Forgotten Artists: Gail Davies
During the late winter & early spring of 1979, listeners of country radio were treated to the unusual strains of “Someone Is Looking For Someone Like You.” Amidst the clutter of the last vestiges of the Outlaw Movement, the dying gasps of the Nashville Sound and the nascent Urban Cowboy movement, this lilting and beautiful melody was unlike anything else being played. Released on the independent Lifesong label, the song suffered from spotty distribution (which turned into no distribution at all when Lifesong’s distribution deal with Warner Brothers fell apart) yet made it to #11 on Billboard’s Country Chart. For Gail Davies, this song turned out to be her career breakthrough, leading to a record deal with Warner Brothers.
Gail Davies (originally Patricia Gail Dickerson) was born into a musical family in Broken Bow, Oklahoma, on April 4, 1948 (according to Billboard–I have seen other dates, all in 1948). Her father, Tex Dickerson, was a country singer who occasionally appeared on the Louisiana Hayride. When Davies was five, her parents divorced and her mother took her and her two brothers to the Seattle area. At some point, her mother remarried and she and her brothers were adopted by their stepfather, Darby Davies, and took his surname. One of her brothers was Ron Davies, a renown songwriter and performer, who wrote songs that were recorded by such luminaries as David Bowie, Three Dog Night, Joe Cocker, Dave Edmunds, Jerry Jeff Walker and The Nitty Gritty Dirt Band.
After graduating from high school in 1966, Davies moved to Los Angeles where she was briefly married to a jazz musician. After her divorce, she found work as a session singer at A&M studios. While at A&M she was befriended by songwriter Joni Mitchell and A&M recording engineer Henry Lewy who introduced her to the production end of the business, where she was able to sit in on a number of noteworthy recording sessions, including one with John Lennon that was being produced by Phil Spector.
Things moved rapidly for Davies, and by 1974 she was touring with the legendary Roger Miller and made her national television debut as his duet partner in 1974 singing on the Merv Griffin Show. During this period, she began writing songs and signed with EMI Publishing in 1975. Her first major success as a songwriter came when Ava Barber, a regular cast member of television’s Lawrence Welk Show, had a hit single with “Bucket to the South,” which reached #14 in 1978 on the Billboard Country Chart. This led to a contract with CBS/Lifesong Records in 1978 and the release of her first album simply entitled Gail Davies.
The first two singles off the album–the Mel Tillis-penned remake of a Webb Pierce hit “No Love Have I” and a remake of a Johnnie & Jack hit “Poison Love”–both broke into the top thirty. Then came “Someone Is Looking For Someone Like You.”
Davies moved to Warner Brothers in late 1979 and began producing her own records, beginning with The Game. She was possibly the first (or among the first–Misty Morgan co-produced records with her husband Jack Blanchard in the early 70s) woman to produce records in Nashville. During her five years with Warner Brothers, Davies reached the peak of her commercial success, charting 13 times with nine top 20 records, five of which reached the top 10. These included “Blue Heartache” (#7), “I’ll Be There” (#4), “It’s a Lovely, Lovely World” (#5), “Round the Clock Lovin’” (#9), and “Grandma’s Song” (#9). She also repaid the kindness of friend Joni Mitchell, turning Mitchell’s “You Turn Me On (I’m A Radio)” into a #17 hit in 1982. After 1982 there were no more top 10 hits.
In 1984 Davies moved to RCA where she created some very innovative and imaginative music, although no major hits. For RCA, “Jagged Edge of A Broken Heart” (#20) and “Breakaway” (#15) were the biggest hits. Probably the most interesting RCA single, however, was “Unwed Fathers” (#56) which was a bit controversial for its time. In 1985, she performed at the Wembley International Festival in London. Upon her return from London she formed a country/rock band called Wild Choir, possibly a forerunner of today’s Americana movement. Wild Choir released one self-titled album (produced by Davies and her guitarist Pete Pendras) and two singles, “Safe in the Arms of Love” (later recorded by Martina McBride) and “Heart To Heart.” When Wild Choir broke up, Davies moved to MCA, but only two lower-level chart hits and an album, Pretty Words, came from this association. Her choice of “Tell Me Why” (written by Davies and Harry Stinson) for release as a single was ignored by MCA (it became a hit for newcomer, Jann Browne).
Subsequently, she left MCA soon after and moved to Capitol/EMI, where she produced two CDs, The Other Side of Love and The Best of Gail Davies before accepting a position at Liberty Records in 1990 as country music’s first female staff producer. After 1989 Gail Davies never again charted a single.
Gail Davies remains active to this day, performing, recording and producing recordings. After several years, she formed her own label, Little Chickadee Productions. The label’s first release Eclectic (10 songs written, sung and produced by herself), was critically acclaimed. Other Little Chickadee releases include: Love Ain’t Easy, Gail Davies Greatest Hits, Live at the Station Inn and The Songwriter Sessions.
In 2002, Davies received an IBMA award and a Grammy nomination for her duet with bluegrass legend Ralph Stanley. She was also nominated for an Americana award for her production on the Webb Pierce tribute album Caught In The Webb, which featured a cast of many great country stars from several generations including George Jones, Emmylou Harris, Willie Nelson, Pam Tillis, Dwight Yoakam, Charley Pride, The Del McCoury Band, Dale Watson and many more (see Forgotten Artist article on Webb Pierce).
Discography
Obviously, anything on vinyl is long out of print but may be available on the internet or in used record shops. Davies issued the following albums (anything post 1990 was issued on CD, anything prior on vinyl and/or cassette). The only album which has the original version of “Someone Is Looking For Someone Like You” is the album on Lifesong. Fortunately, it has finally been reissued on CD. Personally, I’m partial to the earlier material but the Live and Unplugged At the Station Inn album also is terrific, and all of her albums are worthwhile.
Lifesong
- Gail Davies (1978)
Warner Brothers
- The Game (1980)
- I’ll Be There (1981)
- Givin’ Herself Away (1982)
- What Can I Say (1983)
RCA Victor
- Where Is A Woman To Go (1984)
- Wild Choir (1986)
MCA
- Pretty Words (1990)
Capitol/Liberty
- The Other Side of Love (1990)
- The Best of Gail Davies (1994)
Little Chicadee
- Eclectic (1994)
- Greatest Hits (1996)
- Love Ain’t Easy (1998)
- The Songwriter Sessions (2003) – Two CD set
Valley
- Live and Unplugged At the Station Inn (2001)
Gail Davies has some of her CDs available for purchase on her website. It’s a very nice website and I recommend that anyone who is interest in Gail’s music give it a visit.
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November 25, 2009 at 9:22 am Permalink
Not at all forgotten. Listen to the original poetry in her songs. Possible autobiography forthcoming.
November 25, 2009 at 9:37 am Permalink
I really enjoyed Davies’ music in the early 80s. I never really understood why she suddenly disappeared from the radio airwaves. Thanks for the trip down memory lane.
November 25, 2009 at 12:13 pm Permalink
Always enjoyed Gail Davies work–my fav is Grandma’s song which always tears me up knowing that the beginning sequence is an old recording of Gail’s grandmother singing a version of the old song the Fox Hunt which has been recorded since the 1920’s by Vernon Dalhart and Henry Whittier and heartfelt performances by Deford Bailey on the Opry. I really appreciated the Caught in the Webb cd with that detail and tribute to tradition–that should be required listening to any newbie country fan who is curious of the roots and influence in the Golden Age of Country . A real class act!
Cheers!
Robin J Rothschild
Country Music Historian
November 25, 2009 at 6:45 pm Permalink
I started listening to country radio in the mid 1980’s so I missed Gail’s presence on the charts. I will say she did a fantastic job on “Caught In The Webb”, which just may be the best traditional country tribute album ever recorded. The Louvin Brothers Tribute “Livin, Lovin, Losin” is hot on its tail though. I just wish Gail would helm other such tribute projects to the music of Ernest Tubb, Faron Young, Hank Snow, and Hank Thompson for starters! (lol)
November 25, 2009 at 7:50 pm Permalink
It’s always interesting to see the way people wish that someone like Gail, or Chuck Mead, or Brittany Haas would do something that reflects the interests of the wisher, rather than the artist. Some kind of projection, I reckon. Gail did the Caught In The Webb project not because she has some all-embracing desire to pay tribute to “classic” artists and knock today’s mainstream, but because she had a specific and long-standing interest in Webb Pierce; I would think a fan of the album would have read the liner notes by now, which make that very clear.
I’ve been a big fan of Gail’s since the day I heard “Blue Heartache” – a song written by the great Paul Craft, BTW, who also composed several other songs she recorded, like “Honky Tonk Waltz” – on the radio while driving south on Vine Street in Cincinnati past the UC dorms. It’s been my privilege to get to know her a bit since my move to Nashville. She continues to be a strong performer, and has a history of hiring excellent talent for her band; for example, she gave my pal Jamie Johnson, now of the Grascals, his first appearance on the Opry. I’m happy to see Paul give her a lengthy write-up, but I’ll bet she’d take considerable offense at being put in the “forgotten” category.
November 25, 2009 at 8:06 pm Permalink
Well Jon, in the closing part of the article above it did mention that Ernest Tubb is also one of Gail’s favorite country artists, so I was not completely off base!
When I make a “wish” of course I’m projecting my personal desires onto these folks because I appreciate their talent! Gail did a super job in honoring the music of Webb Pierce and it would be nice if she were to pursue similar projects related to other artists she found “worthy” of such an effort. I’m just surprised that Eddie Stubbs never seems to spin any of the tracks off “Caught”. Hmmm…
November 25, 2009 at 9:44 pm Permalink
Well Jon, in the closing part of the article above it did mention that Ernest Tubb is also one of Gail’s favorite country artists, so I was not completely off base!
Tubb is one of Paul’s favorite country artists. And the point is that Gail undertook the Caught In The Webb project for reasons other than taking a notion that Pierce was “worthy” of such an effort.
November 25, 2009 at 10:07 pm Permalink
Obviously, no artist is forgotten as long as someone, anyone, remembers them. However, the collective memory memory fades over time. Gail gets little airplay except occasionally on on WSM-AM 650 or Satellite Radio, so in that sense she, Ernest Tubb, Bradley Kincaid and others are forgotten.
While I appreciate Gail’s Webb Pierce tribute (and she is, no doubt a huge Pierce fan), I don’t think she would be the right artist to do an ET tribute, and none is needed since John England and The Western Swingers did an excellent tribute album within the last five years
November 25, 2009 at 10:36 pm Permalink
Paul–
No ET tribute is NEEDED because some group I never heard of did a tribute to him?? (I will check that one out.)
If some present artists could do a fresh take on the ET-Red Foley era, I’d certainly be interested–whether or not it’s NEEDED.
There’ve been umpteen Hank Williams tributes.
November 27, 2009 at 11:42 pm Permalink
Thanks for the kind words in your article regarding “Forgotten Artists.” Although I would like to make a few corrections. My actual birthday is June 5, 1948. Lifesong was never a part of Warner Bros., but was a subsidiary of CBS. I would also like to point out that co-producing an album with your husband is not the same as producing it yourself. There were no men standing over my shoulder telling me what to do when I started producing albums in Nashville in 1978 and certainly no other women producing Top 10 hits.
Cheers, Gail Davies
November 28, 2009 at 10:40 am Permalink
I’ve expressed my thoughts about the use of the word “forgotten” as used in this feature; too many of them–Gail for instance– are not actually forgotten at all by anybody who ever knew them in the first place; they’re just thought to be less-known by folks out there in the land of no context.. (I believe this column once suggested that Ernest Tubb was “forgotten.” Jeesh. Ernest and George Washington. )
Free suggestion: how about changing the word to whats seems to be meant anyhow: Under-appreciated Artists. Or “Artists You Should Know Better”. Or “Artists to Remember.”
If “Forgotten” is just being used as a hot buzzword, which sometimes it is lately, you could go all the way and make it “Artists THEY Don’t Want You to Know About.” Everyone will have to read that. To stand up to the conspiracy
November 28, 2009 at 8:15 pm Permalink
Barry M – I wanted a short succinct title. “Not All That Well Remembered Artists” and “Artists of Whom You Should Be Aware, But Possibly Aren’t” were just too wordy . For most of the twenty- somethings and the teeny-boppers that Pickler and Swift are bringing with them, these artists truly are forgotten, unknown, waylaid, whatever
November 29, 2009 at 8:42 am Permalink
For most of the twenty- somethings and the teeny-boppers that Pickler and Swift are bringing with them, these artists truly are forgotten, unknown, waylaid, whatever
Is that the audience you think is reading here? Is that whom you’re writing for?
November 29, 2009 at 10:01 am Permalink
No, but there are some of that age group. Also even those a bit older are unlikely to remember a lot of these artists.
If you currently are forty years old, you’d have been 10-13 years during Gail’s peak commercial years. My sense is that many of the readers of this blog are in their 30s and for them most of the artists of whom I’ve written are off their radar, particularly if they didn’t come to country music from hearing their parents play it at home
Anyway, I am not inclined to change the name of the series.
November 29, 2009 at 11:44 am Permalink
Actually it was “Next Time” which was the first Wild Choir song to chart of 2 (the other was the #40 “Heart to Heart”) in 1986 peaking at #51 and not “Safe In The Arms Of Love” which was recorded by Robin Lee that same year and reached #44. I don’t believe “Safe In The Arms Of Love” was a single for them unless it was a B-side of one of the charted singles.
November 29, 2009 at 7:39 pm Permalink
Paul, in lieu of “Forgotten Artists” you could always substitute “Fading Memories” because let’s face it most country artists who no longer get regular spins on terrestial radio stations are fading memories (to those of us familiar with their music at least). Although many of these artists are complete unknowns to the younger set, or people new to the country music scene, to those of us who have been around awhile they sure aren’t unknown.
Well, its just a suggestion as the title “Forgotten Artists” always seem to stir up needless semantic nitpicking around here! Sheesh!
November 30, 2009 at 4:13 pm Permalink
to gail davies:
SALUTE!!
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