Alan Jackson - “Good Time”
Songwriter: Alan Jackson
I’ve long thought that the preponderance of “list songs” on modern country radio is a consequence of the co-writing epidemic and the general talentlessness of too many Nashville hit-makers. Leave it to Alan Jackson, one of the genre’s greatest singer-songwriters, to shatter my assumptions by recording Good Time, an album composed entirely of self-written list songs. There are no co-writers on Good Time and no educated country fan can question Mr. Jackson’s songwriting chops, so I’m left to conclude that the list song is no longer a bystander but a bona fide commercial juggernaut that has caught even a future hall of famer, stalwart traditionalist and radio superstar in its wake.
Appropriately, the title track epitomizes the approach and shortcomings of Good Time. The song itself is deceiving because Jackson’s vocal performance is classy and genuine and the arrangement tuned perfectly to feel-good, up-tempo country. I can’t criticize “Good Time” in the same way that I could the latest Bucky Covington single, and that reality make the song at least listenable. But missing from “Good Time” is the kind of sentiment that characterized “Small Town Southern Man” and might allow the listener to conclude that Jackson employed the list format as an artistic choice rather than a lyrical sine qua non. The use of this crutch in a hit single is rare for Mr. Jackson, and we can only hope that the rest of radio’s few remaining traditionalists won’t catch the same disease.
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Listen: Alan Jackson - “Good Time”
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May 7, 2008 at 7:15 pm Permalink
Say what you will, but the first time I heard “G with an O, O with a D, T with an I and an M and an E” it really stuck in my mind.
It’s a sweet, fun song. I like it.
May 7, 2008 at 7:58 pm Permalink
This definitely isn’t one of Alan Jackson’s better songs and I don’t particularly care for it myself. Either this is exactly what’s wanted or Jackson is getting a free pass. On another note, anyone else notice a theme through the first quarter of ‘08?
Alan Jackson - “Good Time”
Andy Griggs - “The Good Life”
Chuck Wicks - “Good Time Comin’ On”
Justin Towns Earle - “The Good Life”
Laura Bryna - “Life Is Good”
Rhonda Vincent - “Good Thing Going”
May 7, 2008 at 8:05 pm Permalink
A question about list songs: Do we include songs in which each verse (after the first) is essentially a repeat of the prior verses as a “list.”
Example: A.J’s “Gone Country’ Each verse is a bout a singer/artist (las vegas lounge singer; Greenwich village folk singer; LA pop songwriter) who renounces his/her values or past (as a long island girl; an opponent of wealth and privilege; a “serious composer,” respectively) upon learning that money can be made in the country business.
The second and third verses don’t really add much that is new, but including them makes it clear that the Las Vegas singer in the first verse isn’t an exception, but rather the rule. “Everybody’s gone country,” we learn. But otherwise, the 2nd and 3rd verses don’t advance a plot, introduce insights, or do much of anything else.
In a sense, the verses don’t contain lists; rather, each verse is an extended item in a 3 item list.
I wonder if song structures like this deserve to be put in the “lazy songwriting” trashbin or not.
May 7, 2008 at 8:11 pm Permalink
“Tall, Tall Trees” and “Little Bitty” were not exactly artistic masterpieces either and they were written by legends (TTT by Roger Miller & George Jones, LB by Tom T. Hall), but they are fun, enjoyable songs that were big hits for Alan Jackson.
“Good Time” is a fun, up-tempo song that you can enjoy while riding in your car, or spending a day at the lake. Not every song has to been brilliantly written and meaningful song. Sometimes you just need to release something fun.
Alan Jackson is still making great music and selling well. How many other artists in country music who started in with Alan in 1989 are doing both? Not many.
May 7, 2008 at 9:41 pm Permalink
hairandtoenails, I wouldn’t consider “Gone Country” to be a list song and certainly not in the lazy songwriting category. Check out these lyrics from “Good Time:”
I think there’s a clear difference between something like “Good Time” that’s composed of generic lists in order to appeal to the most people possible and a song like “Gone Country.”
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Jonathan, I don’t think anyone is arguing that every song has to be brilliantly written or deep, but the lyrics to this song seem to be especially bad. Can it even be considered in the same league as “Tall, Tall Trees” and “Little Bitty?” Would we let anyone else get away with lyrics like those above?
May 7, 2008 at 10:20 pm Permalink
I do agree, Brady, that there is a huge difference in quality between “Good Time” and “Gone Country”. “Gone Country” is a great song. I should say too that when I suggested that “Gone Country” may be a list-song, its a list song of another sort, if at all.
I don’t mean to disparage “Gone Country” (I appreciate its sentiment), but part of me thinks that the second and third verses merely repeat the ideas in the first. In a way,
===
As to Jonathan’s point about songs being fun: Perhaps one related issue is: what is the purpose of music. If these songs exist primarily play in car radios, and to relieve the boredom of driving, then “Good Time” will work just fine. If they exist to serve as background noise for drunks in a bar, then again, “Good Time” does the trick. But for other purposes, we need a higher musical standard.
May 7, 2008 at 10:52 pm Permalink
I’ve really enjoyed some of Alan Jackson’s other light-hearted silly songs in the past, such as “Little Bitty,” “Tall, Tall Trees, ” “Dallas” and “Chattahoochee.” (I do spend a lot of time in my car!) However, I’m not a fan of this one. I can’t put my finger on it. I don’t think it’s the list thing (although I really hate that). I’ll probably just turn the station when it comes on and hope it goes away quickly.
May 8, 2008 at 7:11 am Permalink
hairandtoenails, I agree that the verses in “Gone Country” do repeat the idea in the first, but I don’t think it necessarily detracts from the song. From web development, I’ve found that describing things as lists can be taken to dizzying extremes. For instance, a song like Jamey Johnson’s “In Color” could be considered a list of life events. The extent to which there is a strong correlation between lists and lazy songwriting should probably be left at songs like this where generic experiences are mindlessly listed, effectively serving as a crutch.
May 8, 2008 at 9:40 am Permalink
Congratulations, Mr. Smarty Pants — I had to look up “sine qua non.”
May 8, 2008 at 10:09 am Permalink
Yeah, I didn’t mean to use two Latin phrases in the same single review…it just turned out that way.
May 8, 2008 at 10:58 am Permalink
Unlike some of you I don’t feel a song has to convey some deep philisophical truth to be considered a great song. There is nothing wrong with a song about a guy looking for a good time.it’s a song that most paople can relate to about life, which is why I love country. However I must agree that this song is not AJ’s best. It has a catchy arraingement and it’s a great sing along but something is missing that I can’t quite isolate. I don’t hate it and it’s certainly better than most of the “deep” songs that get thumbs up from the reviewers here in my opinion.
May 8, 2008 at 11:30 am Permalink
To respond to several commenters: I don’t dislike this song because it isn’t “deep.” As others have noted, AJ standards like “Tall, Tall Trees,” “Little Bitty,” “Chattahoochee,” etc. are just plain fun and all would receive an enthuiastic thumbs up from me. I like “fun” songs as well as the next guy, but this song didn’t make me feel that way. If it had, it would’ve received a positive review despite the absence of “philosophical truth.”
May 8, 2008 at 11:31 am Permalink
Todd, I don’t think anyone is arguing that every song has to be “deep or philosophical” to be great. That being said, do you really consider this song to be better than most of the songs we give a thumbs up? And which of those did we claim were good because they were deep?
May 8, 2008 at 11:38 am Permalink
You know, there isn’t much daylight between Snoop Dogg’s “My Medicine” and this song. We’re edging ever closer to the golden age of country rap.
May 8, 2008 at 1:32 pm Permalink
“I can’t criticize “Good Time” in the same way that I could the latest Bucky Covington single, and that reality make the song at least listenable”
Come on Brady, what happened? You said “If I say I like the song, will it make them stop talking?” Here you go again! :) Just wanted to rag on you a bit!! :)
May 8, 2008 at 1:35 pm Permalink
Kerri, I didn’t write this review ;)
May 8, 2008 at 6:18 pm Permalink
I gave this song a pretty good review just a couple of weeks ago, but it’s already lost its flavor with me. Like others have said, there’s just something about it that doesn’t maintain my enthusiasm and I can’t put my finger on it either.
By the way, I’ve never liked “Little Bitty”, but love “Tall Tall Trees.”
May 9, 2008 at 1:51 pm Permalink
One thing I like about Alan’s music (and this song in particular) is how his music is timelessly-traditional in some ways but presented with state-of-the-art production. It’s a good mix that few of his peers could match.
Oh and does anyone else think of The Grateful Dead’s “Truckin’” when they hear it?
May 10, 2008 at 9:48 am Permalink
I like this better than anything Alan has put out in a long long time.
May 13, 2008 at 4:32 pm Permalink
Personally I like the song, and I’ve always been a big fan of Alan Jackson
June 2, 2008 at 6:52 am Permalink
I love this song you people can stick your opinion in you hat. You people have no idea what you are talking about.
June 2, 2008 at 7:13 am Permalink
Try listening to the album version of this song,which is 5:07 long (I assume the radio edit is much shorter). It gets absolutely mind-numbing after a while. Definitely not one of AJ’s best songs.
June 2, 2008 at 8:28 am Permalink
The single version is about 3:30 or so … the album version is only played on a few stations (WLJE in Valparaiso, Ind., for example, which almost never receives promo singles so has to rely on playing album cuts exclusively).
July 8, 2008 at 7:01 pm Permalink
I agree with whoever said that the “G with an O, O with a D, T with an I and an M and an E” line is catchy. That’s my favorite part of the song. (It reminds me of “Tennessee Girl” by Sammy Kershaw, where he goes “T-E-double-N-e-double-S-W-T-F, geez, I can’t spell”, or however that goes.
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