Album Review: Colt Ford – Chicken & Biscuits
The first time I heard “Nothing in Particular,” the sixth track on Colt Ford’s new album Chicken & Biscuits, I could’ve sworn guest vocalist Sunny Ledfurd sang the following line: “So much of nothing on the schedule now/And I’m inviting all of y’all to hell.”
Of course, upon re-listen I realized that the word is “help,” not “hell.” But after twenty minutes of butchered syntax, hackneyed rhymes, ridiculous southern machismo and relentlessly monotonous rhythms, hell seemed exactly the place to which Ford and Co. had invited me.
Colt Ford has sold hundreds of thousands of records without the help of a major label, a minor label or country radio—a fact that makes him the most commercially impressive indie figure working in, or under a guise of, country music. That he’s accomplished a level of success unlike any other artist of his stature is both astonishing and depressing, considering the lack of talent demonstrated on Chicken & Biscuits—an artistically disastrous hybrid of country and hip hop (specifically, rap) that winds up sinking each genre to its lowest lows.
The album starts off with Ford comparing his affection for his beloved to his affection for (what else?) chicken and biscuits, and by the third track, “Diggin’” (the tale of a guy with a DUI who decides to pimp out his backhoe and drive it around town), he’s in full stride with lyrics like “Yo yo, Popo, you gotta let me go go.”
Ford is an awful rapper, one who shows neither reverence for, nor proficiency in, the art form. That’s not surprising, really, considering that back in March he told The 9513 he only became a rapper because he’s not strong enough of a vocalist to release an album as a singer. Still, his appropriation of the art form is blatant and borders on offensive; over the course of 16 mind-numbing tracks, Ford celebrates his narrow view of country life with lyrics that repeatedly make it clear he has no interest in actually acknowledging the urban half of his musical formula.
Ford’s concoction isn’t really about blending two musical (and cultural worlds)—it’s about isolating one inside the structure built by another—and it exists solely for the purpose of advancing his own commercial agenda. In “Cricket on a Line,” he busts out with the following gem: “Hey y’all it’s me again/Time to get it on for my country friends/Got girls, got trucks, got mud, y’all know what’s up,” while in “We Like To Hunt,” he declares, “We like to hunt, fish, play out in the mud/That’s the way we do ‘round here, so now you know what’s up.”
There’s no reason for such lyrics to be wrapped inside a hip hop aesthetic, and Ford makes no effort to try and build synergy or bridge the gap between the two poles. He doesn’t seem at all interested in showing us how rap and country are similar, or in demonstrating how the two can work together to create something new. He even goes so far as to show his disdain for hip hop with the lyrics, “I came in here to hear a country song/Not hip hop in a honky-tonk.”
Characterized by phrasing that’s stretched and twisted to fit meter and rhyme scheme, Ford’s lyrics sound like amateur poetry, or like what (predictably) happens when a white 40-year old former golf pro from the country thinks he’s going to try his hand at a predominately black, predominantly urban art form.
Chicken & Biscuits is an ugly record full of bad lines and bad rapping, one that strikes a single chord, beats a single drum and makes a single point: Everything from the country is wonderful.
Too bad he had to venture into the city to find a format in which he could work.

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May 9, 2010
28 Comments
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May 20, 2010 at 6:38 pm
Whenever I read any sort of critique of Colt Ford (this is probably the first I’ve read where this didn’t happen), he has sort of been presented as a better version of Cowboy Troy. I still haven’t seen why, as the latter at least had a few guilty pleasures (“If You Don’t Wanna Love Me,” “Somebody’s Smiling on Me”), while I haven’t yet heard anything appealing from Colt.
May 20, 2010 at 7:16 pm
he has sort of been presented as a better version of Cowboy Troy
Poor Troy.
May 20, 2010 at 7:44 pm
Once again, Malec allows me to know that I’m not insane. I have NO problems with rap whatsoever, and have a deep admiration for people like Mathers and West and JAY-Z, who are true artists in the medium. When a guy like this turns the form into a complete abortion on tape, for lack of a better phrase, it is painful.
I enjoyed “Ride Through The Country” because JMM’s vocal was great and the hook was catchy, but that, as with what I’m hearing from this album, doesn’t help the fact that “The Worst Part Of Every Colt Ford Song, Is Colt Ford”.
May 20, 2010 at 8:04 pm
Once again, Malec allows me to know that I’m not insane.
Steady on there. All we’ve established is that you’re not wrong about Colt Ford.
May 20, 2010 at 9:43 pm
ha ha ha ha ha – hey, I’m just saying that 99% of the time, I agree with Malec. ;)
…….but dually noted.
May 20, 2010 at 9:51 pm
Isn’t his 15 minutes of fame up yet?
May 20, 2010 at 9:55 pm
Glad to see a truly negative review for this guy, because I don’t like him, and don’t seem to understand why everyone keeps praising him.
May 21, 2010 at 7:54 am
If there is one saving grace, it is knowing he is a much worse representative of rap than country. Where is Shuge Knight when you need him? Oh right. Dammit.
May 21, 2010 at 9:53 am
Wait… this isn’t a comedy album?
May 21, 2010 at 11:07 am
I think one star is too generous…
May 21, 2010 at 4:27 pm
Sounds like a lot of jealousy around here… Colt plays hundreds of shows a year and sells a lot of CDs and merch and is continually growing as an artist. Like him or not, that’s your choice, BUT you cannot argue with the fact that Colt Ford has struck a chord with a lot of country fans in a way that many artists today would die to do.
May 21, 2010 at 4:28 pm
Why would I be jealous of Colt? I can rap badly.
May 21, 2010 at 6:55 pm
AJ, I don’t notice any jealousy. It seems like Jim and the rest of the crew just generally dislike this clown’s music.
May 21, 2010 at 7:50 pm
I’m wondering why this was even reviewed? Running out of things to do Jim???
May 23, 2010 at 2:00 pm
…in a nutshell: go for the chicken or the biscuits but not for “chicken & biscuits”. correct?
May 24, 2010 at 3:52 pm
Perhaps you have him all wrong… I mean, his take on the whole country/rap (let’s just call it c/rap) thing is wholly original. Just look at the album title “Chicken & Biscuits” — that’s nothing at all like this: http://upload.wikimedia.org/wikipedia/en/2/21/Ludacris-ChickenAndBeer-music-album.jpg
You should give this guy a break. He’s doing something real and original, and you can’t take that away from him. ;-P
-=B
May 29, 2010 at 4:37 am
I’d say you pretty much hit the nail on the head with this review. At the risk of being tarred and feathered, I was a DJ in south Georgia at the radio station that broke “Ride Through The Country.” We played it as a novelty song because Colt Ford is from the area and for some reason it turned into a major overnight phenomenon. I would walk into the studio and within minutes the phone would ring with a request for Ride Through The Country. I’d generaly hold off as long as I could before I’d play it. Two minutes after it aired, I’d get six more requests. I hated the song the first time I heard it in my program director’s office, and about six thousand plays later I go into convultions when I hear it. Pretty soon the other local stations got in on it and started playing him. We even promoted several Colt Ford concerts that were pretty much sold out shows, I couldn’t believe it. I will give him one credit: in a weird, frightening way, it captures a little bit of south Georgia. The people there have this strange cultural mix of hip hop and redneck. “Dirt Road Anthem” off his first album had a slight element of truth to it, people there would go out on Saturday night and “ride dirt roads”, as they put it, and drink beer. What really amazed me was we were also playing Jason Boland, Stoney Larue, and Cross Canadian Ragweed and people loved them too, but for some reason they went nuts for Colt Ford. If somebody can explain to me either how our audience liked both, or why they chose Colt Ford over Boland, I will buy you a beer.
June 2, 2010 at 11:25 pm
People love Colt Ford because he’s real, not manufactured. You all are a bunch of dumb asses!
June 3, 2010 at 6:25 am
If Colt is “real”, I’ll stick to fake and manufactured for the rest of my life.
June 3, 2010 at 7:51 am
Joe: You haven’t seen a Ford plant?
June 15, 2010 at 12:07 am
to cj i live in south georgia and remember when that radio station played underground music they were the first to play colt ford and zac brown and many more underground artist they are now like every other pop/cuntry(without the o) station out there and i rarely listn to them. as to this review i agree his first cd with exception of ride through the country was pretty much trash though had chuckles in a few no real quality and as an artist i doubt he can climb any higher on this album
July 15, 2010 at 12:48 pm
lets see here colt for has done somthin and be succesful at it and nobody else has been able to pull it off. country rap. now you say that hesa terrible rapper. terrible rapper by yalls means might be diffrent. its COUNTRY RAP
July 15, 2010 at 1:04 pm
Immani Coppula pulled off country rap.
August 5, 2010 at 12:43 am
Those of you criticizing this music, have never lived in the country. Or don’t understand anything about it if you do. Colt Ford is fun, and describes the life of a person who truly bleeds country.
August 5, 2010 at 7:42 am
I grew up in a town of 435 people and we were the biggest school in our league.
August 5, 2010 at 9:25 am
Then you fall into Kendal’s “don’t understand” group.
September 12, 2010 at 5:37 pm
colt ford is awesome, the songs are meant for people from the country who dont wanna listen to some wack ass rap but dont always want a sappy country song they are up beat and its good party, four wheeling/mud bogging music. i guess you would have to be a country guy or gal to understand him, city people aint gonna understand and sure aint gonna like it. if yall dont like him dont listen to him, but dont diss him. but us G.R.I.T.S do loooove him.
September 12, 2010 at 5:49 pm
But this IS wack ass rap. Like seriously, If Suge Knight ever finds out this is going down in the name of rap, well….balconies might be involved.