B002AED3Y4/ref=dm_dp_trk4?ie=UTF8&qid=1245986646&sr=102-6
June 25, 2009 at 10:42 pm Permalink
I saw them at 3rd and Lindsley, probably last summer, maybe even two summers ago. They opened for Due West. I didnt care a whole lot for their music stylistically, but for what they do, I thought they were pretty good. They all played pretty well, sang pretty well, and seemed pretty comfortable on stage.
Im not going to go out and buy their album, but thats more of a reflection on their style than their talent.
June 25, 2009 at 10:45 pm Permalink
My take on the interview – which has been completely not spoken about by me due to my sarcastic comments, ha…
I personally didn’t think they came across poorly. Just a normal interview. They didn’t say anything that made me go “Ooooh, those losers.” Although I do think the Taylor Swift comment made it sound like they’re trying to tap into a market, but that was probably just poor phrasing.
I don’t want to see people harassed in interviews unless they’ve done some sort of actual crime. Country radio was leaning away from country long before we heard the name Gloriana.
There are plenty of users that don’t comment but read the site, THAT’S A FACT JACK. (Ut oh, here comes a real country song being stuck in my head)
June 26, 2009 at 12:08 am Permalink
Razor X: “I haven’t heard any of their music aside from “Wild At Heart” but based just on that one song, I find it hard to fathom that they’ve got any traditional country in their repertoire at all. If they do, they’re going after two divergent segments of market and I can’t imagine that there are many people who would like both.”
Ooh ooh, me! =) I do
June 26, 2009 at 1:18 am Permalink
Ooh ooh, me! =) I do
Exactly. I rest my case.
June 26, 2009 at 6:43 am Permalink
I don’t trust anyone who says that country music is about storytelling. All songs tell a story. The Kiler’s Mister Brightside tels a story. Kayne West’s Heartless, tells a story. Katy Perry’s Waking Up in Vegas tells a story. Soulja Boy’s Crank That tells a story–a stupid story, but a story.
June 26, 2009 at 8:15 am Permalink
I’m with Stormy here. I have always thought that was such a vague, lame cop-out. I assume the artist was speaking on a very broad level, but that is the problem with such a perspective, it doesnt really answer the question to a point that the answer being given matters at all due to its generic and vague nature. Also, good Country music often tells a story, yes, but just because a song tells a story that doesnt make it good, which to me is more important than what genre it allegedly belongs to.
June 26, 2009 at 11:37 am Permalink
Jim isn’t pandering, the 9513 is by even giving this “band” the time of day.
In the upper left corner, the 9513 logo is followed by the words “Country Music”. I think the contradiction between that statement and this interview speaks for itself.
June 26, 2009 at 12:25 pm Permalink
I think when people talk about country being a storytelling medium they mean the songs often have a narrative, which other styles of music usually don’t. A lot of rap used to be narrative-driven, but you hardly hear that anymore.
June 26, 2009 at 12:44 pm Permalink
Those of you offended by the fact that they didn’t ‘namedrop’ any traditional country artists are kidding yourselves. Are you so easily won over that if they had thrown in a George Strait here, a Reba there that you would have suddenly felt differently about the music? Doubtful. I think their point of mentioning traditional country is that without naming names, it encompasses all the artists that have paved the way. It sounded more like an awareness of the need to respect and appreciate their roots more than a ploy to people-please to me.
Of course they are more likely to mention Taylor. They are on tour with her- their first ever tour- so they are seeing the most success with that demographic and seem grateful to be well received there.
I thought this was a good interview, and kudos to the interviewer for asking some revealing questions when in reality there isn’t much to reveal. Right now it is all about learning to live/work together as a unit so relational dynamics are important. I hope that wasn’t a dig about not being able to ask Gloriana the same questions as you can John Rich. Obviously not, they’ve been a band for about a year. And two of the members are not even of legal drinking age. Were you to ask these same questions of these same individuals in a year you’d probably get different answers as they will have had that much more experience in the music industry.
If this music isn’t your cup of tea, fine. If you’re on the fence, it’s really worth seeing them live. I’ve had the pleasure of catching them a few times at small venues and it’s undeniably entertaining.
June 26, 2009 at 12:45 pm Permalink
There are a lot of narrative driven songs in other genres–heck I loved the story of Take A Walk on the Wild Side LONG before I understood anything else about it.
The problem with saying something like “Country music is about storytelling” or “Country music emphasizes the vocals” or “Country music is about the soul” is that it implies a superiority about country music that is not true and is usually especially not true of the artist making the statement. All of these things are true of all genres. What makes country music different is the way the music sounds, and if you don’t get that–if you don’t pull the roots of your sound up through that–then you are never going to sound country.
June 26, 2009 at 2:21 pm Permalink
Ok you can’t say Wild at Heart is as pop as pop can get becuase that’s the only song from them on the radio so unless you have seen them in concert you can’t say there pop! Becuase I’ve seen them in concert and there other songs are Pure Country…
June 26, 2009 at 2:29 pm Permalink
Why we can’t we say this one song is pop without listening to the their other songs?
June 26, 2009 at 2:34 pm Permalink
or use the correct tense of there/they’re/their?
June 26, 2009 at 2:54 pm Permalink
Sorry, but covering a country act on a country music blog isn’t “pandering.” I’ll bet I’m not the only person who values The9513 precisely because it covers the entire waterfront, even if I’ll bet that I’m also not the only person who would like to see it do so a little more even-handedly. The subject matter isn’t the problem here, as far as I’m concerned; rather, it’s the lack of substance to the interview. Surely there are other ways to approach interviewing musicians besides being confrontational or “interrogation”-like on the one hand, and shallow or obsequious on the other. And if they’re musicians, asking them about music is always revealing, whether they’re 10 years old or 80, been together 10 minutes or 10 years.
June 26, 2009 at 3:12 pm Permalink
A first article on an artist is a get-to-know-them sort of a piece, it’s not a moment for harsh interrogation techniques.
In any case, Gloriana performed acoustically for us here at the CW office and they totally brought it. The production on the record is a little too gimmicky (that looped “Yeah!” on “The Way It Goes” makes me cringe), but they’ve absolutely got the goods.
June 26, 2009 at 3:27 pm Permalink
Maybe my goal here wasn’t to find out about the musicianship at the heart of Gloriana’s new record, but to give our readers a broad introduction to a group they probably haven’t heard much about before.
People are interested in getting to know a band like this: How did they meet? What are their views on music in general? How do they see their future?
Asking specific questions about the band’s music, at this point and for a general audience is, in my judgment, pointless. Few of the readers have heard any of that band’s music yet, anyway.
It makes little sense to ask questions about a body of musical work that, as far as the readership is concerned, doesn’t exist.
June 26, 2009 at 3:57 pm Permalink
I thought you were writing for The9513, not Country Weekly. Not that there’s anything wrong with a “gee whiz, how did you guys meet the most recent member to join? Where did that name come from? What’s your favorite color?” approach for some publications, but I would presume that The9513 readers especially would be interested in hearing something about their music more than the answer to puffball questions like “did you know you had a hit?” And your confusion of talking about the music on their album – which, BTW, you asked several questions about, making your last two paragraphs kind of stupid – with talking about their music just underlines that you’re not getting it. They gave you a lot of openings, and not only did you only manage to use one with your question about the difference between pop and country, but you failed to do any kind of follow-up to a not very responsive reply. Do you really think that readers learned anything very useful about Gloriana from that interview? I already said that I don’t agree with the notion that running this interview was “pandering” or with the idea that there’s something wrong or even inappropriate about covering the group on this blog, but the fact that so many people have expressed some kind of disappointment with respect to this interview suggests that it falls short in some key respects – and in my opinion, they have to do with the lack of real content. And no, I don’t think it’s worse than an awful lot of other interviews – or articles based on interviews – that get published, but if you’re going to holler about how important music criticism is, Jim, and how valuable a role critics play, then your work needs to live up to the standards implied by those sentiments. And in my opinion this interview doesn’t.
June 26, 2009 at 4:12 pm Permalink
I thought you were writing for The9513, not Country Weekly.
Actually, I’ve written for both.
Not that there’s anything wrong with a “gee whiz, how did you guys meet the most recent member to join? Where did that name come from? What’s your favorite color?” approach for some publications, but I would presume that The9513 readers especially would be interested in hearing something about their music more than the answer to puffball questions like “did you know you had a hit?”
You and Matt seem to be the only people who didn’t find this interview interesting. Anyway, we have a wide and varied audience.
And your confusion of talking about the music on their album – which, BTW, you asked several questions about, making your last two paragraphs kind of stupid – with talking about their music just underlines that you’re not getting it. They gave you a lot of openings, and not only did you only manage to use one with your question about the difference between pop and country, but you failed to do any kind of follow-up to a not very responsive reply.
There’s no confusion. You may be confused, Jon, but there’s no confusion on my part. I asked some general questions about their upcoming record and some general questions about their musical outlook, and I think our readers took away a pretty good understand of what they are going for. I’m sorry that your intense interest in the musical stylings of Gloriana was not fulfilled. I’m sure, however, being the brilliant and widely read music journalist that you are, you’ll be able to contact someone and interview them yourself. Good luck, and I hope you get all the answers to your questions.
Do you really think that readers learned anything very useful about Gloriana from that interview?
Yes.
I already said that I don’t agree with the notion that running this interview was “pandering” or with the idea that there’s something wrong or even inappropriate about covering the group on this blog, but the fact that so many people have expressed some kind of disappointment with respect to this interview suggests that it falls short in some key respects
Laughable. Read the comments. Clearly, more people have a problem with the act than the interview.
And in my opinion, they have to do with the lack of real content. And no, I don’t think it’s worse than an awful lot of other interviews – or articles based on interviews – that get published, but if you’re going to holler about how important music criticism is, Jim, and how valuable a role critics play, then your work needs to live up to the standards implied by those sentiments. And in my opinion this interview doesn’t.
And here we come to the crux of the matter, Jon’s never ending quest to humble me, teach me a lesson and remind me that he’s got years and years of journalism experience. Thank you, Jon. Duly noted.
June 26, 2009 at 4:19 pm Permalink
“Do you really think that readers learned anything very useful about Gloriana from that interview?”
I did, I learned that they lean on “Modern Country movement” as a big influence, and the fact is, I am not a fan of many of the acts that consider themselves to be a part of this “modern country movement”. That is true, especially with Rascall Flatts and Swift, who the artist mentioned directly. When an artist, in an interview, makes a point to detail such acts as an influence on their overall sound and not just someone who’s work they are fond of, I know that I am likely not going to appreciate their sound. maybe that will not be the case when I hear more, but going only on the interview, I do feel like I learned a substantial amount on what their musical perspective is.
June 26, 2009 at 4:57 pm Permalink
Jim- if you ignore JW it’s a win-win. your blood pressure goes down and, eventually, he goes away cos no one wants to play his ridiculous game. I’ve had LOTS of experience in this matter trust me.
June 26, 2009 at 5:13 pm Permalink
Jim,
I don’t know why you bother responding to Jon or feel the need to respond to the potshots he gives you by giving him your own.
June 26, 2009 at 5:14 pm Permalink
I don’t know why I bother, either. I was doing so good for so long!
I think it’s because I actually do respect the man’s work, and always think I’m going to be able to reason with him.
June 26, 2009 at 5:19 pm Permalink
What we’ve got here is failure to communicate. Some men you just can’t reach.
June 26, 2009 at 5:19 pm Permalink
That’s Understandable. I know we have disagreements at times but I have always respected the work you do here (and other places) and, believe me, I have always appreciated whatever links I received either for my old blog or at Roughstock.
June 26, 2009 at 6:37 pm Permalink
Hey you guys, let’s get back to what’s really important here, Gloriana’s music! (lol) “Wild at Heart” is doing much better on the charts than any recent singles from Little Big Town, so this group has a sound that definitely appeals to the “Young Country” radio listeners. Mentioning top selling acts like Taylor Swift and Rascal Flatts may seem crass and shallow, but its accurate and its working!
PS – I’m glad the 9513 covers such a wide variety of artists that fall under the big tent of “country music”. It gives me so many more artists to bag on and get snarky about! (lol)
June 26, 2009 at 9:07 pm Permalink
I actually look forward to Jim and Jon locking horns. Do you think we can set up a regular feature along these lines? Maybe call it the 15th Round?
June 27, 2009 at 5:24 am Permalink
Taking criticism of your published work as a personal attack and responding with your own personal attack is a rookie error.
June 27, 2009 at 8:28 am Permalink
What you do to me Jon goes beyond criticism. It is obsession.
Anyway, saying that you want to teach me a lesson isn’t really a personal attack, is it? Get over it, man.
June 27, 2009 at 10:30 am Permalink
“Teach you a lesson?” I don’t believe I’ve ever said that I wanted to do that; saying so is about as accurate as calling the occasional post commenting on one of your contributions an “obsession.” Your reaction to every criticism and observation, whether it’s from me or someone else, is pretty much the same, and it’s not a very productive one.
June 27, 2009 at 2:20 pm Permalink
Sure, “Wild at Heart” does sound a little too pop, but so what? If I go outside and ask someone who Gloriana is I guarentee you nobody will know. If I lived in a place where country music was popular Im sure i would find somebody alot easier who knows who they are. So this means that its people who listen to country music, not pop or rock, who are enjoying and buying their music. Bottom line is that they’re talented musicians who have other songs besides their debut single that are more “country,” and they deserve their success. Its not like they’re like miley cyrus or something.
June 27, 2009 at 11:25 pm Permalink
Seriously Gloriana is amazing!!!
Their talent is beyond what any of you can see. They’ve proven themselves time and time again opening for TAYLOR SWIFT!!! performing in countless venues winning awards and with out even having their album out yet. This is just the beginning for Gloriana there will be more of them to come.
June 28, 2009 at 8:35 am Permalink
No doubt there will be more to come. After all, McDonald’s does more business than does Outback, Carrabas or Morton’s
I have the CD released by Cheyenne – the kindest desciption I can give to it is “Faux Country”.
Ditto for this band
June 28, 2009 at 10:26 am Permalink
To me they are just more of the same,more of why I haven’t listened to mainstream radio in years.
June 28, 2009 at 7:00 pm Permalink
Paul,
That Cheyenne CD wasn’t even marketed as a country album by Sony Music.
June 30, 2009 at 2:14 am Permalink
Wow! It’s so amazing the number of hate-filled un-informed opinionaters there are on this blog, not only about the artists, but with the writers who interview them. Makes me wonder who most of you are? Having looked at how disparaging your comments are, I’m beginning to think you are a bunch of frustrated wannabes who couldn’t create anything in your lives worth being critiqued or criticised if you wanted to… positive or negative. That being said, it also looks like you are waaaay uninformed and ignorant about the world of music. Let’s go to the reality of the business, the industry, as you might call it…Here it is, if a country, rock, pop or jazz group or musician can produce something that sells and makes money for their label , god bless them, they gotta job, they get to stay on the label. Like it or not…If the masses buy and you end up on the Billboard top 20, you get to have a career in this business. You, as a fan or reviewer on a blog, can be beligerant and defensive of your traditional beliefs and likes or dislikes, that’s your prerogative and admirable, I suppose, especially about country, but that doesn’t mean a thing if the public at large don’t buy it. Please do your homework about what is going on in the music industry, especially in Nashville….if you really want to rail against what’s going on, especially against country music, and the way it’s headed, you go out and find enough people to buy the music of an artist, say, like Ashley Monroe,who is amazing and very traditional, as opposed to Taylor Swift…good luck. As for Gloriana, they are an amazing, hard-working group who want nothing more than to entertain and bring country to the masses. No one yet knows what they have to offer… Be negative all you want, they bring the people who buy music to country, which supports all artists and actually gives those, who are awesome and who you guys seem to be so about, but who may never have a platinum-selling album, the opportunity to have a self-sustaining, extraordiary career.
June 30, 2009 at 6:47 am Permalink
Has Gloriana produced anything that has sold?
June 30, 2009 at 8:39 am Permalink
Lynn: So sales equals quality and vice versa? Also, why are you (and other people like you) so concerned about “negativity” as it pertains to a reviewer or interviewers perspective? The artist is putting their product out there for the masses to consume, and sometimes, a critic/blogger/fan simply will not like it. Have you liked everything that you have ever heard on the radio? I bet you told whoever you were in the car with at the time you hearda crappy song that you werent a fan of that particular song as it played.
A blogger saying that an album sucks or that maybe it isnt truly “country” isnt a sinister attempt to “bring the artist down” for the most part, it’s simply that blogger telling his/her readers what they truly think about that particular album or artist. You want sunny and happy? go read Hazel Smith’s drivel about blonde starlets and what shirts Joe Nichols might be wearing this week.
June 30, 2009 at 9:12 am Permalink
As I’ve said many times, any time you see the word “amazing” used to describe a musical act, it is a dead giveaway that the writer is clueless
June 30, 2009 at 9:52 am Permalink
Great. Now, I’m going to have to do a search in all of my reviews to see if “amazing” appears in any of them.:)
June 30, 2009 at 10:04 am Permalink
Kelly: This is a good thing–it means we don’t have to like Gloriana because they aren’t selling.
June 30, 2009 at 10:44 am Permalink
Hmmm…”we don’t have to like Gloriana because they aren’t selling.” #17 on Billboard’s Country Chart, #2 on Hot Singles Sales and #16 on I-tunes…and you guys think Lynn is clueless.
June 30, 2009 at 10:56 am Permalink
Sam – I agree, for now they are “selling”, and I never said anything to the contrary. Regardless, that has absolutely nothing to do with Lynn’s “point” regarding the negativity and critical nature of bloggers who simply dont care for a particular artist. Besides pointing out stats that anyone can find on-line, what is your point specifically, are you angry that someone has the nerve to suggest that Gloriana may not be that big of a deal?
June 30, 2009 at 10:58 am Permalink
Or maybe Sam and Lynn have the same IP ;)
June 30, 2009 at 11:47 am Permalink
Sam: Oh good, now I can go back to not liking Gloriana because they are boring.
June 30, 2009 at 12:10 pm Permalink
Here’s some fuel to the fire: Was sent the CD, while I like it (being a guy who grew up in a pop world), I can see how people are going to easily hate it.
July 3, 2009 at 10:40 pm Permalink
well here’s my ten cents, not that anyone actually cares. i’m a gloriana fan, but i’m happy to admit that wild at heart doesn’t sound particularly country. though the lyrics are in my opinion country lyrics. example: “Down the backroads, long hot summer, couple kids running loose and wild.” Not exactly something Johnny Cash would sing, but not something Beyonce or Katy Perry would sing either. They have more “country sounding” songs on the EP, mainly “You Said.” I thought the interview was well-written and interesting. Like the author said, the purpose of an interview like this one is to give the general public an idea of what a band is like. And that was accomplished quite well. I personally would have been turned off of the site and author if he had tried to embarrass and demolish the band in the interview. They are all young kids, Cheyenne isn’t even 19 yet; that would have been mean. All that to say- good job. i liked it. people need to be less negative, there’s too much good in the world to cling onto one negative thing.
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