Brad Paisley Pulls An Urban; Releases Single From Previous Album
- Brad Paisley joins Keith Urban by dipping into a previous album for his next single. “Waitin’ On A Woman,” from his Time Well Wasted album, was released to radio yesterday and Andy Griffith will appear in the video that’s due out later this year.
- EW’s Popwatch Blog looks at what Nashville Star did right during the two-hour premiere and breaks down the performances by each contestant.
- Billy Ray Cyrus wishes Nashville Star existed when he was starting out instead of having to wait 12-15 years for things to materialize.
But it didn’t exist. So this is a great opportunity for these young people, and I’m glad I get to be in the middle of it. My thought on it is that I’ve been to the fair and I’ve seen the bear and I know the ups and the down and the highs and the lows. And if I can be any help to them at all, I’ll sure try and do that.
- At 6.6 million viewers Nashville Star was NBC’s lowest-rated reality premiere in three years. (via ggcolumn, which has more NS related links)
- Whitney Duncan’s “When I Said I Would” is the iTunes free single of the week. (link opens iTunes)
- Sean Ross says artists like Darius Rucker and Jewel jumping ship from Top 40 radio to the country format is a big bundle of irony. (via For the Record)
In the early ’90s, much of Country’s appeal was being the only place to hear new, acoustic-flavored music in the ’70s Classic Hits/Classic Rock tradition - most notably, Garth Brooks’ ability to channel James Taylor on records and Kiss onstage. But by the mid-’90s, the Top 40/Modern AC side suddenly had its own acoustic ’70s-influenced hitmakers, particularly Hootie and Jewel. In other words, Country, instead of just adapting Classic Rock to its own ends, is now adopting the artists who took the Classic Hits sound back from Country.
- Jessica Simpson blames her flubbing of Dolly Parton’s “Nine to Five” at the Kennedy Center Honors in 2006 on her heartbreak from splitting with Nick Lachey, but she’s regained her confidence with her new album–musical confidence at least. She still gets jealous when boyfriend Tony Romo talks to Carrie Underwood.
- Meanwhile, Carrie Underwood expanded her fall tour with a plethora of new dates and added special guests Little Big Town.
- PopMatters’ Heather West says “all fans of traditional music and students of feminism, southern culture and labor movements, should read and revel in Working Girl Blues,” a book about the life and music of Hazel Dickens.
- On the subject of great women, Roseanne Cash drops in at No. 20 on Country Universe’s 100 Greatest Women.
She had her big breakthrough in 1981, with the classic album Seven Year Ache. The title cut was a million-seller, and was one of three number one hits from the set, followed by “My Baby Thinks He’s a Train” and “Blue Moon With Heartache.” She dubbed the sound of her new record “punktry”, and it brought a new wave attitude while also embracing the country genre’s traditional past.
- Check out Sarah Buxton’s MySpace blog. She posted five new songs with the stories behind each one. She’s auditioning the songs for her new record and wants your feedback.
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Billy Ray Cyrus // Brad Paisley // Carrie Underwood // Darius Rucker // Dolly Parton // Garth Brooks // Hazel Dickens // Jessica Simpson // Jewel // Keith Urban // Little Big Town // Nashville Star // Roseanne Cash // Sarah Buxton // Whitney Duncan
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Forgotten Artists: Bradley Kincaid In a manner similar to Alan Lomax, William Bradley “The Kentucky Mountain Boy” Kincaid was one of the great American musicologists and collectors of American folk, country and parlor songs.
Forgotten Artists: Goldie Hill Had Carl Smith and Goldie Hill been born 30 or 40 years later, they might have been like Faith Hill and Tim McGraw–the dominant married couple in country music.
Miranda Lambert - “More Like Her” This kind of material, as opposed to her tough-chick-done-wrong romps like “Crazy Ex-Girlfriend” and “Gunpowder and Lead,” is where her real promise lies
Joey Rory - “Cheater, Cheater” It’s actually downright frivolous, but that just makes it all the more fun. And really, are you allowed to say “ho” on country radio?
Josh Gracin - “Unbelievable (Ann Marie)” Despite initial marketing that touted the album as deep and personal, “Unbelievable (Ann Marie)” is anything but deep or personal.
Josh Turner - "Everything Is Fine" Turner is the rare example of an artist who records material that’s both quality and trademark.
Darryl Worley - "Tequila On Ice" A groovy mid-tempo that sways, a refreshing reprieve from the exhausting pace of a format that clamors for loud music and swelling choruses.
Blake Shelton - "She Wouldn't Be Gone" It’s all about nailing the melody rather than providing a legitimate interpretation that accentuates the lyrical content, although Shelton does do a pretty good job of injecting what limited emotion he can.
Don’t look now, but Darius Rucker, lead singer of 90s rock group Hootie & The Blowfish, has a country hit on his hands. What you probably haven’t heard is that Rucker is the first black artist to chart a single in the country top 20 since Charley Pride last did it in 1988.
News that former Sugarland member and co-founder Kristen Hall is suing her ex-mates, to the tune of $1.5 million, goes a long way towards providing a bit of context regarding the Atlanta singer/songwriter’s sudden departure from the group.
In Memory of Don Helms (1927 - 2008) Helms dated back to a time when an excellent four or five piece band and a good singer were all that were needed to make great country music. No drums, no light shows, no production tricks in the recording studio–just good music.







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June 11, 2008 at 10:09 am Permalink
Anybody want to explain to me why you would release a single from a previous album? I don’t get it. Good song though.
I love fan involvement, but I can’t decide if letting your fans pick the songs is too much involvement or not. Kind of takes the creativity away. Or if the songs is a really great one the fans hear it and are less excited because they’ve heard it before.
June 11, 2008 at 10:11 am Permalink
Jessica was well into dating and being seen everywhere with John Mayer at the time this happened.I can’t believe a word she says.Now with this album she says she wants to be honest;does that mean she’s lied to us about every other album before and what’s to make us believe she’s not lying again now?
June 11, 2008 at 10:35 am Permalink
It makes sense to release a single from a previous album when like Brad Paisley your next album will be mostly instrumental. To stay alive on Top 40 country radio the big name artists need to release a continual stream of new singles. Even before their current single begins to fade on the charts the next one is released to maintain momentum…
The EW analysis of Nashville Star was very well done and I hope becomes a weekly feature as its always fun to read other people’s perspectives. As for the ratings issue its not surprising as its usually only country music superstars appearing on awards shows that attract a large audiences, not a bunch of wannabees in a talent contest. Hopefully production costs have been kept down so that the show will earn plenty of money even with the ratings it gets so future installments will be planned.
Thanks for the Sarah Buxton update. I wonder if these songs will wind up on another download only EP titled “Almost My Record II”?
June 11, 2008 at 10:37 am Permalink
Badiggio: According to many sources she could barely pull herself away from John to make it into the studio to record her vocals on this album that she “poured herself” into.
Lucas: I think what bugs me the most about Sarah Buxton’s song method is that it smacks of insecurity and looking for avoidance of responsibility if the music doesn’t sell.
June 11, 2008 at 11:04 am Permalink
The Sean Ross article has no problem speaking about country music as a commercial radio format rather than as an art tradition, and it evaluates country music’s state accordingly.
When do you suppose that the Grand Ole Opry and Chet Flippo will come around and openly admit that the quality of the music is only important to them insofar as it helps to superficially engage the most amount of people possible?
June 11, 2008 at 11:13 am Permalink
Didn’t the Opry already admit that when it gave membership to Carrie “Flavor of the Month” Underwood?
June 11, 2008 at 12:25 pm Permalink
stormy, really “flavor of the month”? again, carrie did more for the opry in her one nom than the past 3 combined. meanwhile, she is enjoying her 7th number one, not really flavor of the month.
June 11, 2008 at 12:25 pm Permalink
Lucas, she’s not letting her fans pick the songs. She’s just looking for feedback. It’s not much different than an artist performing a new song during their live show to gauge audience reaction.
June 11, 2008 at 12:30 pm Permalink
Anna: Do #1 singles really mean anything in this era of conglomeration and payola?
June 11, 2008 at 1:02 pm Permalink
Stormy,
If you equate conglomeration to payola, I would somewhat agree with you. Otherwise, payola isn’t happening the way you think it is. I think it was the FCC chairman who said something about conglomerates being the biggest worry for them because it has eliminated a lot (most) of the live and local or promotion of local artists.
June 11, 2008 at 1:03 pm Permalink
Stormy,
#1 songs still matter.
June 11, 2008 at 1:06 pm Permalink
Matt B: #1 songs still matter.
Especially to the songwriters!
June 11, 2008 at 1:15 pm Permalink
Thanks for the continued links to the 100 Greatest Women feature.
Just want to add that Paisley’s really pulling a “Gayle” - Crystal Gayle dipped back to an earlier album to release “Ready For the Times to Get Better” back in 1978, instead of picking another track from her current album to follow the mega-hit “Don’t it Make My Brown Eyes Blue.” That was especially strange because the album “Better” was from hadn’t sold that well, and the one with “Blue” was on its way to platinum.
June 11, 2008 at 1:16 pm Permalink
#1 songs might matter when trying to discern if an artist in question is a flavor of the year or era as opposed to a “flavor of the month”.
but they don’t tell us much about if the flavor is any good.
June 11, 2008 at 1:46 pm Permalink
Rosanne Cash rated above Martina McBride? Shakes the credibility of the list a bit, ya think? I love ‘em both, but come on.
June 11, 2008 at 2:10 pm Permalink
“#1 songs might matter when trying to discern if an artist in question is a flavor of the year or era as opposed to a “flavor of the month”.”
Carrie’s been the “flavor of the month” for three years…whether you like her or not, that’s a pretty good run.
June 11, 2008 at 2:28 pm Permalink
I would call Carrie Country’s It Girl, but she has already lost that status.
June 11, 2008 at 2:46 pm Permalink
“I would call Carrie Country’s It Girl, but she has already lost that status.”
Who might that be…Taylor? Her last release topped out at #3 and her current song will be lucky to make it into the top 10.
Personally I’d like to see more radio airplay for artists like CRYSTAL SHAWANDA or ASHTON SHEPHERD but fat chance of that happening. As for Carrie,
six out of seven singles going to #1 (DFTRM #2) is a hell of a accomplishment in the male dominated world of country music.
June 11, 2008 at 3:28 pm Permalink
Taylor and Carrie are quite good friends. Would either of them want you kids arguing over chart minutiae in a vain attempt to figure out which one is more popular this week?
June 11, 2008 at 3:37 pm Permalink
“Would either of them want you kids”
Hey thanks! You made my day with the kids remark but I happen to be an ‘old fart’!
June 11, 2008 at 4:14 pm Permalink
That Brad Paisley is a crafty guy–the combo of “Waitin on a Woman” and Andy Griffith will be hugely successful.
June 11, 2008 at 4:51 pm Permalink
(Off Topic) Come on Chris N., three and a half stars for Julianne Hough’s debut in Country Weekly? Either this is album review grade inflation or you’ve seen her photos from “Shape” magazine and been hypnotized! (lol - yes I’m joking)
WOW, so Carrie Underwood has greatly increased the number of her live show bookings! I am just so excited I can hardly contain myself!……….NOT !(lol) I wouldn’t go even if I got a free ticket. Now a concert featuring Sarah Buxton, Elizabeth Cook, Sunny Sweeney, and Ashley Monroe (or a combination thereof) would justify a road trip!
June 11, 2008 at 5:04 pm Permalink
Rick,
if you want to check out a cool local singer songwriter, check out Jaimi Shuey. She is great and plays a really neat show with a fella named Dave Gleason at the Cinema Bar in Culver City every month or so, it’s probably my favorite standing night of music out there.
June 11, 2008 at 5:26 pm Permalink
“Now a concert featuring Sarah Buxton, Elizabeth Cook, Sunny Sweeney”
If you’re a country traditionalist and live in Texas boy have I got the concert for you this weekend.
Sunny Sweeney with Lorreta Lynn:
Fri Jun 13 Stubbs - Waller Creek Amphitheatre Austin, TX
Sat Jun 14 Bass Concert Hall Fort Worth, TX
June 11, 2008 at 5:30 pm Permalink
That’s Loretta not Lorreta…need to start proofreading my posts.
June 11, 2008 at 8:02 pm Permalink
Ben, thanks for the artist tip. I usually avoid bar concerts because of the noise due to drunk patrons and high volume levels, but I might give it a shot. Robbie Fulks will be at The Coffee Gallery Backstage in Altadena on Sunday June 22 at 3 PM. It is by far my favorite Socal venue as its tiny (only holds 50 people), the audience is quiet and respectful of the performers (no alcohol), and the volume is moderate from a nice sound system. If you’ve never been there, be sure to check it out!
Link: http://www.coffeegallery.com/showsat.htm
NorthTexas, I’m stuck here in Los Angeles but do wish Loretta and Sunny would come my way, and bring Amber Digby along too! Sunny doesn’t normally venture very far from Texas, but I’m hoping she’ll come to LA at some point and play a club like Safari Sams.
June 11, 2008 at 8:04 pm Permalink
Those looking for a good concert in the NYC area should catch Trisha Yearwood with Lori McKenna tomorrow night at North Fork Theatre in Westbury. There are still a ton of good seats left.
June 11, 2008 at 9:46 pm Permalink
I am very EXCITED to hear about “Waitin’ on a Woman” being released. It is one of my favorite Brad Paisley songs. It is also a Wynn Varble song, who is a writer I really like. Andy sounds PERFECT for the video.
June 11, 2008 at 11:00 pm Permalink
Rick: Finally some review feedback! Sometimes I think nobody reads them but me and my editor.
I do feel a little alone out here after reading some of the other reviews of the Julianne Hough album. After a few years of hearing one boring alt-country and bluegrass album after another, I guess I’ve reached a point where I really appreciate pop-country when it’s done well. As I’ve said in comments on some other thread here, I enjoy the way her natural sunniness adds personality to an oft-faceless format and sometimes subverts the meaning of the songs (which others see as a weakness).
Also, she’s just got a terrific voice that I enjoy hearing. I think some folks are listening with their eyes, but in the opposite way — assuming she can’t also be a good singer if she’s, er, hot.
June 11, 2008 at 11:11 pm Permalink
wow, that’s one of the longest and un-snarkiest comments I’ve read from you in a long time.
June 12, 2008 at 6:55 am Permalink
Chris: Why in a sea of interesting alt-country albums and awesome bluegrass albums have you been listening to the boring ones?
June 12, 2008 at 7:55 am Permalink
Stormy, I’ll respond to that question. Because when you listen to SO many albums they tend to blend together, even when they’re “awesome.” So sometimes an album like Julianne Hough’s will do that.
June 12, 2008 at 7:59 am Permalink
Having listened to the samples on her album, I can’t imagine Julianne Hough’s album doing anything but making me run in terror.
June 12, 2008 at 8:07 am Permalink
While I am not a legit critic like Chris by any means, I also have learned to appreciate good pop-country (emphasis on “good”) for what it is after listening to tons of alt-country, bluegrass and “texas country”. When done wrong, music from these genres can be as bad, generic, bland and derivitive as the next rascal flatts album is sure to be.
June 12, 2008 at 8:16 am Permalink
Indie music, from all genres, often has a greater upside than major label music…but it rarely elevates itself to that height, and almost universally falls short of its potential.
Why?
Because artists, when left to their own devices, have a tendency to think they (and their songs) are better than they really are.
June 12, 2008 at 8:37 am Permalink
I’m legit? Woo hoo!
June 12, 2008 at 8:58 am Permalink
Chris: you get actual dollars for your reviews (regardless of the amount, which i am sure is considerable), so yes, you are quite legit, perhaps 2 legit to even quit….
Jim: I agree but to a point. But often times the fans of the major label artsits and the buying public let certain acts think they are better than what they truly are. Jessica Simpson has tons of fans, presumably validating her talents as a new country artist (obviously, i do not share that opinion). There are also great examples of indie acts (drew kennedy, avett brothers for example) who do reach their potential (or very close) because they are allowed to “do what they do” by the indie label leaving them alone and not trying to fit the band into a nice-neat little rack at walmart or target.
June 12, 2008 at 9:26 am Permalink
I would appreciate good pop country, but generally turning on KASE (the local pop country station) I can’t find a song that keeps me tuned in for a verse, much less an album. Its weird because I was never really much of a rock fan before country went pop. I had nothing against it, I just hadn’t really listened to too much of it. The new band that mainstream country has turned me onto the most is Nirvana, because that is generally what is playing on 101X, the next station up the dial from KASE.
June 12, 2008 at 9:27 am Permalink
I guess what I am asking is, for all the praise for Julianne’s new album, how many of y’all are actually going to go out and plunk down actual dollars for it.
June 12, 2008 at 9:35 am Permalink
If anyone here is under the impression that music journalists get paid a lot of money, I’d like to disabuse you of that notion.
June 12, 2008 at 10:29 am Permalink
Chris: Lol, is that in response to Kelly’s comment or my question?
June 12, 2008 at 10:58 am Permalink
I’m glad to hear that Brad is releasing “Waiting on a Woman” I pegged it as a single from the first listen of TWW.
June 12, 2008 at 10:58 am Permalink
Er, that was for Kelly. I do get free CDs, which is why I got into this line of work in the first place.
June 12, 2008 at 11:01 am Permalink
To be fair, she did say that you got actual dollars, not a lot of them. Everyone tries to pay me in photocopied Monopoly money.
June 12, 2008 at 12:43 pm Permalink
Chris: I guess i need to start putting smiley faces by the things that i mean sarcastically or jokingly. I wouldnt imagine that you are making a fortune, but I am with you that i have enjoyed the free cd part of the gig as well….
June 12, 2008 at 2:54 pm Permalink
It’s finally happened — I now use sarcasm so often that I no longer recognize the sarcasm of others. That’s just great.
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