George Ducas – “Walk Through This World”
Songwriters: George Ducas and David Lee Murphy.
A lot has changed in country music since George Ducas charted his sole top ten single in 1994. Traditional stalwarts Travis Tritt, the Judds, Clint Black and Tanya Tucker headlined the Super Bowl halftime show. Vince Gill didn’t just host the CMAs, he racked up Male Vocalist and Entertainer of the Year honors. Heck, even Joe Diffie was still getting airplay.
We could wax unpoetic for days on the current state of country music and its sickened aesthetic and groomed, well-packaged artists–but for better or worse, Ducas is keeping pace with this new standard with his latest single, “Walk Through This World.”
It’s a different sound for the singer/songwriter, whose two previous studio albums, George Ducas and Where I Stand, produced solid, honky tonkin’ songs in the mid-90s that spoke to both his Texas and California roots. As his first release with WhiteStar Nashville, after bouncing between Liberty and Capitol Records, “Walk Through This World” banks on the success of recent artists’ pleasantly bland lyrics and agreeable instrumentation.
A declaration of everlasting love that shares none of the sincerity of George Jones’ 1967 song of a similar name, “Walk Through This World” is missing is the edgy imagery of Ducas’ “Lipstick Promises,” which made it to #9 on the Billboard charts, and the interesting guitar riffs that accented his Dwight Yoakam-infused “Hello Cruel World.”
It’s not that Ducas sounds bad on this song, but the forgettable material is a disappointing change of pace, especially considering that Ducas and co-writer David Lee Murphy have proven themselves as apt storytellers; Ducas’ Sara Evans hit “Real Fine Place to Start,” Murphy’s “Dust on the Bottle” and the pair’s co-penned “Always the Love Songs” (for the Eli Young Band) all make use of clear, vivid imagery and strong narrative threads.
That’s not the case here, where lyrics like “I don’t want to think/’Bout where I might be/Without you, it’s way too frightening,” rehash a storyline that’s been told before and better in Trisha Yearwood’s and Leann Rimes’ versions of “How Do I Live” and Alan Jackson’s “Had It Not Been You.”
“Walk Through This World” fails to specify any memorable relationship milestones, and relies too heavily on generic pronouns; phrases such as “moments like this,” “these times,” and “this is what it’s supposed to feel like” beg the questions: Moments like what? What times?
The first single off his upcoming album Twang Thang (an apparent pitch to today’s popular hick-hop references like “Hollerback” and “Honky Tonk Badonkadonk”), “Walk Through This Word” is just the type of song that could fare well on popular country radio–which is good for Ducas and his label, though not so much for fans of his original sound.
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Listen: George Ducas on mySpace
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[...] in November, amidst some nostalgic pining for ‘90’s country, regular commenter Rick proposed that your ties to a specific decade of music [...]
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November 14, 2008 at 3:08 pm Permalink
Good write up! I agree with your review, but I still found myself liking the song, which is probably due to my wanting to like it as much as “Lipstick Promises”…I miss mid-nineties country radio
November 14, 2008 at 3:27 pm Permalink
“Walk Through This World” isn’t… great. It’s not awful, and I’d rather hear it than 90% of other country singles, but it’s not the George Ducas Sound that I really was hoping for. So I listened to the other new track on his MySpace page, “Cowtown.” Now I’m just depressed.
November 14, 2008 at 4:47 pm Permalink
Kelly–we need a 90s country time machine. What I wouldn’t give to hear Michael Peterson’s “Drink, Swear, Steal and Lie” on the radio again…
And yeah, even though I wasn’t crazy about the song, I still found it stuck in my head. But “Cowtown” is terrible.
November 14, 2008 at 6:18 pm Permalink
Hey Karlie i have been putting something like that together for my website and Michael Peterson is one of the first i put on it. Its not ready to post but almost, just bare with me
November 14, 2008 at 6:51 pm Permalink
Nice review Karlie. When you are by yourself, does that make you a “Lone Justus”? (Sorry, I couldn’t help myself.) The “dumbing down” of the mainstream country music genre by radio programmer drones is bound to produce an endless supply of sound alike singles like this. Its almost become a mandate that artists suppress true creativity to get a shot at radio airplay. As for this “typical” single, if George doesn’t step up his game, I’d say he’s going nowhere fast…..
PS – I’m amused that you folks long for mid 90’s country the way I pine for the second half of the 80’s new traditionalist sound. I guess it all depends on when you first really got into mainstream country music. When I think mid 90’s the artists that come readily to mind are Kim Richey, Mandy Barnett, and Jann Browne. Hmmm……
November 15, 2008 at 2:36 am Permalink
A solid review. Right on point. Perhaps his new single will be better received in Germany.
November 15, 2008 at 7:18 am Permalink
Which mid-90’s country do I miss hearing on the radio? Mark Chesnutt, Doug Stone, and Patty Loveless. Rick, I think you’re right–that’s when I started listening to country and boy, I fell hard. Love that older stuff!
November 15, 2008 at 8:49 am Permalink
Ditto to Kelly and to 90s country, though that’s when I fell in love with it too!
November 15, 2008 at 9:23 am Permalink
Rick–the Lone Justus, eh? I’m kind of feeling it. But I think you’re exactly right about how you come up with your own “country music glory days.” But one of my all-time favorites fits in the 80s and 90s…Shenandoah. With Marty Raybon, of course.
November 15, 2008 at 1:43 pm Permalink
Same here…mid 80s-end 90s were all great stuff for me as a kid. *sighs* Guess this means I’m in the old category and adulthood has finally walked into my living room. :( Otherwise, I always have those collections and can always reminiscence.
November 17, 2008 at 1:17 pm Permalink
What I find is, some of the 80’s and 90’s artists are now being recognized in Americana Music. Patty Loveless. Kathy Mattea, Dwight Yoakam, Marty Stuart for a few examples. One of the things that has drawn me to Americana Music is not only it’s support of the new Roots artists, but it’s the respect and recognition for the established artists and music legends. As far as Ducas, I was a fan of his music at one time, but his latest offering is quickly forgetable. Walk Through This World and especially Cowtown are a disaster.
November 19, 2008 at 12:14 pm Permalink
By the way, I think God must read this blog and its comments section…I heard Drink, Swear, Steal and Lie on the radio on Sunday. Granted, it was on Sirius radio, but it was still exciting.
November 19, 2008 at 1:18 pm Permalink
I too miss Doug Stone, and especially miss hearing Mark Chesnutt on the radio.
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