Album Review: Reckless Kelly – Bulletproof
Reckless Kelly’s music has always landed at a point of convergence between rock and country, but the band’s seventh studio album, driven by drummer Jay Nazz’s prominent percussing, is an evocatively rhythmic collection that takes a step away from any significant country sensibility.
Lyrically, Bulletproof simmers with a directness that borders on aggressive. These are songs that cut straight to the heart of the matter, like the left-leaning “American Blood,” where lead singer Willy Braun proclaims, “God bless America, but God damn Uncle Sam,” and the stunning post-Katrina narrative, “God Forsaken Town,” (co-written by Robert Earl Keen), which makes no apologies as it’s narrator, a New Orleans native who refused to evacuate the storm, warns looters that they better come heavy because he’s got a “sawed off and a red hot .44,” waiting for them.
There are moments on Bulletproof in which Braun and Co. embrace more typically country subjects–love lost or love longed for, both of which are recurring themes–but the presence of the occasional steel guitar (contributed by the legendary Llyod Maines) or fiddle, no matter how tastefully placed in the mix, cannot overpower the consistent utilization of the quintessentially rock techniques (a steady stream of aggressive electric guitar solos, dominating power chords, isolation intros) that pervade nearly every orifice of the record.
Still, make no mistake–although it certainly isn’t country music, Bulletproof is exceptionally pleasing. Reckless Kelly has delivered a detail-oriented sonic masterpiece with tracks perfectly constructed so as to give each instrumental nugget enough space to glow, without causing the whole to sound overly sparse. In fact, the arrangements themselves are often so well executed, and so interestingly conceived, that Braun’s vocals sometimes get in the way.
Braun’s lack of dexterity is ultimately the album’s greatest shortcoming. He is significantly limited in his delivery, and after fourteen songs it all starts to feel a bit repetitive as his ragged voice begins to ebb and flow between organic and wearing.

Recommended Tracks: “Ragged As The Road“, “Love In Her Eyes“, “God Forsaken Town”
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Trackback URI for this postJuly 6, 2008
[...] it is entirely fitting, I think, that on July 4th, in response to my review of Reckless Kelly’s latest album “Bulletproof,” which features an anti-war anthem called “American Blood,” Cindy2 posted a comment [...]
July 6, 2008
[...] Album Review: Reckless Kelly – Bulletproof [The 9513] [...]
July 30, 2008
[...] was established in Jim Malec’s review of Bulletproof, the band leans towards rock or as leadman Braun likes to describe it, they’re “more [...]
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July 3, 2008 at 7:08 am Permalink
Very thoughtful review, Jim.
I also enjoyed this album. the truth is, i wouldve enjoyed it to a certain extent even if it didnt turn out as well as it did, cuz I am a huge fan of these guys. I do think this album is Country, I also think it’s Rock. I dont see a need to place it in, or keep it out of a nice-neat little label, simply due to its edgier and more agressive sonic qualities, especially in this era where the lines are so very blurred. While I dig the topical songs, “God Forsaken Town” really digs deep and doesnt take the easy way out of Bush-bashing. By telling the story from the desperate & hopeless resident point of view, I feel like I am being shown the reason why people are so mad about what happened and not just being told that people are mad about what happened in N.O.
July 3, 2008 at 7:37 am Permalink
Thanks for the review. RK has been a favorite of mine for a long time, and it’s great to hear that the new record sounds like another winner. Having seen the band in concert, I’ve got a better appreciation for just how impressive a guitarist David Abeyta is, so a record with his playing pushed up front isn’t a bad thing at all, in my opinion.
July 3, 2008 at 7:38 am Permalink
My biggest problem with Reckless Kelly has always been their fairly bland rock arrangements and it sounds like they may have fixed those. I’ll have to check it out.
July 3, 2008 at 7:42 am Permalink
One question: How does it stack up against The Drive By Trucker’s Brighter than Creation’s Dark?
July 3, 2008 at 7:50 am Permalink
I am not a big fan of Brighter Than Creation’s Dark–OK, let’s be frank…I thought it was atrocious–so needless to say that I strongly prefer Bulletproof.
But they are two very different types of records, and I’m not sure you can compare them fairly. BTCD at least has the pretense that it’s an Alt. Country record, and I just don’t hear that on Bulletproof. Some of this stuff isn’t that far removed from mainstream rock.
July 3, 2008 at 7:51 am Permalink
I’ve had a chance to listen through this several times. I was at first disappointed and didn’t think much of it, but it grew on my and grew on me fast. I think Jim nailed this review. This is a rock record first, and a country record almost as an afterthought. The arrangements and solos are great, there are some good rock lyrics and some good country lyrics, and Braun’s vocals are decent. So, a little great and a lot of good.
I thought American Blood took some cheap shots and was too black and white for my taste. Higher Ground is fantastic. Definitely worth buying, but I think they’ve got better in ‘em.
July 3, 2008 at 8:08 am Permalink
Jim: Mainstream rock like Fall Out Boy and Daughtrey or mainstream rock like Five For Fighting and Seether?
July 3, 2008 at 8:11 am Permalink
Good review that does a good album justice. Lovin’ that country rockin’ sound!
July 3, 2008 at 8:26 am Permalink
I would describe Fall Out Boy as alternative, and I would describe Seether as Hard Rock. But a Daughtry comparison might be workable.
That’s not to say that they sound the same–they don’t, by any stretch. But it’s a question of separation. If we took out some of the rock posturing on the Daugherty record, what would it sound like?
Bulletproof certainly has a roots or acoustic element, but it’s a more direct path, musically speaking, from this album to, let’s say the Foo Fighter’s acoustic disc, than it is to get to just about anything in the world of country music.
July 3, 2008 at 8:28 am Permalink
I can’t believe it never occurred to me before that “percuss” is a verb. Yet Dictionary.com tells me it is so.
July 3, 2008 at 8:47 am Permalink
That verb is mentioned in just about every review I have read (or written) about this album, which shows that it’s percussive nature is indeed a key element…i guess.
July 3, 2008 at 8:57 am Permalink
Did everybody know this word except me? I play drums, dammit! Someone should have told me I was percussing!
July 3, 2008 at 9:03 am Permalink
I only learned it after reading a review of Steve Earle’s recent release and his use of loops, pro-tools and hip-hop beats. So I am new to it as well….unless you are kidding, and if so, uh, I have known about it for a really long time….
July 3, 2008 at 9:20 am Permalink
Chris: I tried to learn how to play drums, but I only made it up to precursing.
July 3, 2008 at 10:46 am Permalink
So you were a precursor?
July 3, 2008 at 12:07 pm Permalink
I think a couple of times I might have made it up to cursor.
July 3, 2008 at 2:53 pm Permalink
Nice review. Imma check it out.
July 3, 2008 at 4:48 pm Permalink
Great album. “American Blood” is one of the finest war related songs I have ever heard. Seriously the line where he sings “God Bless America, but God Damn Uncle Sam” perfectly sums up the nations feelings right now, politically and socially.
July 4, 2008 at 7:45 am Permalink
At the risk of starting a political war here..
I’ll start by saying that are government is far from perfect, has tons of problems, and screws things up on a regular basis. Conservatives and liberals can, I hope, find common ground in that thought. And, because of our laws, we all have the right to say that without landing in jail. A lot of people in the world don’t have that right. So I have a real problem with the phrase “God Damn Uncle Sam.” “Uncle Sam” does a tremendous amount of good in the world, and for people here. Our military, for example, was the first on the scene to provide relief after the tragic tsunami a few years ago.
I can’t stand it when musicians, especially ones that I like, like RK,
start waxing political. For the most part, all they are doing is showing a real lack of knowledge about objective history. When they (not just RK) bash the current administration, especially, it is done with the attitude of “look how brave I am”, but it the current political environment, it is anything but. Lyrically, these songs sound to me about as insightful as a Rascal Flatts tune. They do nothing but preach to the choir, and risk alienating part of the artist’s audience.
I have several of RKs cds; I especially love the recent live one. And yes, there guitar player is excellent. They have every right to say what they want on their records, just as I have the right to skip buying this one.
July 4, 2008 at 7:47 am Permalink
(forgive the spelling mistakes in that post… I really need to practice proofing my posts better!)
July 4, 2008 at 1:17 pm Permalink
My problem with RK is their total lack of originality. I tried to like this, but just like everything else they’ve ever done, to me, it lacks the spark that would set them apart from a thousand other bands. Braun’s vocals are only a part of the problem. It lacks a distinctiveness and forever reminds me that Steve Earle did the same thing they’re doing at the outset of his career and he did it with a ton more heart and imagination. Yeah I know it’s ‘country rock’ and after awhile it all starts to sound the same, but there are ways to make it sound interesting (at this point I suggest listening to a Son Volt record) and Braun’s either doesn’t seem interested in doing so or aren’t capable of it. PS: Hi Kelly!
July 5, 2008 at 4:20 pm Permalink
Cindy: Uncle Sam doesn’t exist. He is a advertising tool for propoganda created to help make the Alien and Sedition acts tolerable and used to help the US populace swallow other bitter pills since then.
July 5, 2008 at 4:36 pm Permalink
Next you’ll tell me there’s no Santa Claus!
July 6, 2008 at 4:34 pm Permalink
Does anyone know where I can hear a few of these tracks?
July 8, 2008 at 10:04 pm Permalink
I think it is their best album and I have been a fan for a while. It is rotating with the new Alejandro escovedo as my heavy play CDs at the moment.
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