Album Review: Jewel - Perfectly Clear
Perfectly Clear is absolutely magnificent and gloriously country. But only for three minutes and fifty-five seconds.
That’s the duration of “Anyone But You,” a starkly classic heartbreak ballad, co-written by Jewel and Wynn Varble, which is startling in its traditional aesthetic and delivered with unexpected authenticity and uncalculated emotion. The track opens with a gentle piano and a warm, subtle fiddle, both instruments ushering in, and subsequently wrapping themselves around, a vocal performance that is easily among the best of her career; confident, vulnerable, controlled, but still characteristically emotive.
Heavily reminiscent of Patsy, it’s a shame the rest of Perfectly Clear doesn’t follow in those brilliant footsteps.
Instead, this debut country album finds the multi-platinum singer/songwriter dodling on essentially the same artistic canvas as her previous effort, the unremarkable Goodbye Alice In Wonderland. Unrelentingly tranquil, and with token country instruments scattered throughout what often sound like forced arrangements, Perfectly Clear lacks the narrative conflict between abrasivenesses and sensitivity that was the hallmark of so much of Jewel’s earlier songwriting.
“Stronger Woman,” the album’s opening track, (and lead single), sets a tone that is followed almost without fail–these are slickly produced mid-tempos, birthed from a suburban perspective, that find Jewel falling in and out of various degrees of love. It’s all very touching, but it’s also all very boring.
Where her 1995 album Pieces Of You is a mountain rainshower that comes unexpectedly, wind gusting, and pours out a swell of emotion over and around you, Perfectly Clear is a soft summer breeze that gently blows across your face. It is the difference between poetry that demands your attention and poetry that simply asks for it.
On Perfectly Clear, there is no grit, no anger, no bitterness, no angst, no wonder, no anticipation or expectation, and very little passion. Instead it is polite, and clean, and mundane. “I Do” and “Thump Thump” are sweetly-swaying but nondescript love songs that tap at the heartstrings rather than tug, while “2 Become 1″ provides the requisite, “song that has already appeared on a previous Jewel album”–although, like the album as a whole, it is neither exceptionally country nor exceptionally noteworthy.

Recommended Tracks: “Anyone But You“, “‘Till It Feels Like Cheating“
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13 Comments
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June 4, 2008 at 7:50 am Permalink
Wow, Jim, good for you for shooting straight. Based on past conversations I’m sure you wanted to like this release more then you ended up. Me, on the other hand, I see Jewel and John Rich and I believe it can’t add up to anything worth caring about.
June 4, 2008 at 8:02 am Permalink
The only three songs I particularly cared for at all are the two you recommended plus “Loved By You (Cowboy Waltz),” which she wrote when she was 17. Even “Loved By You” falls into the “boring” theme of the album, but her performance stands out. Other than those, everything is exactly as you described it.
June 4, 2008 at 8:33 am Permalink
Jewel seems to write better when she is focused on the lyrics and not on putting out an album in a specific style. And, apparently, 2 Become One, hasn’t improved any since 0304.
June 4, 2008 at 8:39 am Permalink
I havent heard the song “Anyone But You” but I know if Wynn wrote it, it’s country through and through. :-)
June 4, 2008 at 8:40 am Permalink
Great review, Jim. I actually liked this album quite a bit. I thought it was a step back in the right direction after the weak “Alice,” and that she and the country genre really suit one another. (My favorite album of hers is still “This Way,” which Dann Huff produced.) It’s interesting that you thought the country instrumentation felt shoehorned in, because I felt it was really seamless, and that the banjo et al. really complimented her melodies.
You make a good point that there’s a lot of mushy love stuff, but I thought on the whole it was balanced — “Rosey and Mick” is startlingly gritty (Miranda’s made domestic violence a hot topic), and “Perfectly Clear” is really old-school Jewel with that surreal imagery. “Thump Thump” is definitely the low point, though.
June 4, 2008 at 10:10 am Permalink
Thanks for the heads up Jim. If and when Jewel makes a totally country album I might be interested. I do want to hear the song you mention in the first paragraph at some point though……
June 5, 2008 at 8:03 am Permalink
My only wish is that Jewel would make music that matches just how articulate she is as a person.
June 5, 2008 at 8:20 am Permalink
B. Jonathan… I agree- in all the interviews I’ve heard, she is well spoken and engaging. She seems refreshingly down to earth- but then she sings. I’m just not a fan of her music and don’t think I ever will be.
June 5, 2008 at 1:26 pm Permalink
Is it just me, or is Jewel just plain annoying?
June 5, 2008 at 2:49 pm Permalink
Baron: Hey, thanks…but did you expect anything else? If there’s one thing you know you’ll get from me, it’s the truth as I see it. Even when it hurts. And sure, it hurt here. Pieces of You is one of my all-time favorite albums. Always will be. But the truth is that as Jewel has become more comfortable, more socially adjusted, and more versed in “the right way” to write songs, she’s lost her edge. Every record since Pieces has been progressively weaker. I wanted this to be good, you’re right, because I saw it as an opportunity to reclaim herself, to chart out some new territory. She did that on one track, and the result was great. So the album, for me, is as disappointing in what it could have been as it is for what it is not.
Katie: It depends on how you want to listen to the instruments. On one hand, sure, Johnny Boy has fluidly set the steels and fiddles into the mixes. That’s what he does. but does that mean they fit? There’s a reason we don’t hear those instruments in a lot of pop music–they are sonically and socially associated with Country. And with most of these songs, there’s just nothing country there–not the voice, not the lyrics, not the delivery. You can’t just take a pop song and “make it” country, even when the arrangement and the mix would otherwise lend itself to that classification. And so that’s why I said it feels forced.
June 5, 2008 at 7:58 pm Permalink
Baron: I also noticed that the version of You Were Meant For Me is the same version as on Pieces of You. Add this to her recycling of 2 Become 1 and I have to wonder if she is expecting any return fans at all. And if not, why not?
June 14, 2008 at 6:24 pm Permalink
I saw Jewel in concert last night with Brad Paisley, Julianne Hough and Chad Wicks. While Brad was really enjoyable (and the other two forgettable), Jewel alone was worth the price of admission. Not only can she really sing (which surprised me), but she was completely captivating. Her band was excellent and she easily commanded the stage and audience.
Her only two missteps however…both of the songs off of this album (”Stronger Woman” and her next single “I Do”). They were both rather dull and forgettable (and the only two that got zero audience reaction and the only two my friend turned to me and said she thought sucked without knowing they came off her recent “country” album). In attempting to be country, she took her music and songwriting to a much lower level and it didn’t work for her at all. I think she will fit in on country radio these days much better if she sticks with what worked for her best. Maybe next time.
btw…If “I Do” gets much radio play, I will be surprised.
June 27, 2008 at 4:03 pm Permalink
I also saw Jewel in concert with Brad Paisley and I loved her performance of Stronger Woman. I think that song carries such a great message and she delivered it very convinvigly. I agree in that she was the star of the show amoung the opening acts. I really enjoyed her and actually preferred her newer songs live than I did her old ones…with one exception. I loved her performance of Hands. She changed it up a bit and sounded great. I would say Hands and Stronger Woman were my favorite songs live.
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