Carrie Underwood Gets Waxed
- Carrie Underwood unveiled her wax figure at Madame Tussauds New York yesterday. (View pictures on PopCrunch)
- In his review of Call Me Crazy, Michael McCall draws parallels between Lee Ann Womack‘s “Last Call” and George Jones‘ “I Always Get Lucky With You,” saying that Womack’s song could be a reply to Jones’. And with Patty Loveless no long recording on a major label, he claims that Womack represents the most tradition-friendly female artist still likely to get played on corporate country radio, and that the dilemma that causes has surfaced repeatedly through her career.
- Cindy Watts has a short Q&A with Stephony Smith, the songwriter behind Trisha Yearwood’s “Perfect Love,” “Sin Wagon” by the Dixie Chicks, Chad Brock’s “Yes!,” “Big Star” by Kenny Chesney and the Tim McGraw/Faith Hill smash “It’s Your Love.”
- Otis R. Taylor Jr. lists 10 reasons Taylor Swift will be around for a long time to come. (via ggcolumn)
- After learning of Luke Bryan‘s recent endorsement deal with Luchesse boots, NashvilleGab went digging for more info and uncovered an article that lists several artists’ favorite boots and their price tag. Josh Turner and Joe Don Rooney are tied for most economical with different Ariat boots coming in at about $170. Willie Nelson takes the pot for most expensive at $4,000 for custom crocodile Luchesses and Dwight Yoakam falls to number two with his $1,895 Rocketbuster Western Gals.
- Listen to The Waco Brothers‘ melding of punk and honky-tonk in a session with World Cafe‘s David Dye.
- On Nov. 1, GAC will air a special titled Introducing Jamey Johnson, which will give “viewers an intimate look at the struggles and eventual triumph of an artist who refused to let go of his dreams, who found great success as a songwriter, and who is now climbing the charts as an artist himself with ‘In Color.’”
- Vanderbilt’s women basketball players Christina Wirth and Jennifer Risper let it slip that they’re taking a course on country music this semester.
- Tonight marks the debut of The Bio Channel’s two-hour documentary special entitled Johnny Cash’s America, and leading up to that airing, Country Universe’s Dan Milliken published a fantastic interview with filmmaker Morgan Neville. Good stuff.
- John Michael Montgomery and his brother Eddie Montgomery, from the duo Montgomery Gentry, both made stops in the Oklahoma City area recently and BAM’s Blog had the chance to ask them questions about each other. (via ggcolumn)
- Lee Ann Womack wants to be one of those singers that you believe when you hear her sing. In her interview with Craig Shelburne, she says that’s something that is important to her.
When she graciously accepts a compliment about her studio rendition of Don Williams’ “Lord I Hope This Day Is Good,” from a few albums back, she says, “I’ve done ‘Til the Rivers All Run Dry’ and ‘If I Needed You,’ too. They just haven’t come out. … They’re on my computer. I’ve got all kinds of stuff I’ve cut on my computer, with just guitar and vocals, that I just want to have down. I don’t know what I’ll do with them.”
Who else thinks we need a Lee Ann Womack Personal Files album?
- Country California: If you could take one CD to a desert island and leave it there to be forgotten by all humanity, which CD would you choose?
- Los Angeles Times‘ Lisa Guerro doesn’t normally listen to country music, but she recounts her journey to cover the Campbell Chevrolet Celebrity Golf Classic hosted by John Daly and Steve Azar where she drank moonshine, caught a show at the Grand Ole Opry and wrote a song about an aging pitcher who still wants to play.
- In his latest article, songwriter Craig Bickhardt uses Ansel Adams and the proliferation of digital photography as a metaphor for the deterioration of “craft” and “skill” in modern songwriting.
In fact it seems that a song is now just the vehicle that gets you to the cutting, pasting and undoing part. It’s all about how soon you can get in there and piece it all together into the sonic collage, better known as the modern song. Then you can either go home and learn the song off the record that you’ve made, or else you just perform to backing tracks. And the best part : almost anyone can do it. All those boring years of study, all those highly educational creative disasters that can’t be “undone”, the lessons that teach you to do the work before you spend the money, the “skill” and the “craft” that goes into the art of song; unnecessary.
- Crystal Shawanda‘s “My Roots Are Showing” is the iTunes Discovery Download of the week.
- It’s been announced that Jessica Andrews will be the first artists to join Disney’s Carolwood imprint, and her debut for the label will be produced by Rascal Flatts’ Jay DeMarcus. (via Country Aircheck Morning Bulletin)
- Jack Hanford: For those who are interested, there is a new 90-minute documentary video about Tompall & the Glaser Brothers on DVD ...
- joe morris: how come nobody mentions his fan club which started 1950 and was called the " the penny pushers " which ...
- jane: I'm reading this article in 2013 and I've yet to hear anything from the album played on the radio.....
- Catwandy: I guess Matt C. is eating his well-deserved crow 'bout now. Critics....gotta love 'em , bless their little hearts.
- Ed McClendon: Saw the brothers in Greeley CO on the occasion of Tompall's 50th birthday. The show wasn't well promoted and there ...
- Roby Fox: I'm sure no one else will know, or even care about this little tidbit of trivia. "Keep Your Change" was ...
- kate wonders: Roni Stoneman is still on Hee Haw every Sunday night on RFD channel.
- Marsha Blades: Tommy, You were so kind to me during a tough time in my life and I don't think I ever ...
- Leona Jones: I seen Chris at the Grand Ole Opry last week.. First time I have heard of him.. He rocked the ...
- Sonicjar Music: Agree with Lucas, But one thing is certain, for a song to come to existence, so many things have to ...