Darius Rucker – “History In The Making”
Songwriters: Darius Rucker, Frank Rogers and Clay Mills.
Darius Rucker’s music career has been one of dichotomies. Like his commercially successful but critically spotty stint as frontman of rock outfit Hootie & the Blowfish, Rucker’s foray into country has produced strong album sales and a handful of number one hits, but has also earned him reviews that rarely go further than “manufactured” and “mediocre.” Similarly, Rucker’s live shows rarely disappoint, but his album Learn to Live lacks the energy and soul essential to truly powerful music.
These stark contrasts indicate a musician, who, although undeniably talented and possessing a strong sense of what his audience wants, has been led down the narrow, cleanly paved and closely guarded road to commercial success.
For his fourth single from Learn to Live, Rucker’s team decided to release the crowd-pleasing “History in the Making,” a formulaic but catchy little number about a relationship of “historic” proportions.
Rucker’s voice is one of the song’s redeeming qualities. His singing has a little more spark and a little more swagger than on past singles, particularly in a nice set of hook-laden harmonies that crop up before the bridge. But the track’s boring instrumentation and the song’s predictable lyrics keep it from ever transcending department store background music fare.
Thematically, “History In The Making” is set up to be an instant prom or wedding classic. Lines like “This could be/One of those memories/We wanna hold on to, cling to/The one we can’t forget” practically beg for slow dancing under the stars (or, more realistically, under the dim gymnasium lights). Looking at songs like “Let Her Cry” and “Drowning,” though, we are reminded that Rucker is capable of more.
It’s not a bad song, but it sounds like one of those stiff, calculated, quasi-inspirational numbers you’d hear an American Idol contestant being forced to sing right after winning the competition. Looking at how similar songs have fared in the past, however, Rucker should have no problem achieving a commercial hit here, especially considering his string of three consecutive #1s.
Let’s just hope that next time around Rucker’s allowed to let a little more of his personality and his creative energy shine through. Perhaps then his recordings will live up what those who leave his live shows can’t quit raving about.
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September 25, 2009 at 10:17 am Permalink
last sunday night 8.30 pm i’d paid a million if that song had been played in that restaurant….
in a more sober context – it feels like licking a little bit of pasta-sauce from the spoon trying to figure out what’s still missing. spot on review.
September 25, 2009 at 10:42 am Permalink
Brittney said: “But the track’s boring instrumentation and the song’s predictable lyrics keep it from ever transcending department store background music fare.” Sounds like a perfect match for today’s Top 40 Young Country radio marketplace! People like to use the expression “soundtrack of my life” for music they really love while today’s mainstream country has become the elevator / background music for that listening audience.
The American Idol reference is quite fitting. The music has become secondary to the artist’s pop culture appeal in the Top 40 country realm. Tsk tsk…
September 25, 2009 at 11:09 am Permalink
I’m sorry, but you are clearly a music prick.
September 25, 2009 at 11:31 am Permalink
This is the worst track from the album (“Alright” second worst) in my opinion, in that it sounds tailor-made for Adult Contemporary radio instead of Country radio.
It’s tracks like “All I Want” and “Drinkin & Dialin’” that highlight his potential best on the album, while “Not Even The Trees”, “Drowning”, “The Earth Stopped Cold At Dawn”, “Desert Mountain Showdown” and “The Killing Stone” bring out the best in Rucker among Hootie & The Blowfish songs.
September 25, 2009 at 12:50 pm Permalink
I wanted to like his album because I have always liked his voice, and yes, I liked Hootie and the Blowfish, a unpretentious bar band that made it big for awhile. But it seems like the producers were way too nervous that he sounded “too country” and made the record overly slick. Does everything out of Nashville have to be grand productions? Think how good his voice would be if he got the Rick Rubin treatment on his next album.
September 26, 2009 at 3:47 am Permalink
That’s exactly what happened.
In fact, I read earlier this month, when Darius Rucker was celebrating the Platinum certification for his album “Learn To Live” at a special party, that Rucker said he had pushed for “All I Want” to be a single, then Capitol Records Nashville executive Mike Dungan said at that same party they ruled against releasing “All I Want” because they cited the chart failure of “Marry For Money” by Trace Adkins.
That excuse doesn’t hold weight to me though because, beyond his debut album era, Adkins has had one of the most inconsistent, irregular chart runs among virtually every other established Country artist I know. When you look at his chart history, it’s basically a pattern of hit-miss-hit-miss-hit-miss overall.
September 30, 2009 at 11:52 am Permalink
“Wings” is this decade’s “Go Rest High on That Mountain.” It will be a shame if Darius doesn’t have a chance to release this song as a single and sing it at a major awards show with Vince and Allison.
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