Fast Ryde – “Make It Rain”

Jim Malec | September 23rd, 2009 Email Share

fast-ryde-make-it-rainBoasting a repertoire filled with titles like “That Thang,” “Ridin’ Dirty” and upcoming second single “Make it Rain,” James Harrison and Jody Stevens–the two men behind the new Republic Nashville duo Fast Ryde–seem to be betting their career aspirations on their ability to spin phrases from prominent hip hop songs into slick pop-country fare for the masses.

It is a dangerous strategy to say the least, one that presumes the duo’s audience either won’t recognize the tactic or won’t care enough to be bothered by swiped hooks. And considering the ubiquity of Chamillionaire’s “Ridin’ Dirty” and Fat Joe’s “Make It Rain,” two of the most recognizable and culturally penetrating hip hop tracks of the decade, both of those scenarios seem somewhat unlikely.

Beyond the duo’s gluttony of recycled titles–which have been re-fitted for more country-friendly themes–exist songs that are shallow outlines of oft-covered narratives. In the case of “Make it Rain,” Fast Ryde pleads to God to let water fall down on parched farmlands in a lyrical effort that comes up well short of the standard set by “Amarillo Sky,” a thematically identical song with which Harrison and Stevens are surely familair, considering it was released as a single in 2006.

What strikes me the most about “Make it Rain,” however, is not the song’s lack of substance, but the way the duo weaves it together with a dramatic melody and a level of vocal seriousness that ignores (or is ignorant to) the fact that not only have legions of songwriters done this song before, those writers have done it more thoughtfully.

It is pretentious, indeed, that Fast Ryde sings “Make it Rain” as though the song is an essential commentary on the plight of the American farmer (and anyone else who struggles to make a living by working hard); the lyrics are amateurish, the chord structure is rudimentary, and the hook is jarringly literal–the end result being a song that not only demonstrates a substantial lack of talent, but one that illustrates the unbelievable lack of creativity that is asked for, across the board, from today’s up-and-comers.

It’s equally startling and depressing to think that this type of material is what will serve as a reference point for the next generation of songwriters. Yet, at the same time, it’s hard to imagine that this will inspire anyone at all to pick up a guitar or a pen and pad. And if it does, lord have mercy on our musical souls.

Country music needs an artistic revitalization, and it isn’t happening now. Not in the mainstream, nor under the so-called big tent. Americana, Honky Tonk, and Alt. Country are not answers in and of themselves– while there are beacons of light under each of these umbrellas, within each categorization we find far more bore than bang.

This lack of creative exploration threatens the very survival of country music as anything more than a an artistic afterthought. If potential country singers and songwriters have neither space, encouragement not inspiration to flex their creative muscles, we will lose the most talented among them to musical environments that give them all of that–and we will be left not with an army of innovators but with one of celebrity-driven imitators.

Artists like Fast Ryde may lead to short term gains in radio listenership numbers, as their slick-and-polished sound goes down easy and asks for little in return. But this music will destroy the genre in the long run, by reducing it to something populated by commercially-driven jingles that strive for and accomplish nothing. The problem is not one of pop-country versus traditional country–that’s a battle that no one needs to wage. Songs are the key. They always have been. And you can wrap them up in any shimmer and shine that you want to (or leave them as raw as you want to), but without great songs country music is irrelevant.

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Listen: Listen to: Fast Ryde – “Make It Rain”

  1. SMB
    September 23, 2009 at 3:22 pm Permalink

    Wow. You make some pretty huge statements in this piece, but I can’t say I argue with any of them.

    Here at my office I played Fast Ryde’s “That Thang” to make my co-workers laugh. And it worked!

    The title “Make It Rain” reminded me of Tom Waits, but assuming either of those two guys are musically versed enough to know any of his work would be giving them far too much credit.

  2. Jim Malec
    September 23, 2009 at 3:37 pm Permalink

    Not to mention that in the context of the duo’s other titles, it would be hard to draw a line to Waits rather than Fat Joe.

  3. Zach
    September 23, 2009 at 3:43 pm Permalink

    well said, Jim. hopefully this will be their last single before Borchetta pulls the plug.

  4. John Gusty
    September 23, 2009 at 4:45 pm Permalink

    Nice job and well put!

    My goodness. I have heard some alarmingly shallow projects before… but this one is in a league all it’s own. I’m just speechless at the level of “suckitude” this act displays.

    That being said… it will likely sell bazillions. I mean, did anyone watch the VMAs recently. (or any time in the last 10 years!) Look at what passes for legit entertainment anymore.

    Damn this is some stupid shit.

  5. Chris N.
    September 23, 2009 at 5:07 pm Permalink

    But wait! You haven’t heard their tribute to the military, “Crank That (Soulja Boy).”

  6. idlewildsouth
    September 23, 2009 at 5:07 pm Permalink

    Nice Chris.

  7. Rick
    September 23, 2009 at 5:19 pm Permalink

    Top 40 country radio has targeted and hooked an audience that loves crappy music! As long as these loyal radio listeners want sonic turds, the labels will be more than happy to keep polishing new ones for them both from new and established artists.

    The comments about all of the styles lumped into the country music realm these days being mostly boring is spot on. I’m always on the lookout for artists that sound fresh and different from the vast majority of what’s out there, and that’s why I like Jypsi, The Tejas Brothers, and The Belleville Outfit because they don’t sound like any other current act.

    “Creative exploration” seems to be the last thing Top 40 mainstream country radio programmers are seeking these days. They are risk averse and play it safe with sound alike artists. Rather than seeking to expand their listener base with a broader play list, they are just trying to keep the listeners they have with music that’s tested well in focus groups within the target demographic, i.e. the same old same old. ZZZZZZzzzzzzz……..

  8. JD
    September 23, 2009 at 7:31 pm Permalink

    WTF? Is it me or is there no link to hear this song?

    What’s up with reviewing something that we can’t even get a point of reference on?

    Seems like this is all about the review and less about the song. A little bass ackwards, no?

  9. Jim Malec
    September 23, 2009 at 9:07 pm Permalink

    @JD: Wow, enamored much by the convenience of new media? Yes, what’s the point in reviewing anything if you can’t provide an immediate streaming version of it?

    There is no available stream for this yet. We’ll have it for you as soon as possible. For now, check out YouTube.

  10. Brady Vercher
    September 23, 2009 at 9:14 pm Permalink

    I added a link to MySpace where they have about a minute and a half of it available.

  11. Rick
    September 23, 2009 at 9:22 pm Permalink

    Hey, I liked the way Jim used Fast Ryde as a means to jump into a very well thought out discussion on the overall state of both country radio and country music in general with this article. Considering the source I really didn’t want to hear this song, so its absence here was fine by me.

  12. Noah Eaton
    September 23, 2009 at 10:55 pm Permalink

    Well, the minute we see “Shawty” or the name of some popular candy brand pop up in one of their song titles (”Laffy Taffy”, “Bottle Pop”) then we’ll KNOW for sure they’re taking cues from the commercial rap establishment! ;)

  13. Phil
    September 24, 2009 at 2:24 am Permalink

    Well said Jim. It is so hard to take many of the “artists” seriously today because it is more about personality and image than it is about art and creativity. And unfortunately Country Radio and the Labels have fallen into the trap of trying to appease one audience of listener who cares more about what Taylor Swift ate for breakfast than whether she can sing on key. They have turned the genre into nothing more than a popularity contest with American Idol and Reality TV as its business model. In other words, they are looking for a person to cast in a role as the artist they are looking for to play that role to bring in new listeners. And just how loyal are these new listeners that are being brought in to Country Music? They’re not. They’re loyal to their “favorite” artist, not the genre. And the industry will pay the price eventually. Right now I see mainstream Country Music as nothing more than a Reality TV show and popularity contest with everybody copying whatever works, making everybody and everything look and sound the same (at least the new artists)…and the Industry goes about acting like its business as usual. So the only thing the Industry has created is a big mess…and it’s going to have to be cleaned up eventually by letting artists create themselves from the Bottom Up rather than the Top Down Industry created artists approach they are using now…and letting artists who have talent and love music and creativity have more control of their musical careers, and taking it away from the corporate execs who obviously don’t care about music or creativity. They care about the bottom line and quarterly profits, and trying to reach a wider fanbase that doesn’t necessarily even care about Country Music. Only that their “favorite” singer happens to be singing in that genre at the moment, and the Country Radio station just so happens to be playing it. And much like American Idol it’s all about voting, even if the votes don’t really mean anything since the winners have already been chosen for us. To me it’s obvious what the industry is doing…bringing in a wider audience and marketing exclusively to that audience to see to it they become hooked on Country Music. Unfortunately, they’re basically using the female artists as pawns to bring in that audience, and then building the male artists fanbases since they get all the radio play anyway. The problem is, they are also leaving out a huge audience in the process, and don’t understand that the audience they are bringing in aren’t ever going to be hooked on Country music…they’re more hooked on personality and image that parades as Country Music. And of course, artistry and music is suffering as a result.
    As for this song…it will probably go number 1. Then again, so has practically every Carrie Underwood and Taylor Swift song. That right there shows you the market and credibility of today’s Country Music (and the charts). LOL
    Just my opinion of course.

  14. JD
    September 24, 2009 at 6:30 am Permalink

    Thanks Brady…. I had the same trouble finding a full, clear version of the song when the “immediate streaming version” wasn’t made available for us lemmings….

  15. T. Scott
    September 24, 2009 at 1:15 pm Permalink

    Like Rick,I don’t need to hear the song to agree with the premise of the article.I’ve been disappointed that in the last 10 years of such extreme political differences in this country,there have been so few middle-of-the-road, or left wing songs released on any genre.The the hard right wing songs were very cliche’d.When you add to that lack a seeming dearth of new ideas from new songwriters,you have the blandness we hear now.
    Songs don’t need to be politically biased to be good,but the lack of conflict within the songs is a large part of the problem.Hard times,love gone wrong,bad luck,chemical self-destruction.These were themes that resonated in all genres of music until recently.
    I’m tired of love songs.

  16. Phil
    September 24, 2009 at 2:22 pm Permalink

    Love songs? There is hardly any love or real heart felt emotion in today’s music on Top 40 radio in any genre. That is what is lacking. You’ll have to go back to the 70’s and 80’s to find that. Maybe your definition and my definition of what a love song is differs though.

  17. Gmoney
    September 24, 2009 at 10:34 pm Permalink

    Lots of commentary here, and some some opinions thats makes sense. Let’s look at the facts:

    1) Band got signed
    2) The single has been worked at radio with some mild success in terms of spins
    3) Most stations have either lowered or dropped spins all together
    4) Label will try another single at radio
    5) If it doesn’t get picked up by radio, they will be done

    Move on….

  18. Matt B.
    September 25, 2009 at 12:57 pm Permalink

    I can appreciate the thoughts about Fast Ryde’s choice of song titles but once actually listening to “Make It Rain” is it really isn’t as bad as the song is made out to be. Sure, the song doesn’t say anything new, but how many mainstream songs do?

    The duo’s vocal on this song is good, the melody is plesant and that will make the song appeal to many more people than “That Thang” did. I hardly think this song will ‘be the end of’ Fast Ryde.

  19. stormy
    September 25, 2009 at 12:58 pm Permalink

    I hardly think this song will ‘be the end of’ Fast Ryde.

    That kind of negative thinking will get us nowhere.

  20. TenPoundHammer
    September 28, 2009 at 1:42 pm Permalink

    I agree with Matt (and not just because I write for his site). The song is hardly mind blowing, but I actually think the lyrics are likeable and the harmonies remind me a bit of the terribly underrated Thrasher Shiver. (But how much cred do I have, considering I actually liked “That Thang”?)

    Besides, Justin Moore used the same trick of a booty song that got to #38 followed by a mid-tempo with an unoriginal theme, and it got him a #1…

  21. BlackSpit
    September 29, 2009 at 6:57 am Permalink

    Wow, I was reading the comments and I thought everybody was going to put these kids down. Glad two people who aren’t hacks showed up before me.

    Judging by their picture, comparing/contrasting it by the level of sheer boring that is your writing, my guess is that maybe one of them picked on you in high school.

    I just listened to some of the other ones you were bashing because of their titles, and maybe it’s just because I find you to be a poor judge, I found it clever, and I thought Riding Dirty and Top Down are hit songs. Maybe even Make It Rain.

    Keep on writing about it Jim, while others are out there making it happen.

  22. Jim Malec
    October 7, 2009 at 10:06 am Permalink

    Updated post with full stream of the song.

  23. Jordan Stacey
    October 8, 2009 at 7:39 am Permalink

    THis isn’t bad, I don’t know why you’d thrash it so much. Sure it’s not a masterpeice, but the harmonies alone make it worth while. I hated “That Thang” that doesn’t mean I will hold that song against them for their whole career. and as somebody pointed out Justin Moore just did the same thing. and he’s on a sister lable, coincedence?

  24. SUE
    October 31, 2009 at 12:29 pm Permalink

    ONE THING IN LIFE I HAVE LEARNED THAT OPINIONS ARE LIKE NOSES EVERYONE HAS ONE…..

    JAMES AND JODY ARE BUSTED THEIR BUTTS TO GET THINGS GOING… WHY IN TODAY’S SOCIETY IS IT ALWAYS NEGATIVE PRAISE… IS IT FOR LACK OF LOVE FOR OUR FELLOW MAN, OR THAT WE ARE SO NOT HAPPY WITH OUR OWN LIVES THAT IT FEELS BETTER TO PUT SOMEONE DOWN.

    IF YOU DON’T LIKE THEIR SONGS, THAT IS OKAY… AND IF YOU DO THAT IS EVEN BETTER…. LIKE MY MOTHER TAUGHT ME IF YOU DON’T HAVE ANYTHING NICE TO SAY DON’T SAY NOTHING AT ALL….

    AS FOR ME I LOVE THEM BOTH (SONGS AND JAMES AND JODY….) IT IS NOT LIKE “THAT THANG” IS THE FIRST BOOTY SONG EVER WRITTEN…..

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