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Brad Paisley’s “Online” Heads List of CMT Music Awards Nominees
- Nominees for the CMT Music Awards have been announced with several new categories. Brad Paisley’s “Online” and Sugarland’s “Stay” each pulled multiple nominations.
- Jeff Bates is back with a self-titled album due out on April 8th. “Jeff also tells us that this album will be ‘very different than my other albums because it’s a little more progressive, not so ballad heavy. And not as autobiographical.’”
- G. Scott Walden took over as general manager of the Ryman last October, a position that his past history prepared him for. He plans to give the museum a multi-phase upgrade in an effort to re-educate the local community about the uniqueness of the Ryman.
- John Goodspeed says Gretchen Wilson played a spot-on role of a country-rock star during her performance at the San Antonio Stock Show & Rodeo. Sidenote: does her “shirt” look like an undergarment to anyone else?
- Before heading off to form their own band Jamie Dailey and Darrin Vincent gave their former bands 10 and 11-month notices because they were so intent on doing it right, and judging fan and industry reactions Ken Irwin, co-founder of Rounder Records, believes everything is paying off for the duo.
- Kelly enjoyed a Lady Antebellum video for “Love Don’t Live Here Anymore” he caught on CMT the other day, but it left a large question mark looming over his head–”is it actually country?”
- Taylor Swift says creative control was the most important thing for her when shopping for a label. She’s exercising part of that creative control with her follow-up as a co-producer.
- Imagine the surprise NASA astronaut Alvin Drew felt when he visited Austin last November to go for a run with a friend and ended up hanging out with Willie Nelson and appearing in his video for “You Don’t Think I’m Funny Anymore”.
- John Cody wrote a comprehensive article on the life of Billy Joe Shaver, and by comprehensive I mean it’s reee-ally long. (via Take Country Back)
- Doc Watson says there used to be a fear in him, but now at 85, he’s not afraid to die.
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Billy Joe Shaver // Brad Paisley // CMT Music Awards // Dailey & Vincent // Darrin Vincent // Doc Watson // Gretchen Wilson // Jamie Dailey // Jeff Bates // Lady Antebellum // Ryman Auditorium // Sugarland // Taylor Swift // Willie Nelson
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In Memory of Don Helms (1927 - 2008) Helms dated back to a time when an excellent four or five piece band and a good singer were all that were needed to make great country music. No drums, no light shows, no production tricks in the recording studio–just good music.
Don’t look now, but Darius Rucker, lead singer of 90s rock group Hootie & The Blowfish, has a country hit on his hands. What you probably haven’t heard is that Rucker is the first black artist to chart a single in the country top 20 since Charley Pride last did it in 1988.
News that former Sugarland member and co-founder Kristen Hall is suing her ex-mates, to the tune of $1.5 million, goes a long way towards providing a bit of context regarding the Atlanta singer/songwriter’s sudden departure from the group.
Josh Gracin - “Unbelievable (Ann Marie)” Despite initial marketing that touted the album as deep and personal, “Unbelievable (Ann Marie)” is anything but deep or personal.
Josh Turner - "Everything Is Fine" Turner is the rare example of an artist who records material that’s both quality and trademark.
Darryl Worley - "Tequila On Ice" A groovy mid-tempo that sways, a refreshing reprieve from the exhausting pace of a format that clamors for loud music and swelling choruses.
Blake Shelton - "She Wouldn't Be Gone" It’s all about nailing the melody rather than providing a legitimate interpretation that accentuates the lyrical content, although Shelton does do a pretty good job of injecting what limited emotion he can.
Forgotten Artist: David Rogers David Rogers (1936-1993) is proof of the adage that it’s great to be on a major label, but only if the label is truly behind you.
Forgotten Artist: Charley Pride For the ’70s, Billboard has Charley listed as its third ranking singles artist behind only Conway Twitty and Merle Haggard.
In this exclusive interview with The 9513, the Show Dog Records trio talks about growing up around Waylon and Jessi Colter, and about how those experiences have helped shaped their music as they set off on their own country music journey.
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21 Comments
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February 6, 2008 at 11:21 am Permalink
Thanks for the link guys, but I know I am not the only one who questions the “country-ness” of that song, and others like it. I almost wish I didnt dig it, and I could be more ambivilent towards its ambiguity….
February 6, 2008 at 4:14 pm Permalink
When it comes to Lady Antebellum, I think they are a wonderful example of country-pop/contemporary country at its best.
I feel as though bands like Rascal Flatts are picking up all the bad qualities of pop and infusing them into country. Lady A is infusing the good qualities.
Lady A is great live, and should be a force to be reckoned with in 2008. If “All We’d Ever Need” isn’t a top 10 record, then radio has truly gone to hell (a real possibility).
February 6, 2008 at 4:20 pm Permalink
Well, thats good to hear, cuz I definitely agree with both your points of good AND bad contemporary country. I still wonder though, what makes it “country” even in the contemporary sense?
February 6, 2008 at 4:31 pm Permalink
Marketing.
February 6, 2008 at 4:43 pm Permalink
I agree that it is marketing. But I’d add that its marketing that makes music “traditional,” too.
February 6, 2008 at 6:59 pm Permalink
I am sorry change the subject- But I was sadden to hear two or three months ago that Steve Holy had a police officer hold a gun to his gead. But I just recently heard the 911 tape on an online site for a local Dallas newspaper and Holy sounds very drunk,confused, and far more pissed off then scared. I think that this story might be more complex than it was reported on first glance. The only reason I am bringing it up is that there may also be some other problems with him, and it may become an even sadder story. I like his voice. I think if he had better songs we would hear an even better voice. Sorry for the aside.
February 6, 2008 at 9:11 pm Permalink
I agree Craig R. My radio station played the 911 tapes and the whole thing seemed a bit strange. I’d also add that the 911 operator didn’t seem terribly competent, either.
February 7, 2008 at 12:22 am Permalink
I got to see Lady Antebellum perform last week at the historic The Mint Club (since 1937!) here in Los Angeles. There was even a short article in the Nashville Tennessean mentioning they sold it out, but the club is tiny and only holds less than 200 people…
I went primarily to see if Hillary Scott looks as good in person as in photos and the video, and the answer is a decisive YES. Hillary does not have a great voice (its okay), but her presence is appreciated and her smile lights up the stage. Her friendly on stage banter with the audience adds a lot to their act.
As for the music there was not one drop of tradtional country in the mix. Lady Antebellum is a very competent rock band at its core that mixes in a few other influences, but twangy country is not one of them. They promised at the start to play a song that everyone would know, so I was thinking Cash or Haggard or Willie. They wound up playing a bluesy rock version of Al Green’s “Let’s Stay Together”. Crikey, mate….
They are a talented group and the musicianship is first rate, so if you like rock music and they come your way, go for it….
February 7, 2008 at 8:01 am Permalink
I think we need less pop-country and more klezmer-country. I’m just sayin…
February 7, 2008 at 10:43 am Permalink
I like the Lady A song, but I don’t find it country either. I recently read that the lead male singer previously recorded two pop albums. It seems all someone needs to do to be country these days is to record in Nashville or proclaim “I love country” and market themselves as such.
I haven’t figured out yet why that really bugs me. Maybe it’s because I no longer hear actual country music on my radio. Or maybe perhaps because what people are calling “country” isn’t country and I just want to yell at my radio or my TV screen - “that isn’t country!”
That said, I think Lady A has talent and should be heard, but let’s hear them on a rock station and let’s call a spade a spade.
February 7, 2008 at 11:11 am Permalink
Man, I am glad to see so many people agree with me, not that it was a revolutionary thought, but still, it is dangerous to criticize sometimes. I mean, Jack Johnson is more rootsy than most contemporary country acts, shouldnt that put him on country radio?
February 7, 2008 at 2:27 pm Permalink
surprised no one has yet mentioned how much L.A.’s male singer sounds like Eddie Vedder LOL
February 7, 2008 at 3:28 pm Permalink
Chris or someone else who knows: is there a sunset provision on these new CMHOF regulations? Certainly there will come a point when we’ve inducted all the deserving candidates from a particular era (I’d venture that we’re approaching that point already with the pre-WWII artists).
February 7, 2008 at 4:17 pm Permalink
Matt C–
The CMA revises its Hall of Fame criteria from time to time. It was just done again a few years ago, and I imagine it will be altered again before too long. I would venture that it’s something that gets discussed a lot by certain CMA committees.
I would argue there are quite a few artists from pre-WWII that should be in there but aren’t, and by inducting only one every three years, I don’t think they’re in danger of running out of candidates soon.
However, the other alternating categories actually pile up candidates much faster than they put them in. A musician goes in every third year, and considering this is a fairly new category, there’s far too many musicians who deserve to be there that aren’t there yet. At present, they’re putting the A-Team in one at a time. That will take another 15 years or so before all those guys get in. Harold Bradley suggested they be inducted as a group of players, but the problem is, everyone has a different definition of who they are.
It’s even worse for songwriters. They’re lumped in with non-performers, so they are listed with producers, record execs, deejays, tv personalities, whoever else had an impact on country music without actually singing or picking it on record. So you have Hank Cochran (or any songwriter of your choice) in a category with Billy Sherrill, Buddy Killen, John Lair or last year’s entry from this category, Ralph Emery.
However, I like that the inductions are limited and remain a select group. The Rock Hall of Fame has become a travesty, or at best very controversial, because they induct so many artists every year. It’s not as meaningful as it should be. I do believe getting into the Country Music Hall of Fame is still considered a big honor, as it should be.
February 7, 2008 at 4:18 pm Permalink
Not that I know of, although they could certainly always adjust them in the future. As written, these rules would appear to mean that the nominees will continually get older and older each year. It seems like it would make more sense to divide them up into brackets like 75 years-50 years ago, 50-25 years ago and 25 years ago or less.
February 7, 2008 at 4:20 pm Permalink
The Rock and Roll Hall of Fame will remain a travesty as long as Kiss isn’t in it.
February 7, 2008 at 4:21 pm Permalink
Lady Antebellum… country!? What!?
When I first heard them on the radio I thought “Hey! When did Creed come back!”
February 7, 2008 at 5:44 pm Permalink
Regarding Lady A., I don’t get the Creed or Eddie Vedder comments at all.
I love the one song that I’ve heard. Yeah, it would be pop rock 20 years ago, but so what? I don’t have time to get too hung up on labels.
I’m pretty new to listening to country, and I started because what passes for musicianship in pop rock is usually pretty poor these days, with a few notable exceptions. With the likes of Chingy on a top 40 station, I’ll take the big tent of country from Randy Rogers to Cadillac Sky to Lady A. and beyond.
One thing though: really dumb band name!
February 7, 2008 at 6:18 pm Permalink
When I heard the Lady A. song, I immediately thought of Creed, so I played it for my wife and asked her who she thought it sounded like and she said Eddie Vedder. Here’s a review I found on an album that the lead singer put out just a couple years ago.
February 7, 2008 at 7:38 pm Permalink
Baron - You’re right. What country needs is some more clarinet. ;)
February 8, 2008 at 6:43 pm Permalink
Needs more cowbell ;-)
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