Becky Schlegel – “Jenny”
In its simplicity, Becky Schlegel’s latest, “Jenny,” stands in stark contrast to the bulk of songs currently garnering airplay. She’s backed by a sparse, acoustic arrangement limited to a guitar, bass, mandolin, and light percussion, with Randy Kohrs providing harmony. It’s a study in interpretation and supportive arrangement that maximize the emotional significance of the lyric, reflecting artistry without becoming inaccessible.
“Jenny” is written from a man’s perspective with Schlegel assuming the role of the narrator, which could cause some confusion. A lot of gender role reversals have been released recently, with Rodney Crowell (”The Rise And Fall Of Intelligent Design”), Bruce Robison (”Bad Girl Blues”), Hal Ketchum (”Ordinary Day”), and Sugarland (”Genevieve”) contributing to the trend. While social implications could be derived, akin to some of the aforementioned songs, it’s a straight forward interpretation that doesn’t care about anything other the emotional impact of a particular moment in time.
Perhaps the most stunning aspect of the song, however, is Schlegel’s voice. It has an ethereal quality, similar to Alison Krauss, that exudes emotion in a way that a male singer probably couldn’t convey.
The story revolves around a man whose love, Jenny, breathes her last breath while he’s away. In his grief he’d give everything he owns just to tell her that he’s sorry for ever leaving her side and in one particularly moving verse he grieves, “Never more to roam/And never more a home/Only sweet, of sweetest memories/The penance I now pay/Is praying every day/That I can join you soon beneath the trees.”
The lyric doesn’t introduce a problem only to cloyingly provide a resolution and it doesn’t end happily wrapped in a ribbon with a pretty bow on top, but rather explores the narrator’s grief at leaving his love’s side and ends without a conclusion, leaving the details up to the listener. It’s too bad radio frowns at voices and material like this because “Jenny” truly is splendid and would provide for some much needed variety.
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September 23, 2008 at 1:50 pm Permalink
In today’s society could the narrator not be either a woman or a man? The fact that it’s sung by a woman lends credence to the woman narrator theory, too.
September 23, 2008 at 2:51 pm Permalink
My favorite cut on her album. The fragility in her voice brings something really special to the lyric. Lyrically and interpretively, this song is what Sugarland’s “Joey” strives for but doesn’t quite achieve.
September 23, 2008 at 7:41 pm Permalink
I’m sure glad Becky developed a following on Prairie Home Companion so that she will sell some CDs to an appreciative audience. I would hope she gets airplay on Satellite Radio stations as well to broaden her fan base.
As for Top 40 Crapola Country Radio, this gal is a likely a non-starter. Becky’s artistry and the depth in her music sits in direct opposition to the pop-rock piffle that dominates the airwaves. Becky’s songs sandwiched between Taylor Swift and Rascal Flatts would be as out of place in the Top 20 as Sarah Palin and an Obama love fest.
In a similar vein I must admit my surprise to seeing the Joey + Rory debut single “Cheater, Cheater” on the Top 40 country charts up in the 50’s last week! I figured Sugar Hill would target Americana Radio instead. If they think the CMT exposure of “Can You Duet” can get Joey + Rory up the Top 40’s singles charts, I wish them luck….
September 23, 2008 at 8:49 pm Permalink
The chart is actually a 60-position chart, hence why making the Top 40 is an achievement, and then making the Top 20 ism ore so… etc.
“Cheater, Cheater” debuted at #57
October 2, 2008 at 11:44 am Permalink
In looking up Joey + Rory I cam across some references to a solo ccd (or single) she did previously. Anyone have/heard/know about this? Any good?
October 28, 2008 at 10:28 am Permalink
As far as I know, mainstream country radio never got this song. At least we didn’t. You can’t blame radio for not playing a song if the artist/label doesn’t distribute it accordingly.
October 28, 2008 at 10:54 am Permalink
At the same time, can you blame the artist/label for not distributing it accordingly when there’s a >5% chance the song will get played anyway?
October 28, 2008 at 11:23 am Permalink
True. And then they lose credibility with elitists who equate commercial success with selling their souls to the devil.
November 5, 2008 at 1:19 pm Permalink
I gotta correct myself on an earlier comment. As I was searching for a particular song in my CDX library, I came across “Jenny” hidden deep into the track list of a disc from a couple months ago. A song this good should’ve been closer to the top of the list (in general, the further you get down the track list, the worse the production quality and artist talent gets).
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